Curated Recommendations Similar Cinematic Experiences to As Ye Sow:...

Dir: Frank Hall Crane

A fascinating piece of cinema that shares thematic elements.

Dir: Frank Hall Crane

Ludwig "Old Dutch" Streusand and his daughter Violet live in New York, and after years of hard study and labor Old Dutch completes his invention: the "teloptophone," a device which, when attached to a telephone, enables the speaker to see the party at the other end of the wire. He goes to John Rockmorgan with his invention and after he proves its worth, Rockmorgan agrees to finance his invention and gives him a check for $5,000 on account. Old Dutch and Violet have had a hard time life; now that his invention is a success, he feels that they deserve a Palm Beach vacation. To escape the publicity arising through the invention of the teloptophone, he also thinks it wise to assume another name to avoid being questioned and annoyed about his invention. He arrives at a Palm Beach hotel and registers under the name of John Mueller and daughter, and settles down to a period of rest and comfort. Harold, John Rockmorgan's son, has also gone to the hotel, and when he sees Violet, love awakens in his heart. They meet and she is happy in her first love affair. In the meantime, the vaudeville team of Bings and Bings is discharged from the theater in which they are playing because their act is so bad. They are in desperate straits and the male member of the team has the idea to go to a fashionable Florida hotel and somehow get hold of some of the millionaires' money. Old Dutch has become a great favorite with the children of the hotel, and on the day that Bings and Bings arrive there, he loses his pocketbook while playing with the kids. Mr. Bings has the good luck to spot it, and before they register he goes through the contents and sees the $5,000 check made out to Ludwig Streusand. When he finds that no such man is stopping there, he boldly signs the name of Ludwig Streusand and daughter. When Joubert, the hotel proprietor, learns that such an illustrious person is stopping with him, he immediately begins to give receptions and balls in his honor. Old Dutch is so wrapped up in having a good time that he is unaware a man is masquerading under his name, so when his week's bill is presented he is unable to pay it, as his check for $5,000 and all means of identification have gone with the pocketbook. Joubert is furious that Old Dutch cannot pay his bill and tells him that he and his daughter must either go to jail or work off their board bill, Old Dutch protests and says that his name is Streusand and John Rockmorgan is his partner. Joubert laughs at him and points at whom he thinks is the real Streusand. Harold tells the proprietor he feels sure that Old Dutch is speaking the truth. When Joubert asks him how long he has known him and in what way he can identify them, he is left without an answer. So they are put to work, Old Dutch in the stable and Violet in the kitchen. Meanwhile the vaudeville team of Bings and Bings are having the time of their lives. The female end of the sketch is doing her best to win Harold Rockmorgan, who still believes and loves Violet. After having been forced to perform various duties around the hotel, on the night of a banquet given in honor of the false Streusand, Joubert forces Old Dutch to be headwaiter. In the meantime Old Dutch has induced Harold to phone to his father to come down and identify his partner. At first he refuses, but Harold gets the teloptophone from Old Dutch and tells his father that he plainly sees the stenographer seated on his lap and unless he does come at once he will tell mother. That settles the old man. During the banquet Bings is called upon for a speech, and as he is telling his eager listeners what a wonderful man he is, Rockmorgan arrives downstairs in the hotel. The clerk hastens to tell Joubert. Old Dutch overhears the good news, and knows that his time has come. He tears down to the office, followed by Bings and the surprised guests. He runs up to Rockmorgan who quickly explains that Old Dutch is the real Streusand and the other is a faker. Bings and Bings' day is over, Harold and Violet are free to get married, and Old Dutch takes up his pleasure again.

A visual fragment from the archive: The thematic resonance of Old Dutch perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Hall Crane

A wealthy society matron is enchanted by a world-renowned opera singer. Her jealous boyfriend, seeing his meal ticket slipping away, hypnotizes the singer and renders him mute. His ploy works, and the singer, now unemployable, soon runs out of money and is reduced to utter poverty. However, a figure from his past is in a position to help him regain his former fame and fortune

Dir: Frank Hall Crane

Scandalous European temptress Lila Despard, travels to America to escape her lover, criminal Jack Firthenbras. On the ship, she meets Andrew Livingston, a United States Navy planner, and Senator and Mrs. Gales. Her new friends host a party for Lila in Washington, D.C., where a spy named Dromiroff threatens to expose her past unless she steals Andrew's secret naval plans. In order to secure the papers, Lila makes love to Andrew, but the plan backfires when she falls in love with him. Eventually, Lila agrees to marry Andrew, but during their honeymoon, Dromiroff abducts her from the bridal suite. At headquarters, Lila is shot while destroying the documents, and before dying, she telephones Andrew to confess her misdeeds. The conspirators are killed when their car plunges from a cliff.

A visual fragment from the archive: The thematic resonance of The Stolen Voice perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Hall Crane

Lucy Millington is an independent woman who looks upon men with contempt. Novelist Donald Prime, who has written a book on women, considers himself an authority on the subject. Both are lured into the desolate backwoods of Arcady by adventurers who plan to keep them in captivity until a fortune bequeathed to them has been safely deposited in the hands of their rivals. While attempting to find their way back to civilization they face many dangers including a canoe trip in perilous waters and an encounter with a band of outlaws. Finally, through sheer pluck and daring, they reach their lawyer just in the nick of time to claim their inheritance. During their days stranded in Arcady, they discover their love for each other, and so after they leave the lawyer's office, their next stop is to the justice of the peace.

Dir: Frank Hall Crane

Police inspector Jim Garth, investigates the murder of Joe Kridel, another inspector, who had been tracking the Hennions, a gang of thieves plotting to steal the formula for a dangerous explosive from an old inventor. As Jim uncovers the Hennions' plans to procure the formula and sell it to an agent of an unfriendly foreign power, he encounters Nora, the former lover of Joe, who has sworn revenge for the killing and has ingratiated herself with the Hennions in order to discover the identity of the murderer. Although he assumes Nora is one of the thieves, Jim falls in love with her anyway, but she firmly rejects his advances. Disguised in a gray mask similar to the one worn by one of the gang members, Jim infiltrates the organization and foils the plot. With Joe's murderer in jail, a grateful Nora finally accepts Jim's affection.

A visual fragment from the archive: The thematic resonance of As in a Looking Glass perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Hall Crane

While developing a powerful explosive, naval officer Paul Towne introduces his friend Richard Tracy to Judith Corbin, his friend since childhood. For years, Paul had assumed that he would marry Judith, but when Richard proposes, Judith, tired of waiting for Paul, accepts. Soon after the marriage, Richard becomes more interested in the new explosive than in his new wife, and to pay off gambling debts, he agrees to steal the formula and sell it to a foreign government. While spying at close range on a test of the explosive, however, Richard is killed, after which Judith, who has long since realized her mistake in becoming Richard's wife, accepts Paul's marriage proposal.

Dir: Frank Hall Crane

Grocery clerk James Clarke pilfers $500 to send his ailing sister to a more healthful climate. Frederick Payton, a fellow employee, learns of the theft and blackmails him, but both men are eventually arrested and sent to prison. While a motion-picture company is filming inside Sing Sing, James mixes in with the players, later returning with them to the Fort Lee studio of the World Film Corp. Following his escape, James assumes a different name and successfully establishes himself in another town. Payton, who has served out his sentence, finds James happily engaged to Catherine Hudson, the boss's daughter, but when Payton again threatens to blackmail him, James decides to reveal his true identity and complete his prison sentence. Catherine promises to wait for James, who returns to prison with a clear conscience.

A visual fragment from the archive: The thematic resonance of Stranded in Arcady perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Hall Crane

Ruined by a powerful financial ring, Farrington commits suicide, after which his daughter Paula vows to take vengeance in her own hands and hunt the man behind the ring. At a house party, Paula meets Dr. Smith, who falls in love with her, but a misunderstanding separates them. Unsuccessful in locating the man, but knowing that papers in the house of Van Brunt, one of the ring members, will identify the leader, Paula secures the papers with the aid of Old Bill Fitch, a reformed burglar. To her horror, she discovers that the man is Dr. Smith's father. Paula relinquishes vengeance for love, and Dr. Smith's father, realizing the error of his ways, agrees to make reparations.

Dir: Frank Hall Crane

Kraus' little jewelry shop on the east side of New York is typical of that locality thirty years ago, and while his competitors advance with the times, he stands still in the simplicity of his kindly old soul, and devotes more time to his domestic affairs than to his business. In the rear of his small shop are the few immaculate rooms presided over by Katie, his motherly old housekeeper for many years, who also fills the vacancy of mother for Marie, the daughter of Kraus. Kraus' most intimate friend and neighbor is Spiegel, a kindred soul, and the father of Fred. Both parents have planned for years the ultimate union of their children. Marie, however, has other ideas on the subject, and has given her heart to Frank MacPherson, a worthless young "sport" and the son of her father's keenest competitor. From time to time a pinochle game at the home of one or the other is arranged by the two old Germans, as a pretext to throw Marie and Fred in each other's company. Fred's attentions to Marie on these occasions mislead the old folks, who do not see that Fred's sincerity is not returned. Marie's eighteenth birthday arrives, and in honor of the event, Kraus closes up shop, and with Marie, Katie and the Spiegels, journeys to the Jersey shore for a picnic in the woods. Frank follows them, and in the midst of their gaiety calls Marie to him. She slips away unseen, and tells him of the predicament that her blind love for him has placed her in. Unsympathetic, he speaks of her delicate condition as his "rotten luck." His craven mind plans further deception, and she becomes the victim of a mock marriage. Before leaving with Frank she sends a boy back to the picnic with a note to her father, telling of her intention. Old Kraus' grief upon its receipt is pitiful, and the holiday's joy is turned to sorrow. No word comes from Marie and Kraus broods over his loss until poverty and want confront him. He is at last compelled to accept a position in the store of his former salesman and a home with the Spiegels. Meanwhile, Marie and Frank have traveled down a parallel scale until he leaves her with her baby and goes away. Without support she is eventually dispossessed from her squalid room, and going she knows not where, encounters Fred, her father's choice. He persuades her to come home with him, where his sister Alice makes her comfortable. The Spiegels now plan a reconciliation, and by shrewd means bring father and daughter back to each other's arms. MacPherson has turned against his son Frank, and is the means of bringing him to an accounting. With his grandchild in his arms, Kraus' anger melts, and the glances he detects between Fred and Marie make him believe that his fondest hopes may yet be realized.