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Editor's Top Picks Sharing the Atmosphere of Believe It or Not (Sec...

Author

Senior Film Conservator

23 June 2026

3 min read

Witnessing the stylistic evolution of Alfred J. Goulding through Believe It or Not (Second Series) #10 is profound, audiences who connected with its message often look for similar thematic gravity. Each of these movies shares a piece of the artistic bravery that made Believe It or Not (Second Series) #10 so special.

The Believe It or Not (Second Series) #10 Phenomenon

The synthesis of form and function in Believe It or Not (Second Series) #10 to establish Alfred J. Goulding as a true visionary of the 1932s.

The second entry of the second series in which Robert Ripley does not present drawings and film clips personally: he just introduces Leo Donnelly the narrator at the beginning. This omnibus of film clips include a Savannah golf course made from Civil War trenches, wooden Indians used with cigar stores, a Sioux artist from South Dakota who paints upside down, the smallest residence house, a Bronx statue with mysterious origins, the Ocean Grove community in New Jersey that closes down on Sundays due to blue laws, a futuristic 18-story motorized parking garage, a violin made from matchsticks, a mansion on an Atlantic City pier, a paralyzed dog fitted with wheels, and a cemetery for dogs.

Editor's Top Picks Sharing the Atmosphere of Believe It or Not (Second Series) #10

Based on the unique artistic bravery of Believe It or Not (Second Series) #10, our vault has identified these titles as the most compelling follow-up experiences for fans of Documentary cinema:

From Hand to Mouth scene — Scene from From Hand to Mouth

A visual fragment from the archive: The thematic resonance of From Hand to Mouth perfectly mirrors the editorial trajectory of our deep dive.

From Hand to Mouth

1. From Hand to Mouth 1919

Dir: Alfred J. Goulding

A penniless young man tries to save an heiress from kidnappers and help her secure her inheritance.

Off the Trolley

2. Off the Trolley 1919

Dir: Alfred J. Goulding

Harold Lloyd plays a troublemaker who messes up with strangers and cops along the way. During the confusion he takes a trolley to escape, falling in love with a female collector who doesn't care much about him and he also annoys the trolley conductor. But it seems that odds and luck will be on his favor.

Off the Trolley scene — Scene from Off the Trolley

A visual fragment from the archive: The thematic resonance of Off the Trolley perfectly mirrors the editorial trajectory of our deep dive.

Start Something

3. Start Something 1919

Dir: Alfred J. Goulding

Snub is a traffic cop and succeeds in mixing things up by trying to flirt with every pretty girl motorist.

The Marathon

4. The Marathon 1919

Dir: Alfred J. Goulding

Boy trying to impress girl, gets chased by her father and the police right into an ongoing marathon.

Start Something scene — Scene from Start Something

A visual fragment from the archive: The thematic resonance of Start Something perfectly mirrors the editorial trajectory of our deep dive.

'A mala nova

5. 'A mala nova 1920

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Never Touched Me

6. Never Touched Me 1919

Dir: Alfred J. Goulding

At the Killjoy Cafe, "everything is first class except the food and the service."

The Marathon scene — Scene from The Marathon

A visual fragment from the archive: The thematic resonance of The Marathon perfectly mirrors the editorial trajectory of our deep dive.

Si, Senor

7. Si, Senor 1919

Dir: Alfred J. Goulding

Our hero is a barber in a small Mexican town, wooing a local senorita, against the wishes of her mother.

Count Your Change

8. Count Your Change 1919

Dir: Alfred J. Goulding

Harold becomes the victim of a clever bulldog pup who chases him in and out of various places.

'A mala nova scene — Scene from 'A mala nova

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

Striking Models

9. Striking Models 1920

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

The Dutiful Dub

10. The Dutiful Dub 1919

Dir: Alfred J. Goulding

Harold is a henpecked husband who suddenly makes a change of front and asserts himself, much to his wife's astonishment.

Cinematic Comparison Matrix

Analysis relative to Believe It or Not (Second Series) #10

Film Title	Atmosphere	Complexity	Similarity
From Hand to Mouth	Surreal	High	86% Match
Off the Trolley	Ethereal	Linear	89% Match
Start Something	Surreal	Linear	93% Match
The Marathon	Gritty	Abstract	90% Match
'A mala nova	Surreal	Layered	92% Match

* This matrix is generated based on structural DNA and genre proximity to the 1932 classic Believe It or Not (Second Series) #10.

This guide was algorithmically generated using the cinematic metadata of Alfred J. Goulding's archive. Last updated: 6/23/2026.

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