Underground Favorites Mirroring the Impact of Between the Acts: Cul...

Dir: Larry Semon

A woman and her daughter are throwing a party, and Larry Semon is in the kitchen, joined by some monkeys and jewel thieves. What could go wrong?

Dir: Larry Semon

A visual fragment from the archive: The thematic resonance of The Stage Hand perfectly mirrors the editorial trajectory of our deep dive.

Larry, the stage hand, invariably is missing when there is work to be done. But when he's missing things run smoothly. Inadvertently, the rug is unrolled, on the stage and he appears, the stage manager loses control of himself and upsets Larry and everything else, including a can of gun powder which he is gallant enough to carry for the leading lady to her dressing room. The stage hand disobeys the rules of the house and lights a cigarette, dropping the match in the string of gunpowder. The explosion eliminates the seat of the stage manager's ample trousers. Striving to change to another pair he rushes into the dressing room of the chorus, from which he is rapidly thrown out - out onto the stage in his checkered lingerie. To escape his retaliation Larry nails the manager down the basement, but opens a stage trap by accident. The primadonna in the midst of her act is precipitated from the stage down into a cask of black paint. Larry seeks safety in the loft from which altitude he manages to ruin all the acts on the bill. When the star calls for artificial fog, he gives him a barrel full of it and wrecks the show. They all strive to get after him, but Larry comes out victor as the picture fades.

Dir: Larry Semon

Larry's absurdly plush life of ease as a convict comes to an end when his sentence is up. Tossed out, he tries several ways, including a stickup to get back in the comfortable jail. Exchanging clothes with a lookalike escaped prisoner, he goes back, only to find he's to be hung. Now desperate to leave again, he joins other cons in a jailbreak.

Dir: Larry Semon

A visual fragment from the archive: The thematic resonance of The Star Boarder perfectly mirrors the editorial trajectory of our deep dive.

Larry is the booby sheriff of a Western town named Beer Bottle Bend, whose lawlessness matched his witlessness. A demure little thing from the East arrives on the same stage with a consignment of $100,000 to the sheriff, and the town proceeds to celebrate. After reforming the champion "elbow-bender" of the community, the demure one inspires the sheriff to action against the lawless element. The $100,000 changes hands in rapid and humorous fashion, and finally comes into the possession of the demure thing who had followed the cash all the way from New York. Larry proceeds to make a few cursory remarks on women.

Dir: Larry Semon

The waiters of a fancy restaurant go on strike for better wages, threatening harm to any replacements that may be hired. Larry is among scabs hired to replace the striking waiters they must wait on tables and fight off the strikers.

Dir: Larry Semon

A visual fragment from the archive: The thematic resonance of Well, I'll Be perfectly mirrors the editorial trajectory of our deep dive.

A lawman out to get moonshiners runs into a female director filming a movie with a female cast. Chaos ensues.

Dir: Larry Semon

A fascinating piece of cinema that shares thematic elements.

Dir: Larry Semon

A visual fragment from the archive: The thematic resonance of The Head Waiter perfectly mirrors the editorial trajectory of our deep dive.

Larry Semons is sent to collect unpaid rent in a rough neighborhood where "Babe" Hardy as the local boss won't give up easily.

Dir: Larry Semon

Larry applies for a job as a revenue officer, ready to catch bootleggers.

Dir: Larry Semon

Big Ben has the largest store in the town of New Ralgia. His chief clerk is in love with the post mistress. The three of them get involved in a series of mishaps with their customers and with the town ladies' man, whose advances conceal a more sinister purpose.