The Cult Collection Comparable to the Style of Beyond the Wall: Cul...

Dir: Travers Vale

Betty Fairchild decides to follow the advice of her mother and marry for money. Thus, when Tom Connolly arrives from the West with his fortune, she accepts his proposal even though she does not love him. The idealistic Tom is completely disillusioned when he learns why his wife married him and promptly leaves her. Rupert Brantley, a wealthy cad, seizes this opportunity to win Betty, but she gradually realizes that she has been wrong and repulses him. One day a letter from Tom's mother arrives and Betty innocently opens it. It contains letters and a photograph of a man who betrayed Tom's sister, with a plea to Tom to avenge the family. Recognizing the man as Brantley, Betty rushes to his apartment to warn him and thus prevent her husband from becoming a murderer, but Tom follows her and accuses her of infidelity. To prevent a fight, Betty remains silent. When she returns home, however, she shows Tom his mother's letter, which leads to a reconciliation between them.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of A Soul Without Windows perfectly mirrors the editorial trajectory of our deep dive.

When a woman becomes ill and dies on a journey through Pennsylvania with her little daughter, the girl is adopted by a local group of Shakers. In a nearby village, Scott Mallory becomes paralyzed while trying to save his fiancée, Faith Palmer, from drowning, but she loses interest in him and breaks the engagement, leaving him broken and bitter. Scott and Hopama, the Shaker girl, are brought together when Mrs. Mallory, on a visit to the Shaker community, offers to adopt the girl, whose high spirits and love of music are considered sinful by the sect. Under Hopama's influence, Scott regains his faith in life, and later a famous surgeon cures his paralysis. Because Hopama's background is unknown, however, Mrs. Mallory resolves to thwart the romance and tells her that Scott still loves Faith. Bewildered, Hopama runs away and becomes a famous violinist. Scott finds her and professes his love, and Mrs. Mallory, having learned that Hopama is actually Hope Palmer, Faith's sister, finally blesses her son's marriage.

Dir: Travers Vale

Jane Lawson takes the blame for her younger sister Ruth's minor romantic indiscretion, and is thrown out of the house by her straight-laced parents. She finds work as a department store model, and then marries Will Rogers, her boss's dissolute son, even though George Blake, another store employee, is a far more wealthy and sensible suitor. Will starts embezzling store funds, and when George finds out, to protect Jane, he gives Will some money and sends him to Alaska to make good. His habits fail to improve, however, and when Jane goes to Alaska to meet him she arrives just in time to watch him hang for murder. Suddenly, Jane realizes George's true worth, and so marries him as soon as she returns.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Tangled Fates perfectly mirrors the editorial trajectory of our deep dive.

Vesta Wheatley and Dick Mortimer have been friends from childhood, but when he declared his love and asks her to marry him, she tells him their friendship is too pleasant to spoil it by love-making. John Randolph, a wealthy city man, is attracted to Vesta and a romance develops which culminates in a quiet wedding. Although Vesta is happy she enjoys tasting of worldly pleasures unknown to her. However, after a short fling she returns to her husband with increased love and respect. Unable to stand village life, after Vesta's marriage, Dick comes to the city. He and Vesta meet by chance and he avails himself of her invitation to call. John, returning home unexpectedly, is surprised to find Dick talking to his wife; he recalls a scene in the country before his marriage, when he saw Dick making love to Vesta. However, he hides his suspicions and he and his wife go to their country lodge. Beset by thoughts of Vesta, Dick follows and during her husband's absence, enters the lodge. Vesta resents his declaration of love, and hearing a noise on the outside, begs him to leave before her husband returns. The door is burst open and Skinny, a gangster, enters. In the struggle that ensues Dick is killed by Skinny. Vesta grabs the pistol and holding Skinny at bay, prepares to call the police, but Skinny tells her that she bad better think before phoning, as the news will create a scandal. Cowed by his threats, Vesta is compelled to watch in silence as he drags Dick's lifeless body away. Although her husband suspects nothing, Vesta is haunted with memories of Dick's murder, and Skinny, by frequent blackmail, helps keep alive the memory. At last she feels that she can bear it no longer and when Skinny comes with a demand for an enormous sum, she seizes a pistol and kills him. She then phones to the police, telling them she is alone in the house and hears a burglar entering; there is a pistol in her husband's room. The burglar is approaching, what shall she do? The officer tells her to hold the burglar off until help comes. With the receiver down, she fires a shot into the air. When the officers arrive they pronounce the killing is self-defense, and Vesta is happy with her husband, knowing that her tormentor is out of the way.

Dir: Travers Vale

When lawyer Philip Wentworth goes hunting in the woods to escape a broken heart, he meets and later marries Joan Travers. Philip brings Joan to the city, but soon deserts her to resume an affair with his old flame, who is now married. Some months later, Joan dies of grief, leaving her baby daughter, also named Joan, to be raised by a pawnbroker and his wife. Eventually Philip helps his mistress to obtain a divorce and then marries her. Her son, Norman Dicks, flunks out of college, prompting Philip to send him into the Navy. Before he ships out, however, he meets and secretly marries Joan, who has grown to womanhood. Some time later, Joan is accused of murder after their baby dies because she was unable to care for it. She is taken before Judge Wentworth, who recognizes her as his daughter by the cross she wears around her neck. Norman returns home and the family is reunited.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of The Bondage of Fear perfectly mirrors the editorial trajectory of our deep dive.

Christine Brent, living with her father in a small Texas town, is wooed by Maurice Maxwell, an unscrupulous New York businessman. Christine rejects Maxwell's advances, befriending instead Carl Randolph, a young man who seeks refuge in her cabin after shooting a Mexican for insulting the American flag. Christine gives Carl money and advises him to go East, which he does. Left helpless after her father is injured in a crippling accident, Christine agrees to marry Maxwell so that her father can live in comfort. Brent, however, demoralized, kills himself and soon after, Maxwell and Christine move to New York. Stung by her husband's constant abuse, Christine learns to hate Maxwell, and when Maxwell hires Carl, now a successful attorney, as his counsel, Christine feels her old love rekindled. Unscrupulous as ever, Maxwell robs the inventor Brinkeroff of a valuable patent, and then murders him. Brinkeroff's wife Metta, suspecting Maxwell of her husband's murder, secures a job in the Maxwell home to obtain evidence against him. Her prudence is rewarded when she overhears Maxwell admit to the crime, and outraged, she kills him but is acquitted by a sympathetic jury. All obstacles now cleared from their path, Christine and Carl begin a new life together.

Dir: Travers Vale

Told by her aunt Annabelle that she will be disinherited unless she earns her own living for a year, party going Sybil Drew sets out for New York, armed only with $125 and a sincere determination to succeed. Relaxing in the Plaza Hotel lobby, Dr. Ross Alger catches sight of Sybil at the registration desk and is strongly attracted to her, but because of her faltering manner, he begins to suspect that she is a crook. Following a difficult search for work, Sybil becomes a companion to the eccentric Oleander Berwick, who lives in the apartment above Ross's quarters. Although Ross's attraction has turned into love, circumstantial evidence convinces him that Sybil is a thief, and the situation becomes even worse for her when Miss Berwick's nephew Paul tries to seduce her. Miss Berwick dismisses Sybil, who soon afterwards is hit by a taxi. Mistaking her identity, a nurse has the girl taken to the home of Mrs. Alva Penfield, who operates a disreputable gambling establishment. Following several more adventures, Ross rescues Sybil and finally, realizing that she is not a crook, proposes to her.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Joan of the Woods perfectly mirrors the editorial trajectory of our deep dive.

Louis La Farge journeys to a little Alsatian village and there makes love to a pretty shepherdess named Marie Beaupre. Following his departure, Marie is cast out of the village, and, forced to survive in the mountains alone, she goes mad. On a hunting trip, hypnotist Dr. Cochefort and his friend Delaunay meet the "witch woman," as she is called, and take her to Paris, where she is cured and then named the heir to Delaunay's fortune. Her adopted guardian introduces her to Louis's twin brother Maurice, and she, believing him to be Louis, flirts with him while searching for an opportunity to obtain revenge. Andrea Montignac, Louis's mistress, begs Marie to give him up, not realizing that it is Maurice who courts her, and, at a masked ball, Marie announces that Louis and Andrea are engaged. Louis only laughs and seizes Marie, whereupon Andrea shoots him. When Maurice enters, both women realize their mistake, and Andrea commits suicide. Maurice then gives Marie his forgiveness and his love.

Dir: Travers Vale

The Grand Duke Alexis has been happy with his wife, Lola, formerly the queen of the St. Petersburg ballet, and their baby daughter, Vasta. But the lowering cloud that has always hung over them through the refusal of the Russian Court to recognize their marriage breaks when the Duke learns there is an intrigue against his wife's life. She makes her escape at midnight and, powerless to do anything, Alexis is forced to see his wife pass out of his life. The baby is given to Marta Antonovitch, in charge of the girls at the Imperial Ballet School. Years later Vasta is the most apt pupil at the school. Her father comes to see her often and is deeply affected by her resemblance to her mother. The relationship is kept secret, but when he is ordered to the south for his health he gives last instructions that she be well cared for. Michael Pavloff, the impresario for the Russian Ballet, who has discovered the duke's secret, goes to the school to choose the dancers to be sent by the government to Paris. He takes a liking to Vasta, but Marta refuses to allow the girl to go when he chooses her for deportation. The girl frets over the refusal, disguises herself as a boy and changes places with a youth who had not wanted to go. In Paris Lola, despite the sorrow of the changing years, holds sway over men's hearts. Pavloff is an ardent admirer of hers, but lately he has been thinking more of Vasta. Richard Moraino, a young artist commissioned to paint the portraits of the Russian Ballet, is attracted by Vasta. Their courtship progresses and one afternoon while they are having tea together, Lola and Pavloff are seated at the next table. Both women feel an interest in the other and Lola is startled when Pavloff tells her he has discovered she is the daughter of the Grand Duke Alexis and that he intends to get her for his own. One night during the performance the electrician is killed and the stage darkened. When the lights are turned on again they discover Vasta has disappeared. Pavloff has taken the girl and locks her in his apartment. To divert suspicion he gives a dinner party. During the revelry Lola, who is a member of the party hears a half-smothered cry and, guided by it cornea to the locked door behind which Vasta is concealed. She stays until the last guest has departed and then appeals to the liquor-dazed Pavloff, She secures the key to the room and hurries back, cautioning Vasta to make haste, but Pavloff comes upon them and seizes Vasta in his arms. Lola then shoots him. Then Lola reveals her identity. Alexis, who is passing through Paris, stops to see Pavloff. He discovers Lola and the dead man and accuses her of having been his mistress, but when Vasta comes forward and tells all, Alexis begs her forgiveness. He says he will take the responsibility of the killing knowing he will be vindicated when he says it was to save the honor of his wife. Richard and Vasta are once more brought together and Alexis asks his wife if she is willing to brave the Russian Court with him after all these years. Her happy smile is sufficient answer.

Dir: Travers Vale

Richard Chanslor is about to be disinherited by his rich grandfather who objects to his association with chorus girl Lily Lorraine. In order to please his grandfather while still maintaining his present standard of living, Chanslor decides to marry Lois Page, a struggling young sculptress from a good family. Lois accepts his proposal on the condition that they continue their separate ways. The marriage in name only is a success until Richard begins to fall in love with his wife and breaks with Lily. Lois, unconvinced of her husband's sincerity, however, continues her close relationship with her instructor, Bob Hildreth. One day, Hildreth takes Lily for a ride to a country inn where he attacks her. Richard follows them and arrives just in time to rescue his wife who drives away with him. Both husband and wife then realize that their trial marriage has developed into a real marriage.