Essential Cult Cinema Drawn from the Same DNA as Blazing Love: Cult...

Dir: Kenean Buel

Colette is a model who poses for two artist brothers, Don and Andrien Walcott. Andrien, a hunchback, creates a beautiful portrait of her which is seen by evil Bulgarian Prince Vacarra. The prince tracks her down and locks her in.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of The Bitter Truth perfectly mirrors the editorial trajectory of our deep dive.

This picture opens on the big, helpless humanity which is huddled together in Blossom Street, in the East Side's slums. The sweetest spirit of the thousands dwelling there is Anne, in love with Jimmy Graves, a man she knows is a crook. In warning Jimmy one night that the police are on his trail, she is caught in the maelstrom, brought into court with him and sentenced to jail. When she is released she plots revenge on the man who put her behind the bars, Judge Marcus, about to be nominated for a higher position in public service. Through a ruse, she obtains employment in the Marcus household. The Judge does not recognize in his wife's secretary the same woman who was once just a "poor, Blossom Street thing." He finds that he is rapidly falling in love with her. Anne is approached by a stool pigeon working for Marcus's political opponents, who are trying to fasten a scandal upon the Judge. Anne promises to aid them. She agrees to put him in a compromising position that evening, when witnesses will be on hand. Meantime, Jimmy Graves is released. He has been living through the years of his prison term, with the face of Anne always before him. He learns that the girl is at the Marcus home, and starts for the house. As the hour for the denouement draws near, Anne realizes she loves Marcus. He kisses her again and again. She notices the clock and pushes him from her just before the curtains are thrust back by the politicians and Mrs. Marcus. Jimmy arrives, and in the face of her love for Marcus, she sacrifices herself that the judge may win.

Dir: Kenean Buel

Little Kate and Janie O'Dowd are sent to their wealthy American uncle, Michael O'Dowd, after their Irish father loses his life on a World War I battlefield. Having been locked accidentally into O'Dowd's munitions plant one evening, the children catch sight of their intoxicated cousin Miles O'Dowd admitting two men into the factory. The girls recognize the two as spies they had seen on the boat to America sending signals to a German submarine. After the spies knock Miles cold, the children trap them in a die-stamping machine until help arrives. Miles and factory worker Jerry Flynn, who loves young Patricia O'Dowd, enlist and are soon joined by Alfred Vanderspent, whose wealthy mother's plot to falsify his birth records is foiled by the children.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of Doing Their Bit perfectly mirrors the editorial trajectory of our deep dive.

On the eve of his departure for India, Sir Oliver entrusts his nephews, Charles and Joseph Surface, to the care of his friend, Sir Peter Teazle. Twenty-five years later finds Charles a wild character and a thorn in Sir Peter's side. Joseph, a smug hypocrite, is a favorite with the elderly bachelor. Sir Peter is captivated by Ann, a country squire's daughter, whom he meets by accident. Although many years his junior, the girl becomes his wife. Shortly afterwards, Sir Peter becomes the guardian of Maria, with whom Charles is deeply in love. Sir Peter frowns upon the young man's suit. Learning that Maria is immensely wealthy, Joseph resolves to marry her. Lady Sneerwell, in love with Charles, successfully conspires with Joseph and her secretary, Snake, to separate the sweethearts. Meanwhile, Lady Teazle leads Sir Peter a merry life. Sir Benjamin Backbite, a notorious gossip, chances to visit the Teazles while Sir Peter is remonstrating with his wife because of her extravagance. After listening to the war of words, Sir Benjamin departs for Lady Sneerwell's home, where he finds the members of the School for Scandal engaged in tearing the reputations of their friends to tatters. The most harmless incidents are twisted and distorted. As told by Sir Benjamin, the quarrel between Sir Peter and Lady Teazle wound up in blows. Sir Oliver, returning from abroad, determines to study the characters of his nephews. He informs Sir Peter of his intention of meeting each under an assumed identity. To Charles, Sir Oliver appears as Premium, a money lender. The result of the interview between nephew and uncle finds the latter delighted with Charles. Despite Sir Peter's friendship for him, Joseph makes desperate love to Lady Teazle. Due to the efforts of Joseph, Snake and Lady Sneerwell, Sir Peter is led to believe that Charles and Lady Teazle love each other. Sir Oliver, visiting Joseph in the guise of a poor relation, finds the young man an ungrateful cur. In the meantime Lady Teazle is induced by Joseph to call upon him at his apartments. It happens that Sir Peter, having drawn up a will leaving all his property to Lady Teazle, calls upon Joseph to ask his advice. Unable to leave without detection, Lady Teazle hides behind a screen. She thus hears of what her husband has done to provide for her comfort after his death. Sir Peter's words touch Lady Teazle's heart, filling her with remorse. The husband discovers that someone is concealed behind the screen. He is about to investigate, when Joseph hurriedly declares that it is a French milliner. Charles is announced. Not wishing to meet him. Sir Peter hides in a closet. In the conversation which ensues between the brothers, Sir Peter discovers that his suspicions concerning Lady Teazle and Charles are unfounded. Lady Teazle, on the other hand, learns of Joseph's hypocrisy. Charles discovers Sir Peter in the closet just as Joseph learns that Lady Sneerwell is calling. While the hypocrite endeavors to warn her away, Charles and Sir Peter determine to have a look at the milliner. The resultant discovery astounds Sir Peter. Lady Teazle, thrusting aside Joseph's lying excuses with contempt, confesses the flirtation she has carried on with him. Lady Sneerwell gets an inkling of what has taken place. At once the wildest rumors are circulated by the members of the School for Scandal. These have it that both Sir Peter and Joseph had been shot, stabbed or horsewhipped. The gossip-mongers who hasten to Sir Peter's house to offer condolences, are astounded to find him alive and well. Joseph, arriving at Sir Peter's home in an effort to seek forgiveness, learns the real identity of the "poor relation" who had visited him. With the news that he has been disinherited comes a second blow when he hears that Sir Peter has consented to the marriage of Charles and Maria. As a last card, Joseph brings Lady Sneerwell to the scene. The woman declares that Charles has promised to make her his wife. Snake, however, turns traitor and confesses the plot to discredit Charles. Lady Teazle, giving Joseph and Lady Sneerwell a bitter rebuke, dismisses them. Realizing the many discomforts she has caused her husband, Lady Teazle promises to henceforth be a dutiful wife.

Dir: Kenean Buel

A fascinating piece of cinema that shares thematic elements.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of The School for Scandal perfectly mirrors the editorial trajectory of our deep dive.

A woman writes about her sister's tragedy, vowing to help others in similar situations: Because Bettina longs to leave her country home, her loving mother sends her and her serious-minded elder sister to London, accepting their aunt's invitation to visit and allow Bettina to be introduced to society. The girls' dressmaker steals the aunt's photograph and sends it to a woman who, disguised as their aunt, leads the girls to a brothel. After the elder sister escapes, aided by her concerned male companion, she races in a cab to her aunt's home, but is frustrated in her attempt to rescue Bettina by her aunt's infirm state, the inefficiency of the police, and her own inability to remember the location of the house. She finds her cab driver, but he is drunk and soon dies in an accident. After falling ill, the sister, convinced by a dream that Bettina has died, resolves to devote her life to saving other women.

Dir: Kenean Buel

Ethel Andrews is interested in settlement work. Her father refuses to cooperate with her. Ethel kidnaps her five-year-old brother Archie and places him in a tenement as an object lesson. To make the kidnapping appear the work of criminals, Ethel sends her a father a note demanding $10,000. Gangsters learn of the plan. Andrews engages Madelyn Mack, a girl detective, to find his son. Madelyn unearths several clues, among which are fragments of a tin soldier belonging to Archie. She strongly suspects Ethel of being implicated in the matter. Ethel, regretting her rash act, goes back to the tenement to bring Archie home. The gangsters capture them both, and send a note to Andrews telling him his son and daughter are prisoners. One of the gangsters shoots the note into the Andrews' library with a sling shot, just as Madelyn is telling the father of her suspicions concerning Ethel. The note upsets her theories. Madelyn discovers that the paper on which the gangsters' note is written has contained powdered Jasco berry, an Oriental drug used in cigarette form. Later, she succeeds in tracing Ethel and Archie to the tenement, but finds them gone. Passing a crowd collected on a corner, Madelyn scents the odor of Jasco berry and finds the man who is smoking it. She follows him and discovers the cottage in the suburbs where Ethel and Archie have been taken. She slips into the house and enters the room where the two are confined. Discovering a telephone wire outside the window, Madelyn taps the line with a pocket phone and summons assistance. She is discovered by the gangsters, who are just about to break into the room when the police arrive. A desperate battle ensues, which ends in the capture of the kidnappers. Andrews presents Madelyn with a check for $10,000 for her splendid work. The detective gives the check to Ethel for settlement use, but Andrews, returning the check, smilingly donates the money himself.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of Hypocrisy perfectly mirrors the editorial trajectory of our deep dive.

Little Jane and Katherine approve of the romance of Miss Ashton, their rich and beautiful aunt, with Jack Fenton, but when she becomes distracted by the debonair Percival Gilpatrick, whom the children detest, they decide to intervene. After the children interrupt his attempted marriage proposals several times, Percival, actually a crook, orders his accomplices, Mike and Bill, to keep the girls occupied. Annoyed that Percival would rather court Miss Ashton than rob the bank, however, Mike and Bill decide to kidnap the children and hold them for ransom. Imprisoned in a cellar, Jane and Katherine torment the two men with their pranks until the crooks willingly release them, but Percival stages a rescue that, much to the girls' dismay, impresses Miss Ashton. Later Percival and his men rob the bank, but the youngsters aid the police in catching them. Miss Ashton then happily agrees to marry Jack.

Dir: Kenean Buel

A fascinating piece of cinema that shares thematic elements.

Dir: Kenean Buel

Billy Martin is sent to New York to put through a war contract for his father, a new England manufacturer, and takes $100,000 as a security. The munition broker's secretary, a crook, tells Graham, a gambling house keeper, of Billy's coming. Miller is detailed to lure him to the gambling house. Miller, posing as the broker's representative, meets Billy and offers to show him New York life. He meets Zena and is so captivated that he consents to try his luck at the roulette wheel. After his first success he loses rapidly. At last Zena drags him away with only $15,000 left. Zena repentant, tries to comfort Billy. She finds he is determined to win back his losses and is captivated by his pluck. Reluctantly she takes him to the gambling house. Billy loses all. When the mail brings no word from Billy, his wife comes to New York. She enters his room just after he and Zena arrive. Zena hides in a closet. Billy refuses to return with his wife until he has recovered his father's money. Zeena returns to her apartment. Graham accuses her of double-crossing him. She orders him to leave. Zena sets out to recover Billy's money, and returns to the gambling house. Graham thinks she has repented. Martin comes to New York for Billy. Zena picks him out as the man from whom to get the money. She lures him to her den. Billy calls up, and when Zena recognizes his voice she hangs up. Suspecting Zena has deceived him Billy rushes to the apartment and finds her embracing his father. Zena rushes to him. Billy casts her off. Martin tells Billy he did this to show the treachery of Zena's love. Heaping abuse on Zena, who sees her one true love lost, Billy leaves with his father. Zena in remorse leaves her old home and life, a wreck. Billy asks his father's forgiveness. "I forgive you," says the old man, "but I can't forget that I trusted you."