Top-Tier Alternatives In the Shadow of Body and Soul: Cult Guide

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Charles Swickard

A visual fragment from the archive: The thematic resonance of The Raiders perfectly mirrors the editorial trajectory of our deep dive.

While working as a clerk for stockbroker Jerrold Burns, Scott Wells overhears his boss' plan to ruin railroad magnate David Haldeman, but before Scott can warn David, the millionaire leaves town on vacation. Scott then decides that he himself will fight Jerrold on the floor of the stock exchange, and he goes to David's daughter Dorothy with his plan. She gives him all of her money, and Scott spends all of it in fighting off the first day's raid on David's financial empire. Then, Scott discovers that Jerrold's cronies hold David captive. Scott rescues the millionaire, and rushes him to the stock exchange, where David successfully defends his holdings against the takeover attempt. Afterward, Scott receives more than David's gratitude: he also gets his permission to propose to Dorothy, who quickly accepts.

Dir: Charles Swickard

In the wayward western town known as Hell's Hinges, a local tough guy is reformed by the faith of a good woman.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of Hell's Hinges perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Charles Swickard

British army doctor Robert Lowndes battles a cholera epidemic at a small fort in Cawnpore, India, in the 1850s. When he catches a fever he begins to take morphine in order to continue treating his patients. Unfortunately he becomes an addict. He is supported by his girlfriend Betty Archer, but a rival suitor, Capt. Guy Douglas, is determined to get Lowndes out of the picture any way he can, including giving him drugs. Matters are further complicated by the outbreak of the Sepoy Rebellion, a nationwide mutiny of Indian soldiers in the British army, which breaks out in Cawnpore.

Dir: Charles Swickard

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

At the death of Count de Beaulieu, his daughter Jeanne learns that her father had been the arch criminal known as The Phantom. The only other person who knew her father's identity was his lieutenant, Franz Leroux, who now demands that Jeanne marry him in return for his silence. She agrees and they go to America where Jeanne meets an old friend, Jane Elliot. Jeanne confides her secret to Jane, and the two decide to flee to Florida. When en route their train is wrecked and Jane killed, Jeanne, in order to protect herself from her criminal husband, assumes Jane's identity. Posing as Jane, she visits the Marstons and falls in love with Henry Marston. Soon after, Leroux arrives and Jeanne is forced to tell her story. While explanations are in progress, one of Leroux's confederates, whom he had double-crossed, kills the criminal. Henry then forgives Jeanne her deception and together they begin a new life.

Dir: Charles Swickard

Dick Bisbee loses his job in his millionaire uncle T. W. Bisbee's factory because of the hostility of crooked manager Elmer Robbins. Before leaving, Dick denounces his uncle for his niggardly ways and advises him that there are no pockets in a shroud. Dick goes to live at the home of his one office friend, bookkeeper Stetson, and he falls in love with Stetson's daughter Helen. The next day T. W. feels remorse and under Dick's guidance he abandons his miserly ways and spends his money having a good time. After overhearing Helen telling Dick what she would do if she had T. W.'s money, T. W. follows her advice. Robbins is arrested for embezzlement, and T. W. makes Stetson manager and Dick a partner in the factory.

Dir: Charles Swickard

A visual fragment from the archive: The thematic resonance of The Beggar of Cawnpore perfectly mirrors the editorial trajectory of our deep dive.

Widow Margaret Dennis, unaware of the abusive nature of Oliver Cathcart, agrees to become his wife. Among other cruelties, Cathcart has ruined the Taylor family in a bad business deal, causing the death of Mrs. Taylor, turning Mr. Taylor into a worthless drunk and embittering their son Raymond, who swears revenge on Cathcart. Margaret's son Jim, learning of all this, forces his mother to choose between him and Cathcart. Choosing the latter, Margaret goes to his country estate, where she finally learns her husband's true nature. Nearby live the Taylors. Raymond is courting Cathcart's maid Milly, and when he comes to the estate one day to visit Milly, Margaret pleads with him to send a message to Jim. Meanwhile, Taylor's sister Steve leaves home, seeking adventure. Receiving Margaret's message, Jim arrives and promises to take his mother away the next day. That night, Cathcart is killed, and on Milly's testimony that Jim had been at the house, he is arrested for the crime. Steve, however, hearing of Jim's arrest, returns and testifies that she and Jim shared refuge from a thunderstorm in an old shack on the night of the murder. Robert Shepherd, the estate gardener, then confesses that he killed Cathcart when he found him struggling with his beloved daughter Bess. Jim is finally freed, and Shepherd acquitted on a plea of temporary derangement.

Dir: Charles Swickard

Captain Unger is relating the story of his love for the Hindoo woman, Indore, to Captain Duane and begs him if anything should happen to care for their little girl. When the officers leave the room a Hindoo sent by Indore's husband poisons the decanter of wine. Unger returns and is astonished to see Indore, who has made her way to him. He consents to take her away, drinks the wine, and falls dead. Indore lifts the glass to her lips to die with him, but it is snatched from her by the native, who carries her back to his prince. She is reduced to slavery in the harem. Duane takes the child, Agatha, to England. Agatha develops into a beautiful woman. She is reading a message from Duane with a heavy heart, for it says he is on his way with his bride, Florence, to join his father on his journey to India. En route they meet the Grand Duke Alexis, who has known Florence in the past. Alexis, perceiving that Florence is jealous of Agatha, forces her to think her husband loves the Indian girl. In India, Alexis informs Agatha her mother is not dead and that she might see her. Guided by a native, Agatha confronts the prince and asks for her mother; he parries her question. Looking at her with a lustful smile, he draws near and she retreats in terror. Struggling fiercely, the girl screams as he overpowers her. Indore hears the scream, slips into the room and stabs the prince. She recognizes her child and clasps her in her arms. Thus the guard finds them. Jang Sahib, the hunchback, rushes in when he hears the guard's shriek, and orders the native to spread the news that their prince has been murdered by an English infidel. Soon there is a riot and many white men are slain. Captain Duane, discovering that Agatha has gone to the palace, hastens with a few horsemen. Jang Sahib tells Duane Agatha is not there. Duane fights. Meanwhile Florence, convinced by Alexis of her husband's infidelity, has left on a steamer with him, leaving a note for Duane. While crossing the desert in Sahib's caravan, Indore jumps over the cliff. She is later picked up by some traders still alive, but has lost her memory. At the Walled City Sahib compels Agatha to marry him. On the wedding day she grasps him by the throat and chokes him to death. Duane, crushed by despair, shuns the haunts of white men. He wanders into a native dive, and is startled by the sight of a dancing girl. He staggers to her and, in spite of the curses of the people, leads her out. It is Indore, whom he mistakes for Agatha. She does not even remember her child's name, but when left alone in Duane's home is stabbed by the prince's servant. She is shocked into her right mind and demands to know where Agatha is imprisoned. At the head of a troop, Duane goes to the Walled City in time to snatch Agatha from the funeral pyre into which she is being forced by the subjects of the murdered Sahib. They escape and begin their journey back. Duane and Agatha are happy at seeing each other again.

Dir: Charles Swickard

Priscilla Worth, an innocent country girl, goes to the city to visit her aunt, a typical society butterfly, who has sent for her, thinking her child-like simplicity will afford a welcome relief to Vincent Morgan, a wealthy bachelor, and man about town. The plan works well. Vincent marries Priscilla, and takes her on a tour around the world. However, one of his sweethearts, Marie Delys, a vampire chorus girl, resents being cast aside; and after Vincent returns, although he struggles with his better nature, he again succumbs to her charm. Priscilla grieves, but the memory of his love keeps alive her faith. Maxfield Durant, an artist, who painted her portrait when she first came to the city, had also fallen in love with her, but before he declared his love, she accepted Vincent. He advertises for a model who is beautiful, but not of the brazen type, and secures Peggy Lovel, a girl from the slums. Both Vincent, who is having Marie's picture painted, and his friend, Billy Van Duyn, become interested in Peggy. This arouses Marie's jealousy. Priscilla, remembering her portrait, requests Durant to bring it to her. He cannot refrain from showing his great love. Vincent, seeing this, flies into a terrible rage. Priscilla, conscious of no wrong, seeks consolation in the coming of her child. She gazes into a crystal which they brought from Egypt, and views scenes of horror, but her love for her husband renews her faith in him. Durant, unable to longer endure being so near Priscilla, closes his studio and becomes a wanderer. This throws Peggy out of employment, and she goes to Vincent, seeking help for herself and invalid mother. Billy, intoxicated, wants her, but Vincent sends her away, and takes Billie to his home. Peggy, knowing her mother's need of food, returns to Vincent's apartment, where he finds her asleep. As Vincent removes the glass stopper from a bottle of liquor, he sees, as in a crystal; Peggy sacrificing herself, and being sneered at by Billy. She returns home, finds her mother is dead, and takes to drugs to forget her dishonor. Finally she goes to a café where Marie and Vincent are drinking, and falls dead at the foot of the stairs, while Marie stabs Vincent and herself. The horror of this vision awakens Vincent's better nature and he sends Peggy home unharmed. Priscilla, who has been waiting with her baby, sees in the crystal, the fight for Vincent's soul, and when the face of the Christus appears, she knows the victory is won. Soon after, Vincent returns repentant.