Top-Tier Alternatives Exploring the Legacy of Bucking the Barrier: ...

Dir: Colin Campbell

When her mother elopes with a lover and her father dies cursing the name of God, Domini Enfilden attempts to forget her pain in Beni Mora, an oasis in the Sahara. At the desert hotel, she meets and falls in love with Boris Androvsky, a tormented man of mystery. Abruptly announcing his departure one day, Boris bids farewell to Domini in the Garden of Allah, but passion overwhelms them, and after making love, they are married by Father Roubier. The two are happy until Capt. De Trevignac, a dinner guest, recognizes Boris as the former Father Antoine, a priest whose irrepressible lust forced him to leave the monastery. De Trevignac says nothing, but after his departure, Boris confesses to Domini, who urges him to return to the monastery. The years pass, and Domini rears her son Boris in the Garden of Allah.

Dir: Colin Campbell

"Bird," a clerk in Fordham's drugstore, agrees to place a large sum of money in the store's safe for a traveler, but when the man requests a bottle of medicine, Bird poisons the remedy, and the visitor is found dead in his hotel. Bird flees with the money, but several years later he returns, the money long since squandered. Unless Fordham's daughter Eleanor marries him, he threatens, he will tell the police that Fordham committed the crime. Eleanor's sweetheart, fireman Jack Manley, is puzzled by her involvement with Bird and decides to investigate. By chance, he meets an old alcoholic who once worked for Fordham and possesses the evidence to clear the druggist and convict Bird. The latter, fearing that he will be exposed, cuts the signal wires to Fordham's house and then sets it on fire, but Eleanor telephones the fire station, and the entire department is soon on the scene. Jack risks his life to save Eleanor and the old drunk, who finally exposes Bird. Soon afterwards, Jack and Eleanor climb aboard the fire engine to ride to their own wedding.

A visual fragment from the archive: The thematic resonance of The Still Alarm perfectly mirrors the editorial trajectory of our deep dive.

Dir: Colin Campbell

In the small shipbuilding town of Danforth, Albert Walker realizes, to his distress, that German sympathizers, spies and draft evaders, by voicing doubts about the United States' involvement in the war, are having a disastrous effect on the patriotic spirit of the townspeople. In order to silence these "yellow dogs," Albert organizes the boys of Danforth into a club, to be headed by a young patriot called "Nosey" White. The boys pledge to challenge unpatriotic remarks by handling the speaker a card labeled "yellow dog." While Nosey is in the home of his sweetheart, Kate Cummings, one day, he overhears her father, Alexander Cummings, in conversation with a group of German spies. Learning that the agents plan to set fire to the shipyard, he informs his father, who rushes to the scene and engages one of the spies in a fight. The spy is shot, and when Albert and Nosey expose Cummings, the German is sent to prison.

Dir: Colin Campbell

Caleb Conover, a railroad section boss, marries Letty, the daughter of a man of higher social standing, after rescuing her from harassment in a rough Italian neighborhood. By unrelenting force and tenacity, Conover becomes the corrupt political boss of his county, and the railroad president. His son Gerald refuses to work, and marries a chorus girl who is after his money and who retains her former lover. When Conover's daughter Vera returns from Europe supposedly married to a prince, Conover throws an elaborate reception and drunkenly nominates himself for governor. Anice Lanier, Conover's trusted secretary, to whom he is attracted, likes Clive Standish, a lawyer Conover cannot corrupt. After she steals compromising letters Conover wrote to his broker, Conover learns that Anice is the daughter of a man he earlier ruined. When Letty informs him that Vera's "prince" was untitled, the marriage not legal, and that she is starving in Paris, Conover, his drive now gone, loses the election to Standish.

A visual fragment from the archive: The thematic resonance of The Yellow Dog perfectly mirrors the editorial trajectory of our deep dive.

Dir: Colin Campbell

New York broker Bruce Corbin comes to Kentucky to force Allan Pomeroy, whom Bruce can prove is a forger, to give him his daughter Ruth in marriage. Even though she loves Spencer Vail, Ruth agrees, and despite Pomeroy's death, they wed. Ruth soon discovers that Bruce, to avenge his father's death in a feud with the Pomeroys, married her so that she would be childless, thus ending the Pomeroy family. Because Bruce was born during a thunderstorm, he temporarily goes insane whenever he hears a thunderbolt and forgets his actions while affected. Knowing this, Ruth seduces him during a storm, the night before he is to leave for a year. Later, when Bruce sees Ruth's child, he starts to choke it, believing it to be Vail's, but Ruth stops him by telling him of the stormy night. After four years in a distant marriage pass, Bruce loses his fortune because of another thunderbolt. Ruth leaves, but later they are reconciled because of the child.

Dir: Colin Campbell

U.S. Secret Service agent Truxton Darnley attires himself as a sailor and boards a schooner owned by Gus Olsen, who has been employed by a German spy named Von Linterman to smuggle arms to German raiders in the South Seas. During the voyage, Truxton learns that Gus and his men plan to blow up the National Munitions Plant in San Francisco, but Gus discovers his identity and throws him overboard. Truxton is washed ashore on the island of Moana, where he meets and falls for Lurline, the daughter of beachcomber "Brandy" Cain. Promising to return to her, Truxton boards a steamer bound for San Francisco in the hope of saving the munitions plant, and soon afterwards, Brandy sells Lurline into marriage with Gus. Seeing Truxton's steamer, Lurline dives from Gus's schooner, and her sweetheart rescues her. In San Francisco, Gus abducts Lurline and forces her to dance in his Barbary Coast saloon, but Truxton and his men raid the bar, and Gus is killed. After receiving the happy news that her real father is the owner of the munitions plant, Lurline joins Truxton, the man of her dreams.

A visual fragment from the archive: The thematic resonance of The Railroader perfectly mirrors the editorial trajectory of our deep dive.

Dir: Colin Campbell

Surrounded by a group of children, poet James Whitcomb Riley narrates the story of Little Orphant Annie, who loses her mother at an early age and is sent to an orphanage. Annie charms the other children with her stories of goblins and elves until her uncle comes to claim her. He and her aunt force Annie into a life of drudgery, treating her so cruelly that Big Dave, a neighboring farmer, takes her from them and places her in the charge of the kindly Squire Goode and his wife. Big Dave, who intends to marry Annie, is called away to fight in World War I. When Annie hears the news that he has been killed, she pretends to be gravely ill but wakes up to learn that it has all been a dream.

Dir: Colin Campbell

The first of many filmed adaptations of Rex Beach's adventure novel of the Alaskan gold-rush.

A visual fragment from the archive: The thematic resonance of The Thunderbolt perfectly mirrors the editorial trajectory of our deep dive.

Dir: Colin Campbell

Tom and Sally are the only survivors when their wagon train is attacked by Swift Wing's braves. Starlight aids in their escape and they join a group of hunters. But there is more trouble when the tribe attacks again.

Dir: Colin Campbell

Miss Otis nearly hits a derelict with her car, and out of sympathy she gives him some money and advises him to "clean up and keep clean." Soon after, the derelict meets Esther, an anarchist who involves him in a plot to blackmail a banker. When he realizes that Miss Otis is the banker's daughter, the derelict tears up the banker's check but is arrested and committed to an asylum. Esther, who is in love with the derelict, helps him escape, and he resolves to attain a position of wealth and importance. After he earns his fortune, he rejects Esther's affections and asks Miss Otis to marry him.