Recommendations
Senior Film Conservator

Exploring the character-driven intensity in Celles qui s'en font is a journey into France cinema, the thematic layers of this 1930 classic invite a wider exploration of the genre. If Georges Vallée, Lilian Constantini impressed you, these next recommendations will too.
With Germaine Dulac at the helm, Celles qui s'en font became to reinvent the tropes of Drama cinema for a global audience.
A destitute, drunk woman appears to yearn for the life of a streetwalker.
Based on the unique character-driven intensity of Celles qui s'en font, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Germaine Dulac
Coveted by two different men, a woman turns to a third man instead.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Frank Beal
During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.
Dir: Germaine Dulac
A Parisian museum director believes his wife has lost interest in him and so places a poisoned cigarette in the box on his desk - thus allowing chance to decide the moment of his death.
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Dir: Charles Horan
While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.
Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Bruno Ziener
A fascinating piece of cinema that shares thematic elements.
Dir: Harley Knoles
Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.
View DetailsAnalysis relative to Celles qui s'en font
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| La fête espagnole | Tense | Layered | 91% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| Striking Models | Tense | High | 96% Match |
| The Devil's Riddle | Ethereal | Dense | 86% Match |
| The Cigarette | Surreal | Layered | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Germaine Dulac's archive. Last updated: 5/20/2026.
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