Rare Cinematic Gems Exploring the Legacy of Diane of the Green Van: Cult Guide

Dir: Wallace Worsley

A deformed criminal mastermind plans to loot the city of San Francisco as well as revenge himself on the doctor who mistakenly amputated his legs.

Dir: Wallace Worsley

Alouette, the daughter of prosperous French vintner LeSieur Juste DeLarme, secretly marries Bertrand Beaubien although her father wants her to wed wealthy German Kurt Von Klassner. After Kurt slays Bertrand, Alouette is forced to marry the brutal German, and only her love for her little son Bertrand, whom Kurt imagines is his offspring, but who actually is the slain Frenchman's, saves her from complete unhappiness. Years later, when the Germans invade France during World War I, Kurt assists them although they have killed his father-in-law. Bertrand's young sweetheart is killed during the German occupation of the village, and fiercely determined to drive them out, he enlists in the French army. With the arrival of the French forces, the town is rescued, and Kurt, through Bertrand's testimony, is arrested as a spy.

A visual fragment from the archive: The thematic resonance of A Law Unto Herself perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Viola Baxter is deceived into a hasty marriage with her guardian, Marshall Welch, who is after her money and has framed her fiancé, Dick Fletcher, for theft. She discovers and exposes her husband's perfidy. Humiliated, Welch decides to take his wife's life along with his own, but she is saved by her Great Dane.

Dir: Wallace Worsley

The guests at a summer resort hotel, headed by Mrs. Van Courtlandt--Van Allstyn, are preparing to stage a charity performance of a farce, and Gaston Allegretti, threatened with dismissal by the owners, has promised to obtain the services of Broadway star Elsie Parmelee. When the actress refuses, Gaston, in despair, enlists the aid of Helen Haynes, who works in a broker's office and resembles the actress. With MacGregor, a Scottish bookkeeper, she goes to the resort for what she supposes to be a vacation and is reluctant to accept an acting role until she finds that young millionaire Bobby Bates, with whom she is in love, is engaged to play opposite her; although awkward in the part, she is hailed as a great comedienne. Bobby proposes and Helen accepts, thinking he knows her true identity. Later, he learns of the real Elsie Parmelee and is disillusioned, but MacGregor admits his duplicity and all ends well.

A visual fragment from the archive: The thematic resonance of When Husbands Deceive perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

After Alice Dane, a poor English schoolteacher, witnesses Sir John Turnbull throw an adversary over a cliff, Turnbull offers her money and marriage, because a wife cannot testify against her husband. To support her invalid father and for desired luxuries, Alice accepts, but she finds her husband humiliating and insulting. When Bobby Ralston, the superintendent of Turnbull's South African mines, reports that Turnbull's interests are endangered by a Zulu uprising, Turnbull takes Alice to Africa. After Turnbull shoots an emissary of Zulu chief Cetygoola carrying a flag of truce, Alice is taken hostage, to be burned at the stake unless the messenger's killer is offered. Knowing that Ralston loves Alice, Turnbull dares him to offer himself, which he does, but the Zulus realize he is not the guilty party. During the Zulus' subsequent attack, Ralston and Alice escape to an observation balloon. Reinforcements defeat the Zulus, but Cetygoola hides and kills Turnbull. Ralston and Alice are then free to marry.

Dir: Wallace Worsley

Members of a secret anarchist group take revenge.

A visual fragment from the archive: The thematic resonance of The Beautiful Liar perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Helen Rowland is unresponsive towards her rich husband Henry and spends most of her time at social events. Henry agrees to give financial assistance to young clergyman John Sterling for his missionary cause if Helen can become interested in Sterling's work in the slums. Helen becomes so interested in Sterling's mission work that she admits to Henry that she is in love with the clergyman. Henry then insists that Sterling arouse Helen's hatred. Sterling feigns drunkenness and Helen is so disgusted that she hurries home. Henry is remorseful about the scheme, but confesses he did it out of love for her, and so Helen discovers, finally, that she loves her husband.

Dir: Wallace Worsley

New York playwright Vincent Manton invests his entire fortune in stock, to keep his socially ambitious wife Lucille happy, but quickly loses it. Devastated when Lucille angrily elects to divorce him, Vincent moves to Alaska and begins to drink heavily. His sad rendition of "Home Sweet Home" on the piano in Big Dan Johnson's dance hall moves Johnson's foster daughter Rose to pity, and she gently reproaches him for his drinking. Unaware of her relation to Big Dan, Vincent treats Rose like one of the dance hall girls, and as a result, he is beaten senseless. Rose faces rejection for nursing the stranger's wounds, but Vincent falls in love with her, and they are married. Shortly afterward, Vincent strikes gold, and while he is visiting New York to incorporate his mine, he encounters his first wife. Lucille musters all of her charms to regain Vincent, but he soon realizes that she is only desirous of his money and decides to return to the woman who really loves him. Upon his arrival, Rose presents him with a baby son.

A visual fragment from the archive: The thematic resonance of A Woman of Pleasure perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

A rich young boy has to prove his worth to the gang he has just joined by enduring all sorts of hardships, including a kidnap attempt, before they'll accept him.

Dir: Wallace Worsley

In return for money and medical aid for his invalid mother, struggling author Robert Sandell agrees to subject himself to experiments by Dr. Lamb, who claims he is trying to extend the human lifespan. Despite warnings from the doctor's wife and a hunchbacked assistant, Robert allows himself to be strapped to an operating table, whereupon he learns the true nature of the surgeon's experiments: To prove the theory of evolution by devolving his human subjects into an approximation of their simian ancestors. However, before Dr. Lamb can proceed, the hunchback un-cages another victim, an ape-man, who crushes Dr. Lamb to death.