Recommendations
Senior Film Conservator

As a cultural touchstone of United States, Dr. Jekyll and Mr. Hyde resonates with its stylistic flair, its lasting impact ensures that its spirit lives on in modern recommendations. Our archive is rich with titles that mirror the stylistic flair of John S. Robertson.
For many, the first encounter with Dr. Jekyll and Mr. Hyde is to provoke thought and inspire awe in equal measure.
Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.
Based on the unique stylistic flair of Dr. Jekyll and Mr. Hyde, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: John S. Robertson
Phyllis Ashbrook hosts a party in the Adirondacks for her fiancé Roger Mason and their engaged friends, John Manning and Anita Webb. In a climbing expedition, Phyllis and John are separated from the others by a storm and seek refuge in a cabin. To save her reputation, Phyllis' parents insist that she marry John immediately, after which they may obtain a divorce and marry their respective partners. After the ceremony, John leaves for China to provide grounds for divorce, but upon discovering that he has mistakenly taken his new wife's suitcase, he returns to his apartment, where he finds Phyllis. Anita and Roger arrive and confess their devotion to each other, and when John and Phyllis realize that they, too, are in love, the divorce plans are abandoned.
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Dir: John S. Robertson
To prove his theory that environment rather than heredity determines a man's character, Dr. Burnell adopts young Richard, the son of an imprisoned crook Morgan. Upon graduating from college, Richard proposes to Virginia Denton, but several days before the wedding, Morgan appears and threatens to reveal himself as Richard's father unless the young man aids him in a number of robberies. Through Robert Hargraves, Dr. Burnell discovers Richard's part in the crimes and starts to believe that his theory is incorrect. When Morgan decides to rob the Denton home, Richard arranges with Dr. Burnell to trap them in the act, but it is Virginia who discovers the two rifling the safe, and she immediately breaks the engagement. After the police arrive, however, Morgan reveals that Richard is actually Dr. Burnell's son, kidnapped by Morgan at an early age. His name cleared, Richard marries Virginia.
Dir: John S. Robertson
The people of Thrums ostracize 12-year-old Grizel and her mother, known as The Painted Lady, until newcomer Tommy Sandys, a highly-imaginative boy, comes to the girl's rescue and they become inseparable friends. Six years later Tommy returns from London, where he has achieved success as an author, and finds that Grizel still loves him. In a sentimental gesture he proposes, but she, realizing that he does not love her, rejects him. In London, Tommy is lionized by Lady Pippinworth, and he follows her to Switzerland. Having lost her mother and believing that Tommy needs her, Grizel comes to him but is overcome by grief to see his love for Lady Pippinworth. Remorseful, Tommy returns home, and after his careful nursing Grizel regains her sanity.
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Dir: John S. Robertson
While traveling to meet her sweetheart, Richard Carr, in the capital of the Grand Duchy of Bonaluria, Peggy Dare's train compartment door is thrust open and a little boy is thrown at her feet. Peggy is so taken with the child, who tells her that his name is Manouche, that she looks after him. She foils an attempt to kill Manouche, before arriving in Bonaluria where she learns from Richard that the boy is really the Grand Duke. Peggy and Manouche are then separated as Peggy goes to live with Richard's mother and the boy returns to court. However, the power hungry Prince Henri, who is madly in love with Peggy, abducts the little duke and holds him ransom for Peggy's affections. For the sake of the child, Peggy agrees to go away with the prince and accompanies him to the castle. Carr, believing that Peggy has betrayed him, follows and is imprisoned by the prince. They are all rescued when the Royal Guards, summoned by Peggy, arrive and arrest the prince. Carr then apologizes to Peggy for his suspicions, and together they sail for America.
Dir: John S. Robertson
A boy called "Mascot," presumably the son of smuggler Captain Stark, is raised by Mr. Deane, the British military governor of Kingston after the boy's ship is captured. Years later in London, Mascot, now known as Stanley Deane, is the lawyer for the radical organization of mill employees called "The Well." Stanley falls in love with mill owner Amos Buckingham's daughter Alice, whom he knew when they were children. But Buckingham hates Stanley for his aid to the workmen and turns Alice against him by telling of his mysterious parentage. The workmen plan to blow up the Buckingham mansion and kill its master who, unknown to anyone, has disguised himself and gained admittance to The Well to study the real condition of the men. Stanley saves Alice, but after the explosion, a charred body supposed to be that of Buckingham is found and Stanley and all in The Well are arrested for murder. When Buckingham, still in disguise as a member of The Well is convicted, he discloses that the explosion was accidental and that the body was one he had used in his experiments. After Buckingham takes the blame for the bitterness of his workmen, everyone is acquitted. Stanley then discovers that his father is really a Boston banker and, freed of the aspersions cast upon his name, is welcomed by Buckingham as his son-in-law.
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Dir: John S. Robertson
During World War I, Washington, D.C. society girl Nancy Craddock decides to enlist in the Food Administration on the theory that "eggs will win the war."
Dir: John S. Robertson
Gossip spreads quickly throughout a small New England village when Betty Taradine extravagantly entertains wounded Colonel Preedy, billeted at her home. After a bank official suggests that Betty, deeply in debt, raise money on the life insurance policy of her husband, who left years earlier because of her extravagances, Betty sends herself a telegram announcing her husband's death. Preedy's aide, Captain Peter Rymill, in reality Betty's husband, arrives, and falling in love with her again, agrees to keep his identity secret. Although Betty flirts with Preedy to irritate Peter, Preedy really loves Betty's friend, Penelope Moon. One night, Preedy sneaks into Betty's bedroom to steal Penelope's picture, and hides in the closet when Peter enters seeking reconciliation. Peter then hides under the bed when Reverend Ambrose Liptrott, who loves Betty, and his spinster sister Tabitha, arrive to investigate rumors. After Peter and Preedy explain themselves, Preedy confesses his love to Penelope, and Peter and Betty are reunited.
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Dir: John S. Robertson
When a girl's lover kills her husband she offers herself to her father-in-law in exchange for his freedom.
Dir: John S. Robertson
Barnabetta Dreary's grim life of slaving for her Amish father Barnaby and her two brothers, is surprisingly changed when Barnaby marries Juliet Miller. Known as Erstwhile Susan, she becomes fond of Barnabetta, and because she retains control of her fortune, induces the other Drearys to relieve Barnabetta of some of her drudgery. After Barnaby has a stroke brought on when Susan proposes sending Barnabetta to school, she goes to a prep school where the president, Doctor Barrett, and a trustee, State Senator Jordan, both fall for her newly acquired charm, to the dismay of Jordan's sister who loves Barrett. When the sister interferes with Barnabetta's plan to work in the school after graduation, Barnabetta helps Jordan win his campaign for governor, and after exposing him to her family's crude table manners, Barnabetta accepts Jordan's marriage proposal, while Susan succeeds in reforming Barnaby and his sons.
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Dir: John S. Robertson
A young man with little means wants to marry a rich girl, and thinks up a scheme to get rich.
View DetailsAnalysis relative to Dr. Jekyll and Mr. Hyde
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Make-Believe Wife | Ethereal | Abstract | 85% Match |
| The Menace | Ethereal | Linear | 95% Match |
| Sentimental Tommy | Tense | High | 91% Match |
| Intrigue | Surreal | High | 91% Match |
| The Bottom of the Well | Gothic | Dense | 96% Match |
This guide was algorithmically generated using the cinematic metadata of John S. Robertson's archive. Last updated: 6/26/2026.
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