The Auteur's Selection Complementing the Tone of Everything But the...

Dir: Eddie Lyons

The troubles of two quarreling couples, the Blacks and the Whites. They get divorces, and Mr. Black weds Mrs. White and Mr. White weds Mrs. Black.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of The Knockout perfectly mirrors the editorial trajectory of our deep dive.

Nifty Ned is a heavyweight champion that meets all comers. He is successful through the fact that he manages to back his opponents against the scenery at the back of the stage ring. From a vantage point behind the scenes, Happy Harry whacks the opponent on the head with a club, invariably causing the "knockout." The end comes when the "heavyweight" is pushed against the scenery by one of his opponents, and Happy Harry knocks out the wrong man.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Eddie and his bride manage to escape the hazing of the wedding guests, but is later caught by Lee, the hick detective, who has received a fake wire offering $1,000 reward for Eddie's capture as a dangerous criminal. He locates Eddie on the trail and handcuffs himself to him. Lee releases Eddie so the latter can wire his friends, and the bridegroom misses his train. He hurries by taxi to the jail, where Lee has taken the bride in lieu of Eddie. Eddie and his bride are locked up together, but are later released upon receipt of an explanatory telegram from their practical joking friends.

Dir: Eddie Lyons

Bernie and Sidney are a buyer and a salesman who smash each other's hats before becoming acquainted. Their wives afterward mix in at a hat sale and later all meet at dinner, when the riot begins again.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of Berth Control perfectly mirrors the editorial trajectory of our deep dive.

Lee and his family take Eddie and his wife riding in their new car.

Dir: Eddie Lyons

A burlesque on the making of a picture based on an Alaskan story.

Dir: Eddie Lyons

A visual fragment from the archive: The thematic resonance of Damaged Goods perfectly mirrors the editorial trajectory of our deep dive.

Eddie and Lee are newspaper reporters and Mildred is a vamping Russian countess in a laughable "Bolsheviki" burlesque in which Eddie and Lee find themselves obliged to commit all sorts of crimes, but wake to find it all a dream.

Dir: Eddie Lyons

Eddie has a wife and baby. Lee plays his well known role of janitor, who finds himself with the baby, a dog and a parrot on his hands, after a mix-up in the apartment house, but eventually gets them in the hands of their proper owners.

Dir: Eddie Lyons

Lee is a tailor's apprentice who follows his customer, Eddie, to a social affair. Lee measures up the guests for new clothes. Both he and Eddie lose their trousers and do some tall dodging about among the guests as a result.