Recommendations
Senior Film Conservator

Looking back at the 1920 milestone that is Everything But the Truth, the cinematic shorthand used by Eddie Lyons is both ancient and revolutionary. Dive into this collection and find the spiritual successors to Eddie Lyons's vision.
As Eddie Lyons's most celebrated work, it defines to articulate the unspoken anxieties of United States's 1920 era.
Although the Hervey oil company is nearly bankrupt, owner Bill Hervey is unconcerned because he is about to be married to Helen Gray and can think of nothing else. One day, while visiting his newly purchased home in the suburbs, he meets his neighbor, newlywed Annabelle Eaton, who asks Bill for a ride to a nearby chicken farm. Bill agrees, but when they reach the farm, they are locked in a room by a lunatic and forced to remain there overnight. When they finally escape the next day, the two are hard-pressed to explain to their respective mates where they have spent the night, until a doctor comes along and explains that the lunatic was his patient and that he will pay damages for their inconvenience. With this satisfactory explanation, the couples are reconciled, and the damages Bill collects save his company.
Everything But the Truth was a significant production in United States, showcasing the immense talent of Nelson McDowell, Katharine Lewis, Elizabeth De Witt. It continues to be a top recommendation for anyone studying Comedy history.
Based on the unique artistic bravery of Everything But the Truth, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Eddie Lyons
A fascinating piece of cinema that shares thematic elements.
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Dir: Eddie Lyons
Mr. Ups likes the gay life and Mr. Downs is a "stay-at-home." One night when Ups is out sporting and Downs is home in bed, Ups arrives at the entrance of the apartment house at the same time with Downs' wife. Ups' wife, who is at home, hears the cat ransacking the milk cans in the kitchen and thinks a burglar is in the house. Then Mr. Ups and Mrs. Downs arrive and the chase starts. Up and down the dumbwaiter goes Downs and Mrs. Ups, looking for the burglar, one in his bathrobe the other in her pajamas. The mystery is solved and the two couples become the best of friends.
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Dir: Eddie Lyons
Eddie and Lee are newspaper reporters and Mildred is a vamping Russian countess in a laughable "Bolsheviki" burlesque in which Eddie and Lee find themselves obliged to commit all sorts of crimes, but wake to find it all a dream.
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Dir: Eddie Lyons
A burlesque on the making of a picture based on an Alaskan story.
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Dir: Eddie Lyons
Nifty Ned is a heavyweight champion that meets all comers. He is successful through the fact that he manages to back his opponents against the scenery at the back of the stage ring. From a vantage point behind the scenes, Happy Harry whacks the opponent on the head with a club, invariably causing the "knockout." The end comes when the "heavyweight" is pushed against the scenery by one of his opponents, and Happy Harry knocks out the wrong man.
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Dir: Eddie Lyons
The newlyweds buy a rooster and expect it to lay eggs. Food conservation also comes in for some quiet, humorous effects.
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Dir: Eddie Lyons
The troubles of two quarreling couples, the Blacks and the Whites. They get divorces, and Mr. Black weds Mrs. White and Mr. White weds Mrs. Black.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Eddie Lyons
Eddie has a wife and baby. Lee plays his well known role of janitor, who finds himself with the baby, a dog and a parrot on his hands, after a mix-up in the apartment house, but eventually gets them in the hands of their proper owners.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
View DetailsAnalysis relative to Everything But the Truth
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Dodgers | Gritty | Linear | 92% Match |
| Shot in the Dumbwaiter | Gritty | Dense | 97% Match |
| The Bullshevicks | Tense | Layered | 91% Match |
| Frenzied Film | Surreal | High | 98% Match |
| The Knockout | Gothic | Abstract | 96% Match |
This guide was algorithmically generated using the cinematic metadata of Eddie Lyons's archive. Last updated: 5/27/2026.
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