The Definitive Watchlist Seeking the Same Brilliance as Fighting Mad: Cult Guide

Dir: Edward LeSaint

The city editor remarked to his star reporter, Jimmie, "This is the biggest steal that any corporation tried to put over the municipality. Run it down, break it up, and you will own the shop." Jimmie went after the new assignment fast and furious, and the front page of his paper began to attract the attention of the populace to a new condition of affairs, in which a railroad trust appeared to be hiding behind an innocent application made by a coterie of seemingly disinterested citizens, all of whom were associated with big corporations. Councilman Blake, a cold-blooded politician, led the controlling faction of aldermen, and while he had long been a "suspect" nobody was clever enough to "put it over on him." At the preliminary council meeting only a single vote was required to give the "people's property" to the railroad trust. The lacking vote was Black, who, knowing his previous power, reserved his right to hold the big job in leash. At this point in the game, grim Grayson, the head of the railway trust, came to the city secretly, just as Blake expected he would, praying for a conference. In the interim Reporter Jimmie met and impressed Alice, Blake's stenographer, who felt the power of his personality, and could not restrain her interest in the story that was unfolding as he came day after day for interviews. When she learned that Councilman Blake was to be a guest that night at Grayson's country home she "tipped it off" to Jimmie by 'phone. He managed to get unobserved into Grayson's house and his sharp ears overheard the conclusion of the bargain between the councilman and the magnate. Blake hurried away, and Grayson sat down to enjoy reflecting that he had the winning of the franchise fight in his pocket, signed for a certainty by Blake. The alert Jimmie leaped upon him, bound and gagged him, and, possessing himself of the precious document, escaped from the house and made a run for his horse he had concealed in the shrubbery. He ran into the husky secretary of Grayson and handed him a punch on the point of the jaw and then proceeded to his horse. The secretary, however, rallied for the count and took a shot at Jimmie, that came so close that it made a brain bruise across his brow. Grayson's man staggered to his feet, rushed to the house and found his master trussed up like a stuffed turkey. He released him, learned the truth of the raid, and consequently, upon his master's demand, rushed for his automobile. The wounded reporter rode madly on and then the automobile came flashing into the scene. Jimmie tried out all the tricks at his command in fox chasing, in cutting across ploughed fields and taking down narrow, rough lanes, but Grayson's car ate up the miles savagely and came closer and closer. Now they were in the city limits, and on a shaded boulevard the car caught up with the tired rider and his foam-flecked steed. Jimmie was dragged from his horse, and was about to be thrown in the car and carried away when a mounted patrolman appeared and asked impertinent questions. Jimmie thrust the document in the officer's hand, when Grayson declared his identity and insisted that a valuable document had been stolen from him. The patrolman glanced at the document and the significance of it appealed to him so powerfully that he handed it back to Jimmie and told him to "Beat it." Then he compelled the frantic Grayson and his huskies to conform with the speed laws so he could trot alongside their automobile through the park. Things were happening in the City Hall in the interim and likewise at the newspaper office, a sort of expectant hush that comes before great news "breaks." The editor was about to order the presses to start, giving up the expected scoop as too late, when Jimmie with a bloody handkerchief bound about his brow, and the knock-out document in his hand, staggered into the office with his smashing story. It was a big thing and the bold-face type played it up scare-heads. The scene shifted to the council chamber. Blake concluded his speech and the voting was about to begin, when Jimmie darted into the room and pushed the "extra" under the nose of the astonished Blake, and then passed other copies around so quickly that the great franchise steal died a-bornin'. Blake's pretty stenographer was at work early that morning when the telephone rang and she recognized the voice, unmistakably Jimmie's that said, "Hello a friend is talking. Will you marry me?" It wasn't hard to guess the answer, and when the orange blossoms bloomed upon her brow two months later, the newspaper that Jimmie helped to the greatest scoop of the time was heavily represented both in "among those present" and the bridal gifts.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Soul of Kura San perfectly mirrors the editorial trajectory of our deep dive.

When his fiancée commits suicide after being used by an American artist, a Japanese art dealer seeks to get vengeance by seducing the artist's wife.

Dir: Edward LeSaint

Inez de Pierrefond's mother forces her to marry a wealthy man who proves to be such a brute that after he is killed in a drunken brawl, Inez swears that she will never marry again. Later, she falls in love with John Hemingway, an Iowan who has come to Paris to study architecture, but when she tells him her views on marriage, he leaves her in shock. His friend, Charles Abbey, convinces him that Inez's ideas are quite logical, and for a time, the two live together in perfect happiness. Upon the couple's return to Delphi, Iowa, however, the town gossips assume that the beautiful and cultured Parisian is an adventuress, and when they learn of her book, Free Love , they call a meeting to inform John's mother of Inez's low character. Hearing of their plan, Inez roundly denounces the villagers as hypocrites and then explains her views to Mrs. Hemingway, who lovingly forgives her. Mrs. Hemingway's tender devotion to her son so moves Inez, however, that she eventually consents to the marriage ceremony.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Strange Woman perfectly mirrors the editorial trajectory of our deep dive.

Aunt Ray Innes leases Sunnyside House, the country home of Paul Armstrong, and invites her nephew and niece, Halsey and Gertrude Innes. En route, the young people stop at the Greenwood Club to take Jack Bailey, the intended husband of Gertrude and cashier of the Armstrong Bank. Halsey appears in time to prevent a fight between Jack and Arnold Armstrong, son of the banker. At three o'clock in the morning a pistol shot awakens Aunt Ray, who summons her servant, Liddy. They are joined by Gertrude, and the women discover that Halsey and Jack are missing. Investigations disclose the lifeless body of Arnold Armstrong lying at the foot of the circular staircase. Mr. Jarvis, who had been summoned from the club, recalls that Jack and Arnold were bitter enemies because of banking affairs. The next morning Mrs. Watson, the housekeeper, appears suffering from an injured arm, which she explains she sustained in falling down the circular staircase. Frank Jamieson, the detective, on the case cannot trace Jack, and when Halsey Innes returns he refuses to say why he left. Then the newspapers announce that the Armstrong bank has failed; that the cashier has been released under bond; that Dr. Walker, who has accompanied Paul Armstrong to the west, has wired that the banker is too ill to travel, and that securities aggregating a million and a quarter are missing. Aunt Ray searching for Tom, the butler, comes upon Louise Armstrong, daughter of the banker, who was supposed to be out west with her father, at the Lodge. Dr. Stewart, the family physician, attends to her. Dr. Walker wires that the banker has died, and that his summer home must be vacated as the body will arrive soon. But Aunt Ray refuses to leave on such short notice. Louise is not apprised of her father's death, and as she leaves for her mother's home she tells Aunt Ray to leave Sunnyside House, as she has forebodings for its future. Mrs. Watson's injuries develop into blood poisoning, and she is taken to a hospital. As Tom, the butler, sits in the Lodge one night, he sees an apparition and drops dead of fright. Dr. Walker warns Aunt Ray to leave the house before she regrets it. Again she refuses. Several nights later as Halsey and Alex, the new gardener, are keeping watch over the circular staircase, the stable catches fire, and the men rush to give assistance. Meanwhile the women are terrorized by the movements of a strange object outside. Halsey disappears and a tramp with the missing man's watch on him is caught by Detective Jamieson. Upon being questioned, he says that he found the watch under the freight car into which had been thrown Halsey, bound and gagged. Mr. Watson, who is dying, tells Aunt Ray that when she was carried to the lodge by Tom, the butler, she found Louise Armstrong ill and that she (Mrs. Watson) was struck on the arm by a golf club by Arnold because she refused to give him the key to Sunnyside House. Mrs. Watson returned to the house and when she was ascending the circular staircase found that Arnold was creeping up behind her and shot him. Gertrude learns from Halsey, who is in a neighboring hospital, that Paul Armstrong, aided by Dr. Walker, looted his own bank, and that is why Louise left her father. Meanwhile the casket containing Paul Armstrong's body is exhumed and when opened it is found that the corpse is not that of the banker. Aunt Ray discovers a secret room and upon investigating she is locked in by the door automatically closing upon her. Here she is found by Paul Armstrong that night. The sight of him frightens her and her cries bring the detective and Alex, the new gardener, who break open the door as Armstrong escapes by another secret passage. He slips down the circular staircase and is killed, and Dr. Walker is taken into custody. Alex removes his disguise and reveals himself as Jack Baily. A cash box containing the stolen securities is found in the secret room by Jack, and as Aunt Ray comes into Sunnyside House she finds Louise and Halsey in a loving embrace, and Jack and Gertrude in a like attitude at the bottom of the circular staircase.

Dir: Edward LeSaint

Hugh Payne owns and operates a mine in the West, supporting his brother Larry's luxurious life style. Hugh has nurtured Abby Hope, a young girl with whom he has fallen in love. When Larry comes to visit, he and Abby decide to get married, and to spare Abby's feelings, Hugh pretends that he is infatuated with another woman. When the building in which they are staying breaks out in flames, Hugh rescues Larry and Abby from the fire. Larry, finally realizing that Abby really loves his brother, confesses that her love is returned by Hugh, and the two are united.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Circular Staircase perfectly mirrors the editorial trajectory of our deep dive.

Stuart Kirkward, a wealthy miner, has built a magnificent house in preparation of his marriage to Peggy Carter, who elopes on the eve of her wedding with George Rothwell, a mining promoter, who is already married. At the station they meet Rothwell's wife, who tells Peggy the truth about him. Peggy in endeavoring to escape from the unpleasant scene rides away on her horse, only to be followed by Rothwell. Both meet with an accident, are hurled to their doom over a steep cliff. Just before this, Stuart had assumed the guardianship of a little daughter of a friend of his, and in connection with the accident he finds himself with the girl on his hands. He sends her away to boarding school, where she meets the son of George Rothwell, the man who had eloped with Stuart's intended bride. When the girl, whose name is Renee, comes back from school to her guardian, he finds that she has grown to be a full-fledged lady, and begins to feel more than a fatherly affection for her. Some time later, at a house party, Stuart is led to believe that she loves the son of George Rothwell, and, although bearing in mind that he is the son of the man who was his bitterest enemy, he decides to give the boy a chance. It is here that he makes the great discovery that, instead of Rothwell, Jr., it is he whom Renee loves. All the past is forgotten and they turn their thoughts to the future.

Dir: Edward LeSaint

Dick Brown kills himself in front of Adele Durant after she rejects him and Dick's friend Robert Bradley threatens to accuse her of murder unless she places her life in his hands. He leaves her at a dance hall in an isolated spot in Mexico, where she falls in with a group of bandits planning to seize an American mine. Learning that the brigands plan to kill the lone mine owner, she warns him of their approach and discovers that he is none other than Bradley, whom she loathes. They flee together but are captured and held with other prisoners of the gang. While Bradley goes for help, bandit Pedro Vasquale threatens to kill the prisoners unless Adele comes to him in his cabin. When he embraces her, she stabs him. Bradley, recognizing her noble character, marries her.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of Heir of the Ages perfectly mirrors the editorial trajectory of our deep dive.

Schoolteacher Faith Miller inherits $10,000. Edson, McGill and Slade, three enterprising crooks, own the Moonflower, a worthless mine. Slade goes East to unload, and hearing of Faith's good fortune, he approaches her and finds her easy prey: she buys a share in the mine for $9,000. Advised by friends to take a rest, Faith goes to inspect her mine. Arriving at the town, she is insultingly approached and the man who has annoyed her is knocked down by Jim Ralston, a young mining engineer. She goes to the home of Big Annie, who tells her that the mine is worthless. The miners, touched by her beauty and helplessness, engage her to teach their school, the only available pupils being Pete, a half-wit, and Jim, who is held in connection with a hold-up committed by Edson and McGill. At first Jim rebels, but when he sees the teacher, he becomes a willing student. Faith recognizes him as her protector. Jim conceives the idea of salting the mine, and wires Slade to the effect that the mine is rich with silver and not to sell. Slade returns. Edson and McGill, pursued by a posse, reach the schoolhouse and persuade Jim to conceal them. Flynn, at the head of the posse, accuses Jim of hiding the bandits and is killed by a shot from an unseen hand. Jim is arrested as the murderer. Faith intercedes, begs him to flee and is handcuffed to him. They escape and take refuge in a mountain cabin. Jim shoots the fetter apart, breaking his wrist, and insists that Faith return home. As Jim tells Slade of Faith's whereabouts, Slade notices the fetter on his hand, takes him to the outskirts of the town and the miners prepare to bang him. Faith sells her interest in the mine back to Slade, and Pete, as he delivers a note to her from Jim, also tells Faith of Jim's peril. The outlaws, Edson and McGill, are shot as they resist arrest, Edson's dying confession of Flynn's murder reaching Jim's executioners just as they refuse to listen to Faith's pleading for her lover's life. Faith, weakened by the trying ordeals through which she has passed, sinks to the ground, only to be taken into the waiting arms of the man she loves.

Dir: Edward LeSaint

James Kelly and Tom Baldwin, two old pals, agree that their children, Larry and Helen, should marry. During the month before the marriage, Larry plans to have a fling and is smitten by a woman he meets on a train. Not realizing that the woman is Helen, he takes a job on the ranch next to hers, and she poses as a maid to sound out her fiancee's character. Tom exposes a group of cattle thieves but is accused of murder and makes a run for it. His horse catches up with a train, and when he jumps through the window, he finds himself facing his future wife.

Dir: Edward LeSaint

When Donald Bayne, known in the North as The Wolf, loses his cabin to Steve Nolan in a backwoods court, he threatens and thrashes the new owner, then leaves him to tend to his traps. Upon his return, he discovers that Nolan has been killed in a shooting accident and that Bess Nolan, his niece, has moved into the cabin with Rose, her sister's child. Unable to evict her, The Wolf camps out next to the cabin, but soon realizes that this act has compromised her honor in the town. To correct the situation, he forces her into marriage, but she maintains a safe distance from him. When Bess's sister and "Snaky" Burns, her brother-in-law, kidnap Rose for use in their criminal activities, Bess implores Donald to intervene. Donald rescues the child, then restores Rose permanently to Bess. Touched by his deeds, Bess finally accepts The Wolf as her mate.