Hidden Genre Gems for Fans of Firebrand Trevison: Cult Guide

Dir: Thomas N. Heffron

Magazine writer J. Hamilton Vance travels to the mountains of Kentucky to get local color for his stories, and falls in love with Roxie Bradley, the daughter of a moonshiner. Regarded at first with suspicion by the mountaineers, Vance finally wins their confidence and is appointed teacher in the little log school house. The former teacher, resentful at the intrusion, attempts to shoot Vance through the schoolhouse window, but Roxie intercepts the bullet. Vance nurses her back to health, engendering the jealousy of Lily Bud Raines, who starts a rumor that Vance is a federal agent spying on the moonshiners. As the mountaineers plot to extract vengeance on Vance, Roxie and he are married, and when his antagonists discover that Vance is now one of them, they accept him as part of the mountain community.

Dir: Thomas N. Heffron

A visual fragment from the archive: The thematic resonance of Deuce Duncan perfectly mirrors the editorial trajectory of our deep dive.

Ann Tyson leaves her little cabin and goes West with her brother John, whom she has not seen in fifteen years during his imprisonment for a crime he did not commit. Ann becomes a barmaid in the local saloon, where she meets cowboy Deuce Duncan, and the two fall in love. Deuce correctly suspects that John is involved with a gang of cattle rustlers but remains silent because of his love for Ann. In a drunken rage, John attacks Ann, admitting that he is not her brother and demanding that she marry him. Deuce arrives and rescues Ann just as Clements, the head cattle rustler, sneaks up on the cabin and shoots John.

Dir: Thomas N. Heffron

Mrs. Black, formerly a plump, good-natured widow, tells Professor Black, her new husband whom she adores and fears, that she is 29 instead of 36, neatly knocking off 7 years. To further convince him of her youth, she also tells him that her son "Little Johnny," whom he has never met, is 10--in reality, John is a husky 17-year-old fellow in school in England, fully 6 feet tall, broad-shouldered, and quite up-to-date, even to his Irish valet Larry McManus. Not being able to tell the Professor this, Mrs. Black invents a mythical "Aunt Prue," living in New England, with whom Johnny is supposed to be staying. The professor must curb his impatience to see his new son, for whom he has, with great care, been buying toys. So does the Professor's class of gushing young girls, who look forward with equal eagerness to seeing "Professor's Little Johnny." To regain the slimness of her youth, Mrs. Black takes reducing exercises from physical-culture teacher Tom Larkey, but loses more money and patience than flesh. As John writes that he needs money and wants to come home, she takes the $400 due Larkey and sends it to her beloved offspring, telling him he must stay in England and finish his college course. His professor decides that he needs building-up and sends for an instructor to teach him the proper exercises. The instructor proves to be Larkey, who adds to Mrs. Black's troubles by hounding her for the debt due him. Meanwhile her son has promptly lost the money sent him in poker, and gives a Spaniard an I.O.U. for $400 on the back of an envelope addressed to his mother, Mrs. Black. Pedro, the Spaniard, is going to America and decides to look up Mrs. Black; finding her, he demands the $400 her son owes him, so all her ingenuity is taxed to dodge the two creditors and keep her husband away from them until she shall find some means of obtaining the money due. John falls in love with a pretty girl in England and follows her to America, telegraphing his mother on his arrival in New York that he will soon be with her. And Mrs. Black has just learned from her dignified husband that he never forgives a liar. Then things begin to happen, with Mrs. Black as the prime factor. Jack and his valet arrive; the valet is presented as "Aunt Prue's" husband; and Jack masquerades first as the gas man and finally as Lizzie, the new cook. Of course the fatal truth at last comes out, and the penitent Mrs. Black leaps into an auto, about which she understands nothing, and runs away. Her frantic husband sees the machine smash, and when, after believing her gone from him forever, he learns that she escaped injury, he is so glad to find "Mrs. Black is Back," that he readily forgives her deception and welcomes son John.

Dir: Thomas N. Heffron

A visual fragment from the archive: The thematic resonance of Mrs. Black Is Back perfectly mirrors the editorial trajectory of our deep dive.

Betsy Shelton, an orphan since early childhood, lives in Myrtleville with her aunt, and is engaged to marry Calvin Stone, a young lawyer. Betsy's brother, Dick, ostensibly working in New York to recover the family fortune, becomes involved with one Roger Enderleigh, a shyster promoter, who because of crooked dealings, is forced to flee from the postal authorities. He induces Dick to take him to Myrtleville, where Dick introduces Enderleigh as a prosperous banker promoting a munition plant, thus swindling the townsmen. The visit terminates in a vivid climax when the postal authorities track Enderleigh, who prepares to flee leaving Dick to bear the brunt. Dick kills Enderleigh and then asks for mercy on the plea that Enderleigh has ruined Betsy. Stone, true to the code of Southern chivalry, does not lose faith in his fiancée, and in the closing scenes of this photodrama, restores her good name and brings her erring brother to punishment.

Dir: Thomas N. Heffron

A fascinating piece of cinema that shares thematic elements.

Dir: Thomas N. Heffron

A visual fragment from the archive: The thematic resonance of The Stainless Barrier perfectly mirrors the editorial trajectory of our deep dive.

A young man gets arrested after a drunken night. Sentenced to 30 days in jail, he tells his wife he has to go to Mexico for a month.

Dir: Thomas N. Heffron

Rudolph Schlitz, a cobbler, finds a lottery ticket in a shoe he is repairing and, determined to make some money from it, he sells an interest in the ticket to his friend, Adolph Busch. Then, fed up with the way temperance leader Caroline Pickett rails against the evils of alcohol, Bobbie Bennett spikes the cider at Caroline's picnic. All of the villagers in attendance get drunk, including Rudolph and Adolph, who then dream that they have arrived in Washington to claim their lottery winnings. Besides being transported to the nation's capital, however, they also have been transported through time back to the Civil War and barely escape from the fighting alive. Rudolph and Adolph then wake up from their shared nightmare, and remembering the link between gambling and Gettysburg, they swear off lotteries and other games of chance forever.

Dir: Thomas N. Heffron

A visual fragment from the archive: The thematic resonance of The House of a Thousand Candles perfectly mirrors the editorial trajectory of our deep dive.

Although Tom Hartwell is the town drunk of Matherville, his son Bill, a blacksmith, loves him and batters down the jail door when the old man is arrested. In an effort to drive them both out of the village, the narrow-minded townspeople attack Bill, but the Rev. David Lane defends him and then invites him to dinner. Bill falls in love with the reverend's daughter, Mary Lane, but she becomes infatuated with Edward Jones and marries him. Edward robs Mary and flees to Chico, Arizona, and when Mary follows him, she learns that he has a wife there. Following his father's death, Bill travels to Chico, where he and Mary become entangled in several adventures. Finally Bill is accused of stealing a horse, and after Mary rescues him just as he is about to be hanged, the two return to Matherville as man and wife.

Dir: Thomas N. Heffron

The reticence of Martha Sellers and her employment of Jim Ransom, a drunkard, excites the curiosity of the villagers. She receives mail postmarked "Ossining," and this further stirs the people. The gossipers spread the report that her lover is in Sing Sing, but the heart of the matter is that her husband has been unjustly convicted on a charge of embezzlement. Fate takes a hand and Ranson asserts that he is responsible for the robbery, thereby reuniting Martha and her husband.

Dir: Thomas N. Heffron

District attorney Robert Darrow is in love with young widow Edith Russell Dexter. Her wealthy grandfather, Judge Philip Russell, wants her to marry his business manager, Walter Elliot, who has actually been embezzling from Russell's company. During a garden party, Edith and the judge fight over her attentions to Robert, Elliot and a maid mistakenly thinks that Edith is threatening him. That night, the judge is murdered and Edith is the prime suspect until old horse thief Bill Crump is found hiding on the property. Later, when Edith rejects Elliot, he hires a private detective to plant false evidence against her. While Edith is in jail, Bill is befriended by Edith's little daughter Alice. During the trial, when Robert breaks down and cannot cross-examine Edith, Bill comes forward to say that he saw the real murderer during a robbery. In the end, Bill willingly goes to jail, and Robert and Edith are free to marry.