Visionary Picks In Alignment with the style of Floodgates: Cult Guide

Dir: George Irving

At a lavish luncheon in Palm Beach, Walker Farr, a wealthy and idle young man, bets that he can live in perfect contentment as a penniless hobo and sets out to prove it. On the road, Walker meets Kate Kilgour and her fiancé, Richard Dodd, but upon his arrival in the town of Marion he learns that she is being forced into the marriage by her mother, who owes Richard $5,000. Walker helps a deformed but cheerful river man named Etienne Pickerone to retrieve the body of a woman who has drowned herself, and after reading the note found on her clothing, he goes directly to her house and adopts her little girl Rose-Marie. For a time, Walker works as an ice wagon driver to support the child, but a typhoid epidemic caused by contaminated drinking water strikes the town, and Rose-Marie dies. Having learned that Col. Simon Dodd, Richard's uncle and a corrupt local official, is responsible for the epidemic, Walker leads an election campaign that results in Dodd's defeat. After Kate settles her debt with Richard, which leaves her free to marry Walker, the "hobo" discloses his real identity, and all ends happily.

Dir: George Irving

A visual fragment from the archive: The thematic resonance of God's Man perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: George Irving

Jaffery Chayne is the spectacular one of four chums, the others being Hilary Freeth, a literary man, Adrian Boldero, a short story writer, and Tom Castleton, a playwright. The story opens with Tom Castleton going on a voyage for his health and leaving with his friend, Adrian, the manuscript of the first novel he ever attempted. Shortly after Castleton's trip, he dies at sea and when word is received by Adrian of his friend's death, the temptation to secure the girl he loves by publishing his friend's novel and taking the money and credit from it is so strong that he succumbs and becomes the "literary lion of the hour." Jaffery returns to London with the widow of his associate, who is an Albanian chieftain's daughter, the last one of her tribe. Jaffery arrives in London with this strange woman and she is introduced into the household of Hilary Freeth and meets Jaffery's friends. Adrian brings his sweetheart, Doria, and when she is introduced to Jaffery, it is a case of love, on Jaffery's part, at first sight, he having no eyes for Liosha, the widow desperately in love with him. Doria, however, marries Adrian, supposed to be the great author, and Jaffery leaves Liosha in London and then goes on another expedition. On his return he finds Adrian dead. His love for the wife, Doria, is as strong as ever and he tenderly cares for her and takes charge of Adrian's affairs. When Jaffery and Hilary are appointed the legal executors of Adrian's estate they find the original novel in Castleton's handwriting and nothing that could be made into a second novel from the pen of Adrian. They realize that Adrian has stolen his fame and fortune and that his conscience really has killed him. Jaffery realizes that the knowledge of this will probably be the death blow to Doria, who has always worshiped Adrian as a genius, so he takes the papers home and puts them out of sight in his desk and then begins to go through his own experiences and from them he writes a novel, signs it with Adrian's name and gives it to the publishers as the second work of the literary genius. The novel does make a tremendous sensation. When Jaffery proposes marriage to Doria she refuses him. The former starts on a long voyage. Liosha begs to go, too. Jaffery consents. The result is the strengthening of the love of Liosha for Jaffery. Doria learns the perfidy of her late husband and offers to be the wife of Jaffery in gratitude for his self-sacrifice. Jaffery, however, discovers he loves Liosha and Doria releases him.

Dir: George Irving

A visual fragment from the archive: The thematic resonance of Jaffery perfectly mirrors the editorial trajectory of our deep dive.

Married to a spy who seeks to induce her to betray her country, the daughter of the American Ambassador to Belmark welcomes the news of her husband's death not knowing that he has merely staged a deception. She becomes the morganatic wife of Prince Leopold, of Belmark, but renounces the marriage that war may be avoided, only to learn that the new alliance means a still greater war. She persuades Leopold to renounce the compact, then saves his life by throwing herself between him and an exploding bomb, but the story does not end there.

Dir: George Irving

Ne'er-do-well Joe Louden scandalizes his small town and especially the proper Judge Pike. But through the love of young Ariel Taber, Joe shows the town who the real scoundrel is.

Dir: George Irving

A visual fragment from the archive: The thematic resonance of Daughter of Destiny perfectly mirrors the editorial trajectory of our deep dive.

Loyal slave of the aristocratic Dabney family, Dan is overjoyed when Raoul becomes engaged to Northerner Elsie Hammond and his sister Grace becomes engaged to Elsie's brother John. When the Civil War breaks out, the heartbroken Hammonds return North and John joins the Union army. Raoul joins the Confederacy, but his vindictive overseer, Jonas Watts, becomes a Union officer. Watts takes Grace prisoner, but before he can act on his desires, John rescues her. He then encounters Raoul and is obliged to arrest him, but Dan comes to his aid by throwing red peppers into his captors' eyes. When John is arrested by Confederates, Raoul frees him for Grace's sake, but when his superiors discover his treason, he is sentenced to death. Stonewall Jackson, a family friend, tries to obtain a stay of execution for Raoul, but in the meantime, Dan visits him and convinces his master to blacken his face and take the slave's place. He does, and Dan is executed. After the war, Raoul and Elsie, and John and Grace marry and settle on the Dabney estate.

Dir: George Irving

A farce in which the German Kaiser and the Crown Prince are defeated and made sport of by a plucky American girl and several American prisoners of war.

Dir: George Irving

A visual fragment from the archive: The thematic resonance of The Conquest of Canaan perfectly mirrors the editorial trajectory of our deep dive.

Edward Thursfield, chief engineer of the bridge building firm of Henry Killick and Company, is building the largest concrete bridge in the world. Employed in the New York office is a young man named Arnold Faringay. Arnold sees an opportunity of using money from the payroll for a big deal. He takes the money, but the market goes against him. He seeks to borrow the $20,000 from Walter Gresham, his sister Dorothy's fiancé. Dorothy learns from Arnold that Thursfield is the big power in the firm and decides to follow him to Atlantic City where he has gone to look over the site for a new pier. She meets Thursfield at Atlantic City, and playing upon his sympathy leads him to propose to her. The confidential clerk of Henry Killick, has become suspicious of Arnolds accounts, and when Thursfield arrives he finds the errors, and Arnold is forced to confess before Thursfield. Thursfield is stunned at the thought of his fiancée's brother being a thief and to save her the disgrace he pays over the $20,000. Arnold thanks him and is sent home by Thursfield. He meets Walter Gresham and tells him that his shortage has been made good by a friend. Gresham returns to his house and receives a note from Dorothy breaking their engagement because of his selfishness. He bursts into the parlor as Thursfield holds Dorothy in his arms and demands to know from Dorothy who Thursfield is. Dorothy introduces him as her fiancé, whereupon Walter, realizing who the friend was who paid the money, denounces her before Thursfield. Thursfield demands the truth, and she admits that she did have that purpose, but that she really loves him now. Thursfield refuses to believe and leaves her. Next morning, Arnold sees that copper has made a tremendous jump. He finds that his money has made enough to pay back his stealings. Thursfield, his love for the girl overpowering his resentment, forgives her and calls her back to him.

Dir: George Irving

Mountain boy Steve O'Mara, living in the Adirondack Mountains, who loves to fight, is taken in by a well-to-do family after the death of his foster father. Steve is attracted by a young girl, Barbara, who is visiting his family, but she is repelled by his violent behavior. He fights another boy over her affections and then vows not to return until he corrects his ways and makes good. Ten years pass, and Steve has become a road construction engineer with the East Coast Railroad Company. He is trying to complete a railroad being built through his home town. Barbara is now engaged to Archie Wickersham, who for financial reasons is trying to prevent the railroad from being completed. After several delays, Steve brings his rival's unscrupulous business practices to light. When Barbara witnesses the fight that ensues between Steve and her fiancé, she runs off and gets lost in the forest. After a search party is formed, Steve finds her and she realizes that she loves him. Harrigan, one of her fiancé's henchmen, witnesses this tender scene and shoots Steve. Barbara then draws Steve's pistol and shoots Harrigan dead. Only wounded, Steve finally is embraced by Barbara.

Dir: George Irving

Edward Swinger contrives to win the hand of the lovely Caroline Pickering by selling her father his business - a business that doesn't actually exist.