The Essential Watchlist that Capture the Essence of Fog Bound: Cult...

Dir: Irvin Willat

A German-American naval officer takes revenge against the German submarine commander who brutalized his wife.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Dir: Irvin Willat

The Zeppelin's Last Raid concerns the conflict of a youthful commander of a German airship engaged in bombing raids, whose sweetheart is a member of a rebel group working to overthrow the German Kaiser towards the end of World War One.

Dir: Irvin Willat

Peter Kennedy, a pernicious landlord who desires his tenant, Nora McCree, realizes that the only way to possess Nora is to eliminate her husband Patrick. To accomplish this, Kennedy arranges a fight between Patrick and another man, in which the latter is badly wounded. Patrick is told that his opponent has died, and at Kennedy's suggestion, joins the army and goes to Africa to fight the Boers. In his absence, Kennedy, unable to win Nora by fair means, does everything in his power to make her feel the pinch of poverty and thus capitulate to him. Things are at their worst for the McCree family when little Eileen, after listening to fairy tales told to her by the Irishman Flynn, dreams of her father and finds him the next day, unconscious under a large tree after having been waylaid by Kennedy upon his return home. With Patrick's return, Kennedy's plans are dashed, and the McCree family is united once again.

A visual fragment from the archive: The thematic resonance of The Zeppelin's Last Raid perfectly mirrors the editorial trajectory of our deep dive.

Dir: Irvin Willat

During World War I, a professional thief known as The Lone Wolf is assigned to steal a cylinder with important information from behind the German lines and bring it to Allied intelligence headquarters. However, German agents set out to stop him, headed by the man who was responsible for the death of the thief's sister.

Dir: Irvin Willat

Jailed unjustly for a murder he did not commit, a young man uses his amazing powers of escape to free himself and pursue the actual killers, who hold his fiancée captive.

A visual fragment from the archive: The thematic resonance of In Slumberland perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

A visual fragment from the archive: The thematic resonance of The False Faces perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.