Recommendations
Senior Film Conservator

Exploring the character-driven intensity in Girls Can Play is a journey into United States cinema, its influence on Crime cinema remains a vital reference point for fans today. Below, we've gathered a list of films that every fan of Lambert Hillyer's work should explore.
With Lambert Hillyer at the helm, Girls Can Play became to blend thematic complexity with stunning visual execution.
Foy Harris (John Gallaudet) is a bootlegger selling illegal booze and also running a girl's professional softball team and is romancing the team's catcher Sue Collins (Rita Hayworth). The murder of one of the team members gets a police detective, Lieutenant Flannigan (Guinn "Big Boy" Williams and Jimmy Jones (Charles Quigley) a dim-witted, cub newspaper sports reporter involved. The reporter also has a romance going with the team's ace pitcher Ann Casey (Julie Bishop as Jacqueline Wells.)
Based on the unique character-driven intensity of Girls Can Play, our vault has identified these titles as the most compelling follow-up experiences for fans of Crime cinema:
Dir: William Parke
Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
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Dir: Lambert Hillyer
John Haynes, known as "Hardwood," is a boss lumberjack in the great Northwest woods. During a Saturday-night revel with his pals, he receives a letter informing him he has inherited a modest shop in New Orleans from his late uncle. He has no idea what that means, but he travels to New Orleans to take over his new business, and is dismayed to learns he is now the proprietor of a shop that sells petticoats.
Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
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Dir: Lambert Hillyer
A fascinating piece of cinema that shares thematic elements.
Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
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Dir: Charles Horan
While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.
Dir: Lambert Hillyer
Buckskin Hamilton guides a wagon train across the wasteland, caring well for the pioneers he escorts, but hoping to solve the murder of his brother by one of the travellers.
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Dir: Lambert Hillyer
After losing his money and horse in the trail town of Chloride, Arizona, in a crooked faro game run by Wes Prentice, the owner of of the local land company, cowboy Careless Carmody becomes sheriff of Chloride. Unknown to Carmody, Prentice is selling land that has no titles to naive settlers, then reselling the land to other buyers. After saving pretty young Ruth Fellows from the unwanted attentions of a local ruffian, Carmody finds himself more and more attracted to her. However, things take a turn for the worse when Prentice has Carmody serve Ruth with papers throwing her off the land he has just sold her. Complications ensue.
View DetailsAnalysis relative to Girls Can Play
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Key to Power | Gritty | Dense | 91% Match |
| In the River | Gritty | High | 92% Match |
| Into the Light | Gothic | Abstract | 89% Match |
| John Petticoats | Surreal | Dense | 86% Match |
| The Night Riders | Ethereal | High | 96% Match |
This guide was algorithmically generated using the cinematic metadata of Lambert Hillyer's archive. Last updated: 6/10/2026.
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