Recommendations
Senior Film Conservator

Exploring the character-driven intensity in Girls Can Play is a journey into United States cinema, its influence on Mystery cinema remains a vital reference point for fans today. Below, we've gathered a list of films that every fan of Lambert Hillyer's work should explore.
With Lambert Hillyer at the helm, Girls Can Play became to blend thematic complexity with stunning visual execution.
Foy Harris (John Gallaudet) is a bootlegger selling illegal booze and also running a girl's professional softball team and is romancing the team's catcher Sue Collins (Rita Hayworth). The murder of one of the team members gets a police detective, Lieutenant Flannigan (Guinn "Big Boy" Williams and Jimmy Jones (Charles Quigley) a dim-witted, cub newspaper sports reporter involved. The reporter also has a romance going with the team's ace pitcher Ann Casey (Julie Bishop as Jacqueline Wells.)
Based on the unique character-driven intensity of Girls Can Play, our vault has identified these titles as the most compelling follow-up experiences for fans of Mystery cinema:
Dir: William Parke
Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.
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Dir: Lambert Hillyer
Buckskin Hamilton guides a wagon train across the wasteland, caring well for the pioneers he escorts, but hoping to solve the murder of his brother by one of the travellers.
Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
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Dir: Lambert Hillyer
After losing his money and horse in the trail town of Chloride, Arizona, in a crooked faro game run by Wes Prentice, the owner of of the local land company, cowboy Careless Carmody becomes sheriff of Chloride. Unknown to Carmody, Prentice is selling land that has no titles to naive settlers, then reselling the land to other buyers. After saving pretty young Ruth Fellows from the unwanted attentions of a local ruffian, Carmody finds himself more and more attracted to her. However, things take a turn for the worse when Prentice has Carmody serve Ruth with papers throwing her off the land he has just sold her. Complications ensue.
Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
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Dir: Lambert Hillyer
When her baby daughter Eleanor is traumatized after her father perishes in a storm at sea, Mother Coutierre sends the girl to live with her aunt in Paris. Years later, Eleanor, now a successful model in Paris, is surprised by a visit from her elder sister Marie, who has come to hide the birth of her illegitimate child. When Mother Coutierre arrives and believes Eleanor to be the infant's mother, Eleanor continues the deception so that her sister can marry Pierre Bondel, a fisherman. Soon after Marie returns to her village of Normandy, her brother Jean is accused of murdering Raoul Bergere, a man of loose morals of the village. When Jean's conviction seems certain after witnesses testify that they heard him threaten to kill Raoul for stealing his boat, Marie confesses that she killed the rogue for fathering her child. Following her expose, Pierre takes Marie into his arms and promises to care for her and the child, and Eleanor's honor is at last vindicated.
Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
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Dir: Charles Horan
While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.
Dir: Bruno Ziener
A fascinating piece of cinema that shares thematic elements.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
View DetailsAnalysis relative to Girls Can Play
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Key to Power | Gritty | Dense | 91% Match |
| Wagon Tracks | Surreal | Linear | 91% Match |
| A Sister to Salome | Gothic | High | 88% Match |
| Breed of Men | Gothic | Layered | 97% Match |
| The Jackeroo of Coolabong | Ethereal | High | 85% Match |
This guide was algorithmically generated using the cinematic metadata of Lambert Hillyer's archive. Last updated: 6/18/2026.
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