The Auteur's Selection In the Shadow of Grandpa's Girl: Cult Guide

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Gilbert Pratt

Harold and Snub, traveling on a tandem bicycle, encounter wading women in distress, bank robbers, and police who believe them to be the robbers.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Gilbert Pratt

Jimmy is compelled to retreat when he tries to flirt without a license. He annoys the park policeman who chases him, He comes upon Stella Flip, seeking her run-a-way dog, He helps her hunt for the dog, finally resting on a bench, Jimmy is surprised suddenly by the dog jumping upon the bench with friendliness to him. He falls asleep on the bench and dreams the following. Mr. Jipper, more of a robber than the usual hotel proprietor, is caught in a safety first trap, when he tries to pick Willie Hold's pocket, and Willie, who is a salesman for the Safety First Trans tries to sell him a trap, Jimmy arrives with the dog, meets Stella and returns the dog to her. He is trying to make a hit with Stella, when the proprietor interferes, and has him kicked out, Jimmy, nothing daunted, finds his way back, as a bell hop. After causing considerable trouble, he finally lands in the crook's den, and the proprietor, who is also the leader of the gang, makes him a member of it. During the course of his operations as one of the gang, Jimmy is forced to operate on an audience in the hotel room, which was borrowed to display some of the latest creations and shapes. Caught in the act by the policeman, Jimmy makes his escape, seeking safety behind the curtains of the stage. When the curtain goes up he has assumed the disguise of a nifty bathing suit - and again as Madame Peekaboo, when the cop and proprietor discover him. There is a wild chase, Jimmy finally wakes up, the policeman rapping him with his club, and finds the dog next to him. He grabs up the dog, and runs with it, as the policeman looks after him, scratching his head in perplexity.

Dir: Gilbert Pratt

At a powder mill, the formula for an all-destroying explosive is sought by enemies of the mill owners, and the chase for this provides a riot of fun.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.