Recommendations
Archivist John
Senior Editor

Ever since Gustaf Wasa del II hit screens in 1928, fans have sought that same unique vision, it's essential to look at the contemporaries that shared this unique vision. Prepare to discover your next favorite movie in our hand-picked collection.
Whether it's the unique vision or the thematic depth, this film to leave an indelible mark on the history of Sweden film.
The Danish King Kristian II rides through Sweden as the new ruler. In Dalarna a lone man wanders, disguised as a peasant. It's the man the Danes wants the most - Gustaf Eriksson Wasa.
Critics widely regard Gustaf Wasa del II as a cult-favorite piece of cult cinema. Its unique vision is frequently cited as its strongest asset, solidifying its place in Sweden's film legacy.
Based on the unique unique vision of Gustaf Wasa del II, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: John W. Brunius
The Swedes and the Danes battle outside Stockholm. After the victory the Swedes follows the leader Gustaf Eriksson Wasa.
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Dir: John W. Brunius
Ernst Rolf is married to Josefina, a once sweet woman who has become a shrew and nag. He fantasizes about other women and if given the opportunity, will he act upon the temptation to cheat on his wife?
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Dir: John W. Brunius
Set in a fishing village in northern Norway, the owner of a glue factory feels threatened when a subordinate develops a better product.
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Dir: John W. Brunius
The later portion of the life of Charles XII of Sweden is depicted in this historical drama.
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Dir: John W. Brunius
The criminal couple Louise Kent and Charles Zukor stages a coup in the luxury restaurant Oriental. In the midst of a dance number goes suddenly all the lights out. In the confusion that arises one of the elegant guests is deprived of her jewelry.
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Dir: John W. Brunius
An historical film depicting the life of Charles XII of Sweden (1682-1718), who oversaw the expansion of the Swedish Empire until its defeat at the Battle of Poltava.
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Dir: John W. Brunius
Young Jörgen Steenfeld is the heir of the estate Steensgaard and unable to clear up its finances. He is being looked after by his old friend, "Mästerkatten".
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Dir: John W. Brunius
A story that takes place during the Finnish War between Sweden and Russia 1808-1809.
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Dir: John W. Brunius
Synnöve lives with her parents at the farm Solbakken on a sunny hill. Thorbjörn, who lives at Granliden in the shadow of a big mountain, often looks wistfully up to Solbakken. As teenagers they meet and fall in love. Another boy, Knud Nordhaug, is also yearning for Synnöve. Together with some companions he bullies Thorbjörn, who knocks them down. When Knud meets Synnöve's father, he gets him to believe that it is Thorbjörn who is the bully. Synnöve's parents forbid her to meet Thorbjörn henceforth. Some years later Knud proposes to Synnöve, but is turned down. At Midsummer Eve Thorbjörn and Synnöve meet secretly. They renew their love-vows, and Thorbjörn promises to develop a better reputation in the village. When Thorbjörn is driving a loaded cart to the town, the wagon breaks down. As the Nordhaug farm is nearby, he goes there to lend a new wagon. Knud sees Thorbjörn and starts a fight. When Thorbjörn turns away, Knud stabs a knife in his back. For many weeks Thorbjörn hovers between life and death. Ultimately he rises from the bed, but as a changed man, open for reconciliation.
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Dir: John W. Brunius
Alice is engaged with Sven. She is interested in having fun and dancing, preferably with Faustino della Novarro. Sven gets upset by her behavior. They break the engagement. Alice finds work as a maid on a farm.
View DetailsAnalysis relative to Gustaf Wasa del II
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Gustaf Wasa del I | Tense | Layered | 85% Match |
| Åh, i morron kväll | Ethereal | Dense | 94% Match |
| Iron Wills | Gritty | Layered | 98% Match |
| Karl XII: Del II | Gritty | High | 92% Match |
| Kärlekens ögon | Ethereal | High | 94% Match |
This guide was algorithmically generated using the cinematic metadata of John W. Brunius's archive. Last updated: 5/13/2026.
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