Visionary Picks In Alignment with the style of Her Boy: Cult Guide

Dir: George Irving

Ne'er-do-well Joe Louden scandalizes his small town and especially the proper Judge Pike. But through the love of young Ariel Taber, Joe shows the town who the real scoundrel is.

Dir: George Irving

A visual fragment from the archive: The thematic resonance of The Landloper perfectly mirrors the editorial trajectory of our deep dive.

At a lavish luncheon in Palm Beach, Walker Farr, a wealthy and idle young man, bets that he can live in perfect contentment as a penniless hobo and sets out to prove it. On the road, Walker meets Kate Kilgour and her fiancé, Richard Dodd, but upon his arrival in the town of Marion he learns that she is being forced into the marriage by her mother, who owes Richard $5,000. Walker helps a deformed but cheerful river man named Etienne Pickerone to retrieve the body of a woman who has drowned herself, and after reading the note found on her clothing, he goes directly to her house and adopts her little girl Rose-Marie. For a time, Walker works as an ice wagon driver to support the child, but a typhoid epidemic caused by contaminated drinking water strikes the town, and Rose-Marie dies. Having learned that Col. Simon Dodd, Richard's uncle and a corrupt local official, is responsible for the epidemic, Walker leads an election campaign that results in Dodd's defeat. After Kate settles her debt with Richard, which leaves her free to marry Walker, the "hobo" discloses his real identity, and all ends happily.

Dir: George Irving

Edward Thursfield, chief engineer of the bridge building firm of Henry Killick and Company, is building the largest concrete bridge in the world. Employed in the New York office is a young man named Arnold Faringay. Arnold sees an opportunity of using money from the payroll for a big deal. He takes the money, but the market goes against him. He seeks to borrow the $20,000 from Walter Gresham, his sister Dorothy's fiancé. Dorothy learns from Arnold that Thursfield is the big power in the firm and decides to follow him to Atlantic City where he has gone to look over the site for a new pier. She meets Thursfield at Atlantic City, and playing upon his sympathy leads him to propose to her. The confidential clerk of Henry Killick, has become suspicious of Arnolds accounts, and when Thursfield arrives he finds the errors, and Arnold is forced to confess before Thursfield. Thursfield is stunned at the thought of his fiancée's brother being a thief and to save her the disgrace he pays over the $20,000. Arnold thanks him and is sent home by Thursfield. He meets Walter Gresham and tells him that his shortage has been made good by a friend. Gresham returns to his house and receives a note from Dorothy breaking their engagement because of his selfishness. He bursts into the parlor as Thursfield holds Dorothy in his arms and demands to know from Dorothy who Thursfield is. Dorothy introduces him as her fiancé, whereupon Walter, realizing who the friend was who paid the money, denounces her before Thursfield. Thursfield demands the truth, and she admits that she did have that purpose, but that she really loves him now. Thursfield refuses to believe and leaves her. Next morning, Arnold sees that copper has made a tremendous jump. He finds that his money has made enough to pay back his stealings. Thursfield, his love for the girl overpowering his resentment, forgives her and calls her back to him.

Dir: George Irving

A visual fragment from the archive: The thematic resonance of The Builder of Bridges perfectly mirrors the editorial trajectory of our deep dive.

Gentleman burglar Raffles tries to get his hand on a priceless pearl.

Dir: George Irving

Mountain boy Steve O'Mara, living in the Adirondack Mountains, who loves to fight, is taken in by a well-to-do family after the death of his foster father. Steve is attracted by a young girl, Barbara, who is visiting his family, but she is repelled by his violent behavior. He fights another boy over her affections and then vows not to return until he corrects his ways and makes good. Ten years pass, and Steve has become a road construction engineer with the East Coast Railroad Company. He is trying to complete a railroad being built through his home town. Barbara is now engaged to Archie Wickersham, who for financial reasons is trying to prevent the railroad from being completed. After several delays, Steve brings his rival's unscrupulous business practices to light. When Barbara witnesses the fight that ensues between Steve and her fiancé, she runs off and gets lost in the forest. After a search party is formed, Steve finds her and she realizes that she loves him. Harrigan, one of her fiancé's henchmen, witnesses this tender scene and shoots Steve. Barbara then draws Steve's pistol and shoots Harrigan dead. Only wounded, Steve finally is embraced by Barbara.

Dir: George Irving

A visual fragment from the archive: The thematic resonance of Raffles, the Amateur Cracksman perfectly mirrors the editorial trajectory of our deep dive.

A farce in which the German Kaiser and the Crown Prince are defeated and made sport of by a plucky American girl and several American prisoners of war.

Dir: George Irving

Claire Martin, niece of the wealthy Mrs. Taylor, suffers from loss of memory. Under the effect of this, Claire acts as an entirely different person. She wanders through the woods seeking shelter and food, and finally reaches a cabin temporarily occupied by a New York sportsman, who is fishing and hunting in the woods. For a week, Claire accepts the shelter from this sportsman whose love grows with each day's stay. Finally a strange rider passing the cabin asks for a drink, and Claire in her innocence shows her admiration for the new man, making him finally accept the temptation of her eyes to kiss her. At this moment Houghton, the sportsman, returns and bursts into the cabin. He drives out the stranger and then takes a knife and marks the woman so that she will always remember that her love must be for him alone. Houghton returns to New York. While walking down Fifth Avenue he sees in a photographer's showcase a picture which closely resembles the girl he thinks he lived with in the woods. He finds out who she is and decides to visit Great Neck and see if it is the same girl. Returning to his boat, Houghton looks at some pictures which he had taken of the girl and decides it must be she. He returns to the grounds of Mrs. Taylor's home and meeting Claire declares she is the woman who was with him at the cabin. Pushing back the dress from her shoulders, he points to the scar. She begs him to tell her what he knows about the scar, and he thinking she is bluffing, tells her to come to the houseboat and he will tell her. There Houghton proves that she must have been with him at the cabin and when he demands that she love him now as she did then and attempts to take her, she picks up a knife from the table and kills him. Kent, who has been over to the Yacht Club to a committee meeting, sees this when returning to his launch. He rushes to the boat and carries the fainting body of Claire home, gets her to her room and calls the doctor to see if he can help her. The doctor declares that the girl is guiltless of the crime, having gone back to her old personality, and they decide to make the case appear as one of suicide. When Kent is returning to the boat the following morning he finds there some pictures of her and her scarf, but when he himself is charged with the murder by the man who heard the quarrel, he is made to believe that Claire is innocent by Kent and the doctor, who point out to him the terrible weakness of circumstantial evidence. After Charlie goes, the doctor tells Kent that Claire needs care and attention and must be protected, and Kent in his great love takes her to his heart.

Dir: George Irving

A visual fragment from the archive: The thematic resonance of Then I'll Come Back to You perfectly mirrors the editorial trajectory of our deep dive.

Daughter of an Eastern lumber king, Stephanie Trent travels in the guise of a schoolteacher to the logging village of Trentsville to search for "a real man." There she meets Jimmy Raymond, a young novelist posing as a local while writing his story. When Stephanie comes to Jimmy's cabin to report a supposed plot against him, he acts as though he intends to assault her. She nearly throws herself out the window but is stopped by Jimmy, who explains that he is working on a novel and merely wanted to determine a young girl's reactions. In retaliation, she orders that he be kidnapped and held in a nearby cabin, but remorsefully nurses him back to health when he is shot trying to escape. They meet again at a hearing in the city, where her father has filed an injunction to prevent publication of Jimmy's novel, and she consents to his proposal of marriage.

Dir: George Irving

A fascinating piece of cinema that shares thematic elements.

Dir: George Irving

Jaffery Chayne is the spectacular one of four chums, the others being Hilary Freeth, a literary man, Adrian Boldero, a short story writer, and Tom Castleton, a playwright. The story opens with Tom Castleton going on a voyage for his health and leaving with his friend, Adrian, the manuscript of the first novel he ever attempted. Shortly after Castleton's trip, he dies at sea and when word is received by Adrian of his friend's death, the temptation to secure the girl he loves by publishing his friend's novel and taking the money and credit from it is so strong that he succumbs and becomes the "literary lion of the hour." Jaffery returns to London with the widow of his associate, who is an Albanian chieftain's daughter, the last one of her tribe. Jaffery arrives in London with this strange woman and she is introduced into the household of Hilary Freeth and meets Jaffery's friends. Adrian brings his sweetheart, Doria, and when she is introduced to Jaffery, it is a case of love, on Jaffery's part, at first sight, he having no eyes for Liosha, the widow desperately in love with him. Doria, however, marries Adrian, supposed to be the great author, and Jaffery leaves Liosha in London and then goes on another expedition. On his return he finds Adrian dead. His love for the wife, Doria, is as strong as ever and he tenderly cares for her and takes charge of Adrian's affairs. When Jaffery and Hilary are appointed the legal executors of Adrian's estate they find the original novel in Castleton's handwriting and nothing that could be made into a second novel from the pen of Adrian. They realize that Adrian has stolen his fame and fortune and that his conscience really has killed him. Jaffery realizes that the knowledge of this will probably be the death blow to Doria, who has always worshiped Adrian as a genius, so he takes the papers home and puts them out of sight in his desk and then begins to go through his own experiences and from them he writes a novel, signs it with Adrian's name and gives it to the publishers as the second work of the literary genius. The novel does make a tremendous sensation. When Jaffery proposes marriage to Doria she refuses him. The former starts on a long voyage. Liosha begs to go, too. Jaffery consents. The result is the strengthening of the love of Liosha for Jaffery. Doria learns the perfidy of her late husband and offers to be the wife of Jaffery in gratitude for his self-sacrifice. Jaffery, however, discovers he loves Liosha and Doria releases him.