Visionary Picks In Alignment with the style of Her Father's Son: Cu...

Dir: William Desmond Taylor

James Aldrich is a cinch to win the election as United States Senator until his opponent, Tom Ryan offers a big reward to anyone who can find a scandal in Aldrich's past. Newspaper editor Howard Duncan and his star reporter Ruby Sheldon accept the challenge and, after deciding that Aldrich is straight, decide to investigate his wife Agnes. Going back through the files, they discover that Agnes has been accused of murder and threaten the Aldrichs with exposure. Agnes explains her tragic story, and how she escaped from the drunken savage Steve O'Brien, whose life she had to take in order to save her own. The reporters are so moved that they decide to bury Agnes' past and the heart-breaking story only increases the love of Aldrich for his wife.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of The High Hand perfectly mirrors the editorial trajectory of our deep dive.

Up through the din and murk of the steel works, up by brawn and brain until he took his place behind the superintendent's desk came Jim Warren, but his heart was still with the strugglers in the glare of the furnaces. Here he had time to think and here he conceived the "big idea." The "big idea" required an established political position and he started out to get it. Francques, the henchman of Lewis, the political boss, saw in the young reformer a tool through which he could treacherously ruin his superior. Warren was running for the legislature as well as Lewis, and fortified with incriminating evidence against his opponent supplied by Francques, Warren entered the field as an independent candidate and was elected. Lewis took his defeat calmly and made friendly overtures to the newly elected member. Through the influence of Lewis, Warren was invited to visit the speaker of the House, Mr. Tillinghast. Here he was introduced to the girl of his life; the girl he had first seen, as a curious child visitor at the steel works. Several other times fate brought them together. It had been a secret love and he was astounded when he learned from her own lips that she was engaged to marry Lewis. Lewis's wedding to Edna was to occur as soon as Tillinghast was elected governor of the state. Edna admired Lewis and thought she loved him until one day after a talk with Jim Warren she realized the sordid contrast to which she, her father, and Lewis were parties. She told her father that she would not marry Lewis and remained firm in her decision against every argument that her ambitious parent offered. From that moment Warren battled for two loves, the love of a woman and the love of truth. Lewis, behind a smiling face, plotted Warren's undoing. Bribes came from every source. Marked bills, stocks and bonds were lavished by the clique upon the supposed unsuspecting assemblyman. At last they thought the trap ready to spring. He was arrested. He trembled not but unafraid played the last card of his high hand. He calmly led his captors to the vaults of the National Bank and there neatly docketed each in its separate envelope under seal of the bank were the bribes untouched together with the names of the givers and evidence that sent many of them to prison cells. The newspapers went wild. Jim Warren played the game and he was the man of the hour. Weeks later when the state convention had just gone wild over the nomination of Warren for governor, he and Edna were talking. "I think," said Edna, "that as long as I can't be the daughter of the governor, that I will be far happier as the governor's wife."

Dir: William Desmond Taylor

When a young woman deserts her rancher husband and, with her son Ben, goes to live with the drunken Tom Blair. Blair raises Ben as his son, but kills Ben's mother, causing the boy to return to his natural father. There, Ben falls in love with Florence Winthrop. Later, Ben gains revenge for his mother's death by killing Tom, but he loses Florence, who decides to live in the East. When Ben learns that Florence has become engaged, he goes after her and issues an ultimatum: if she does not take him back, he will kill her fiancé. After first resenting Ben for his demand, Florence realizes that she loves him and returns West with him.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Ben Blair perfectly mirrors the editorial trajectory of our deep dive.

Stella Benton, a young society girl who has lost her beautiful voice through the death of her father, goes to live with her brother Charles, in the lumber camp. Charles Benton is having a struggle to make both ends meet, and when his cook quits, he makes his sister do the work for the hundred men in the lumber camp. Jack Fyfe, a neighboring lumber man, meets Stella and gradually falls in love with her, but love is not reciprocated. Seeing that she is being overworked, Fyfe offers to marry her, in spite of the fact that she does not love him. A child is born of this loveless marriage, and the couple are reasonably happy, until Walter Monahan, a wealthy lumberman, begins to make love to Stella. She gradually becomes tired of her husband, and when the child dies, decides to leave him. Her voice returns, and she makes a substantial success as a concert singer. Monahan, who has professed love for her, becomes indifferent, but she will not return to Fyfe, in spite of his pleadings. Monahan, jealous of Fyfe's success, sets fire to his holdings and is caught in the act. Friends telephone this fact to Stella, and she immediately returns to the lumber camp, and there, at their home she finds Jack, heartbroken, as his holdings are on fire and there is nothing but a heavy rain which could save them. She comes to him and offers to use her own money to retrieve his lost fortune, and as she goes into his arms, the heavy downpour of rain comes and they are safe.

Dir: William Desmond Taylor

Edna Coleman's mother has wanted her two daughters to marry rich men, especially now that the money left to her by her dead husband is dwindling. Edna, however, is adamant about marrying for love and not money, and deliberately "disfigures" herself to thwart her mother's plans. Her sister Dorothy, however, has set her sights on a wealthy poet, Marcus Auriel, and married him. Unfortunately, Edna has been in love with Marcus for many years, and manages to get a job as his secretary in order to be near him and expose her mother's and sister's plans to get his money. Complications ensue.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Big Timber perfectly mirrors the editorial trajectory of our deep dive.

The adventures of Pasquale, an Italian immigrant to New York who runs a little grocery store.

Dir: William Desmond Taylor

The story of the famous Tennessee frontiersman, soldier, scout, and Congressman who fought and died at the Alamo.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of The House of Lies perfectly mirrors the editorial trajectory of our deep dive.

A tough preacher comes to the rip-roaring gold town of Panamint in hopes of reforming it. But disaster awaits.

Dir: William Desmond Taylor

Young boxer Jack Ranney agrees to challenge 'Young Kilroy' and knocks him out with his first punch. When he is told that Kilroy is dead, Jack hurriedly heads West and finds a job on a ranch, boasting to all the fellows that he is a killer; unimpressed, they call him a greenhorn. Meanwhile, Jack's sweetheart Mary learns that Kilroy is alive, and she heads West to tell Jack the news, arriving just in time to see him single-handedly save the ranch from a raid by the notorious Lopez Cabrillo and his entire gang.

Dir: William Desmond Taylor

A widowed farmer, failing in his efforts to find a woman capable of running his household, decides to marry a young woman he believes can fill the bill. Wat he doesn't know is that she is running away from a brutish and violent husband, whom she has discovered is also a bigamist, and that her angry and vengeful husband is looking for her.