Visionary Picks Drawn from the Same DNA as Her Inspiration: Cult Guide

Dir: Robert Thornby

An Englishman who has made his fortune in America decides to return to England. He takes his daughter Octavia to pay a visit to her relatives, especially Miss Belinda Bassett, an aunt whom she has never seen. An important business cable calls the father to America, and Octavia goes on alone to her aunt. The aunt's home, Slowbridge, is a sleepy little English village whose snobbish small-town aristocracy is headed by pompous Lady Theobald, who has everyone under her thumb, including Miss Bassett and her own granddaughter Lucia, a sweet, shy English girl. Octavia has the effect of a dynamite bomb in Slowbridge. Her dresses, her breezy ways, her unconventional conduct, all infuriate Lady Theobald, and at first terrify her aunt. Little by little, however, Octavia becomes a general favorite. She enjoys engineering a love affair between bashful Lucia and a fine young man who has no social standing in Slowbridge just because he is a mere manufacturer and not a "gentleman of leisure." The worst blow to Lady Theobald comes when her nephew Captain Barold becomes exceedingly fond of Octavia. His manner of demonstrating his affection does not please Octavia; he seems to feel that he is doing her a tremendous favor in bestowing his affection upon her. She decides to teach him a lesson. Lady Theobald wants Captain Barold to marry her niece Lucia, who is actually in love with the manufacturer. Lady Theobald is horrified when she sees Octavia snatching this wonderful catch away from Lucia. Just when Slowbridge is about to blow up with agitation, Captain Barold puts his fortune to the test. He asks Octavia to marry him. She refuses, thereby succeeding in injuring his bump of conceit. Octavia's father arrives with the news that he is more than a millionaire; that his mining stock has recently doubled in value. With him comes Jack Belsays, an energetic American youth who is a type as foreign to Slowbridge as Octavia. What is the surprise of the small township to learn that Octavia has been engaged to Jack all the time, and never at all anxious to fasten herself upon English small town society or to intrude into their affairs. A marriage ceremony follows in Miss Bassett's little villa with young Poppleton, the curate officiating. Through Octavia's good offices, another wedding follows later, that of Lucia and the young manufacturer, whom even Lady Theobald has come to realize is fully worthy of respect, and of the hand of her granddaughter Lucia.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of Fallen Angel perfectly mirrors the editorial trajectory of our deep dive.

Jill Cummings and her sisters Marguerite and Jane are left penniless when their father dies. To provide for the family, Jill accepts a sales position in a department store, where she attracts the attention of her unhappily-married boss, George Hemingway. Desperate to escape her difficult circumstances, Jill accepts Hemingway's proposal that she live as his mistress and subsequently is kept in high style in a large, beautiful house. Some years later, Hemingway dies, and with the fortune he leaves her, Jill tours Europe. There she becomes engaged to Harry Adams, but when George Hemingway, Jr. appears to act as best man in the wedding, Jill is forced to confess her past to Harry. The two separate for a year to think things over, and when Harry returns, he suggests to Jill that they live together "in a happy way." Jill leaves him and continues her life alone.

Dir: Robert Thornby

Rose, a pretty young country girl,gets engaged to Steve, a handsome young lumberman whom she loves, but Claude, a city slicker who wants Rose, cons her into believing that Steve's obsessive love for her is ruining his life and that she should leave him for his own good. Steve, however, mistakenly thinks that Rose and Claude are having an affair, and breaks off the engagement. Complications ensue.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of Rose o' the River perfectly mirrors the editorial trajectory of our deep dive.

A feud over boundaries between the McKinstry and Harrison families, both from Kentucky, but squatting in California in search of gold, has caused Cressy McKinstry to show disdain for Joe Masters, a cousin of the Harrisons, even though she secretly loves him. Nellie Dabney, who left her husband Ben for city-bred John Ford but then was deserted by him, returns and is rejected by Ford, who is now the schoolteacher of the settlement and is attracted to Cressy. After Ben fights Ford and takes Nellie back, Cressy schemes with Ben for him to buy the land in her name. A San Franciscan representative of the legal owner arrives to take possession and provokes a fight at the boundary line which leaves Joe with a bullet in his arm. Cressy proves that the land belongs to her and Joe, who she will soon marry, and the families are reconciled.

Dir: Robert Thornby

Mazie-Rosie Carden, a waif who pays her board by selling papers on the street, saves the life of starving musician Deal Hendrie by giving him her cherished "lucky dime." Meanwhile, her brother Ben, employed as a weigh-master by the West Coal Company, has been discharged on a trumped-up accusation by the company's manager, Samuel Winter, of falsifying weights. Later, West finds proof of Winter's false records, summons him to the house and, after a fight, is killed by his employee. Ben, induced by Mazie to go to West and say that he has been falsely accused, arrives in time to see Winter robbing the body of his employer and taking Mazie's dime, which Hendrie had lost. Winter attacks Ben, knocks him unconscious and escapes, but is seen by Mazie. The next Sunday, while at the church where Hendrie is employed as an organist, Mazie sees Winter contributing the lucky dime and accuses him of murder before the whole congregation. Mazie's accusation is corroborated by her brother Ben, who has regained consciousness to testify against Winter, and all ends happily when Hendrie proposes to Mazie.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of Fighting Cressy perfectly mirrors the editorial trajectory of our deep dive.

Young Celeste Janvier ( Bessie Love ) lives in an East Side tenement with her immigrant grandfather, a humanitarian and socialist. Like her kindly grandfather, Celeste also has a kindhearted soul, and her friendly nature has earned her the nickname, " the little sister of everybody." When several unpleasant men try to court her, Celeste turns them down. Meanwhile, Hugh Tavers Jr., ( George Fisher ) whose father owns a factory, has died suddenly. The young Tavers poses as a laborer in order to understand why the workers want to strike. He meets and falls in love with Celeste, who works at the factory, and he secures a better job for her. Celeste learns that anarchist Ivan Marask ( Hector Sarno ) plans to kill Travers, she hurries to warn her employer and is shocked to learn that he is the poor laborer whom she loves. Marask comes to respect Travers, who agrees to improve working conditions for the factory workers, and finds lasting contentment with the lovely Celeste.

Dir: Robert Thornby

Susie is the daughter of a very good bricklayer. The lad who loves her is a very rich lad, as all lads should be, but, alas are not. To win her, he poses as a hod-carrier, certainly an unromantic disguise for a wooer. His mother has social aspirations for him, with Newport as a base of action, but what cares he? He loves the bricklayer's daughter. Is it not simple? It is. Simple, but sweet. Later Susie gets rich by means of a legacy, and the bricklayer's family moves into opulent quarters. Then sweet Susie is elegantly-gowned, but no happier. What are mere dollars to sweet Susie? The main situation in which Susie figures is one of finance. Seeing that dollars mean unhappiness, she plans to induce her father to invest in the stock market and to let him believe that he has lost all. This scheme succeeds in bringing the picture to its ideal end, and Susie marries the lad who posed as the hod-carrier. - Picture Play Magazine 1917.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of Little Miss Optimist perfectly mirrors the editorial trajectory of our deep dive.

Mining engineer Paul Grayson writes a play that is sent to theatrical producer McKay Hedden, who decides that it is so good it is worth stealing. Hedden makes a copy and then returns the original with a note that it is worthless. At Hanleytown Harbor on the New England coast, Hedden meets Silver Sands, the daughter of an old sea captain, and decides to star her in the play. Paul also visits the harbor and falls in love with Silver. Hedden begins rehearsals with Silver in New York, then a drama critic notifies his friend Paul of the treachery. Paul arrives in New York and rescues Silver from Hedden's advances. Hedden acknowledges Paul as author of the play which is a success with Silver in the leading role.

Dir: Robert Thornby

Vaudeville artist LaBelle Geraldine and her dancing partner Freddie Montgomery are stranded in Arizona when their troupe breaks up. In order to raise money, Geraldine orders Freddie to impersonate masked bandit Black Jim so that she may turn him in and collect the $2,000 reward. When the real Black Jim holds up her coach, Geraldine, believing that he is Freddie, boldly pulls out her gun, and the bandit shoots her in the wrist and takes her to his cabin. Later Freddie is captured too, but when members of the gang insult Geraldine, he refuses to protect her. Gradually Black Jim falls in love with her, and she comes to admire him so deeply that instead of seizing a chance to escape one night, she returns to warn him of the gang's plot to kill him. Together they hold the gang off until their cabin is set on fire. Dashing through the flames, they leap onto their horses and escape to safety.

Dir: Robert Thornby

The Highlanders and Lowlanders are sworn enemies until Lieutenant Kemper, the son of Brigadier Kemper, the leader of the militaristic Lowlanders, is held hostage by the Highlanders until his father's army has retreated to its own boundaries. Much to his surprise, the lieutenant is treated with kindness and consideration by his captors, especially by Boyadi and his beautiful daughter Nathalia, whom he learns to love. Thus, instead of obeying his father's command to escape at an appointed time when the Lowlanders plan to violate their pledge and storm the fortress, he keeps his promise to his captors and remains a prisoner. The Highlanders, inflamed by the Lowlander's broken word, are about to kill the lieutenant when news comes of the approach of another foe and, hailing the Kempers as saviors, the two former enemies unite to defeat this new foe.