The Definitive Watchlist For Devotees of Her One Mistake: Cult Guide

Dir: Edward LeSaint

Hugh Payne owns and operates a mine in the West, supporting his brother Larry's luxurious life style. Hugh has nurtured Abby Hope, a young girl with whom he has fallen in love. When Larry comes to visit, he and Abby decide to get married, and to spare Abby's feelings, Hugh pretends that he is infatuated with another woman. When the building in which they are staying breaks out in flames, Hugh rescues Larry and Abby from the fire. Larry, finally realizing that Abby really loves his brother, confesses that her love is returned by Hugh, and the two are united.

Dir: Edward LeSaint

Doctor Lambert takes his wife west to a mining town, where he can both minister and doctor. His wife is not happy and upon discovering she is pregnant, runs away with a gambler. He soon dumps her, and she comes back and dies giving birth to a baby girl. Lambert, out of his mind with rage, leaves the baby on a doorstep and vows to never have faith again. He returns to the mining town fifteen years later a drunkard. He meets young, kind Lily Sawyer and is greatly impressed by her compassionate nature. Meanwhile, the gambler has returned and decides to abduct Lily, but his partner recognizes Lambert and tells him Lily is his daughter. He kills the gambler before he can harm Lily and soon his faith returns.

A visual fragment from the archive: The thematic resonance of Fighting Mad perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

Dick Brown kills himself in front of Adele Durant after she rejects him and Dick's friend Robert Bradley threatens to accuse her of murder unless she places her life in his hands. He leaves her at a dance hall in an isolated spot in Mexico, where she falls in with a group of bandits planning to seize an American mine. Learning that the brigands plan to kill the lone mine owner, she warns him of their approach and discovers that he is none other than Bradley, whom she loathes. They flee together but are captured and held with other prisoners of the gang. While Bradley goes for help, bandit Pedro Vasquale threatens to kill the prisoners unless Adele comes to him in his cabin. When he embraces her, she stabs him. Bradley, recognizing her noble character, marries her.

Dir: Edward LeSaint

De Guise visits the Paris home of the Marquis Henry De Montfort to obtain the marquis' system of beating the roulette wheel. In the struggle, De Guise kills the marquis and then abducts his daughter Blanche, who has fainted. On the road, De Guise is knocked unconscious in a fight with the "Stag," a leader of the Paris underworld, and the latter takes Blanche to his den in the slums. Blanche awakens with no recollection of what has transpired and begins a new life with the Stag. Using her father's roulette system, the two soon make a fortune and enter Paris' select gambling society. Blanche meets De Guise, stabs him, and is arrested, but an operation for "pressure on the brain" saves her from prison and restores her memory. De Guise recovers and again abducts Blanche, but the Stag comes to her rescue and, now choosing straight life, finds happiness with her.

A visual fragment from the archive: The thematic resonance of The Bird of Prey perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

Hal, now fully grown, leaves his wife Edith and his estate in England to return to the land of his Indian mother. There he works for the rights of Indians in a land deal which pits him against David Ladd, the wily reservation agent who is secretly in collusion with the asphalt trust which is trying to rob the Indians. Hal falls in love with Wah-na-gi, the Carlisle graduate who has returned to teach at the agency school, but he is too honorable to conceal that he is already married. Upon the death of his father, Hal returns to England as Lord Effington to discover that Edith loves Lord Yester and wants a divorce. Hal gladly agrees, but when the family physician informs him that Edith is addicted to morphine and his presence may save her life, Hal consents to stay. Returning to America to testify in a lawsuit against the asphalt trust, Hal regretfully informs Wah-na-gi that he cannot leave his wife. The Indian maiden goes off in the snow to kill herself by the grave of Hal's mother when Hal receives a message that Edith has died from an overdose of morphine. Hal rushes into the snow, overtakes Wah-na-gi and asks her to marry him.

Dir: Edward LeSaint

James Kelly and Tom Baldwin, two old pals, agree that their children, Larry and Helen, should marry. During the month before the marriage, Larry plans to have a fling and is smitten by a woman he meets on a train. Not realizing that the woman is Helen, he takes a job on the ranch next to hers, and she poses as a maid to sound out her fiancee's character. Tom exposes a group of cattle thieves but is accused of murder and makes a run for it. His horse catches up with a train, and when he jumps through the window, he finds himself facing his future wife.

A visual fragment from the archive: The thematic resonance of The Devil's Wheel perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

Stuart Kirkward, a wealthy miner, has built a magnificent house in preparation of his marriage to Peggy Carter, who elopes on the eve of her wedding with George Rothwell, a mining promoter, who is already married. At the station they meet Rothwell's wife, who tells Peggy the truth about him. Peggy in endeavoring to escape from the unpleasant scene rides away on her horse, only to be followed by Rothwell. Both meet with an accident, are hurled to their doom over a steep cliff. Just before this, Stuart had assumed the guardianship of a little daughter of a friend of his, and in connection with the accident he finds himself with the girl on his hands. He sends her away to boarding school, where she meets the son of George Rothwell, the man who had eloped with Stuart's intended bride. When the girl, whose name is Renee, comes back from school to her guardian, he finds that she has grown to be a full-fledged lady, and begins to feel more than a fatherly affection for her. Some time later, at a house party, Stuart is led to believe that she loves the son of George Rothwell, and, although bearing in mind that he is the son of the man who was his bitterest enemy, he decides to give the boy a chance. It is here that he makes the great discovery that, instead of Rothwell, Jr., it is he whom Renee loves. All the past is forgotten and they turn their thoughts to the future.

Dir: Edward LeSaint

Harley P. Hennage, at the opening of the story, is a gambler about 35 years of age, who spends much of his time at the Red Dog Retreat at Gila Junction. Marie, the town belle, respects Harley as the best friend she has. Harley, on the other hand, has never declared his love, and it is not until Marie falls in love with a strange prospector that she has an intimation that Harley loves her, too. Harley resents Corblay's intrusion, and tells him to get out of town. When he learns of Marie's love for Corblay, he relents and leaves himself. As a newcomer of the Silver Dollar Retreat in distant San Pasqual, Hennage turns to business and forgetfulness, and in time comes to be known as the worst man in town. Marie's husband, meanwhile, has gone out into the desert accompanied by his faithful Indian and Carey, of Boston. Carey assaults Corblay and escapes with the burros and the gold which was discovered on the way to the claim. Corblay dies in the desert, leaving a note in his canteen and an inscription on a sandstone ledge, reading: "Stranger, look in my canteen and see that I get justice." Later, Hennage, hearing of Marie's poverty and the arrival of a child, arranges to have Marie come to San Pasqual, where he secures her a position as cashier in the eating house. For the moment Hennage's hopes have revived, but when he sees that the girl remains true to the memory of her lost husband, he holds himself aloof. Eighteen years elapse. Hennage has attached himself like a father to the now-grown child, Donna. One afternoon Marie is taken sick and is carried to her hut. Hennage is sent for and is with her when she dies. Marie gives him the location map of her husband's claim, telling him that while she has hated it because it stood for the desert and her tragedy, yet she would like him to search for the claim on the chance that perhaps there may be something there and that Donna will now need it. Donna, about this time, meets and falls in love with Bob McGraw, a young man who has just filed on certain water rights in the Sierras on the hunch that the surrounding land is to be open to entry. Borax O'Rourke is infatuated with Donna and attempts to force his attention upon her. She is shielded by Hennage and later by McGraw. Hennage, in searching for the lost claim, runs across the canteen that belonged to Corblay and sees the inscription on the ledge. He starts back for civilization. About this time Carey shows up in San Pasqual in search of one Bob McGraw. He is anxious to buy the rights which McGraw has filed on. A hold-up has been committed and the evidence points to young McGraw. Carey discovers where McGraw is located and attempts to use his information to force the young man to sell. Hennage, returning with the story of Corblay's death and the canteen, meets Carey, and with the Indian's aid, learns that Carey is the man who killed Corblay years before. Hennage forces restitution to the child, Donna. He meets death in a gun duel with O'Rourke, whom he had previously told to get out of town for his insult against Donna. The Indian, left to guard Carey, stabs him to death.

A visual fragment from the archive: The thematic resonance of The Squaw Man's Son perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

Three outlaws fleeing a posse through the desert come upon a dying woman and her baby in a wagon. Before she passes away, she makes the men promise to take care of her baby and get it safely through the desert.

Dir: Edward LeSaint

Rhandah, who is to succeed his father, the Maharajah of Dharpuli, is sent to Oxford to be educated. The Princess Nada, to whom he is engaged, fearful of the outcome of his journey, gives him an amulet to bring him back to her in safety. At the college, he soon becomes accustomed to English customs, but refuses all invitations into society. He meets Amy, daughter of Colonel Dawe, and they become interested in each other. Amy wagers that she can persuade the Prince to give her the amulet and succeeds in having him accept her invitation to a party; she manages to see Rhandah alone and secures the amulet. Dick Larimer, to whom Amy is engaged, denounces Amy for doing such a thing. Asa Judd, tutor to the Maharajah's son, has taken a snap shot of Amy and Rhandah and sent it to Colonel Marcy, the Resident British Councilor. Mulai Singh, an aspirant to the throne, obtains possession of the photograph. Rhandah, embittered, returns home just as the Maharajah dies. By his bedside he swears eternal vengeance on all the English and is overheard by Nada. He seeks out Mulai Singh and obtains the picture, declaring his intention of leading his people against the English, issuing a command that all captured English be brought before him. Dick is taken and Rhandah orders him to the dungeon. Amy has come to India with her father and is also taken by the outlaws, but when they see the amulet they release her. Nada recognizes her from the picture, and comes upon Rhandah and Amy as he is contemplating what he shall do with Dick. Rhandah makes advances to Amy which she dares not resent, and tells him she will do anything to save Dick, but he replies there is nothing that will save her sweetheart. Nada, listening, ready to kill Amy with a dagger, overhears and rushes into Rhandah's arms vowing her belief in him. At Amy's solicitation, Nada intercedes and Dick is set free. All the trouble and turmoil is at last ended, and both couples are happy.