The Auteur's Selection Complementing the Tone of Her Shattered Idol...

Dir: John B. O'Brien

When the marriage of Justus and Dorothy Druce fails, their daughter Dorothy goes with her mother to the Catskills, while her twin sister Justine settles in New York with Justus. Years later, Justine becomes engaged to Charlton Sloane, who offers to help Justus out of his financial difficulties by pawning the Druce family jewels. Justus' niece Adelaide, bitterly disappointed in her love for Charlton, convinces her uncle that the young man stole the jewels, prompting Justine to seek the services of Warde MacMahon, a young lawyer vacationing in the Catskills. When Warde's car overturns, Dorothy tends to his injuries in her childhood hideaway, "The Inn of the Blue Moon," and the two fall in love. Dorothy and Justine finally meet, and following several adventures involving their identities, Charlton's name is cleared, the daughters are married to their prospective suitors, and the long separated parents are reunited.

Dir: John B. O'Brien

Hulda, a plucky Dutch girl, brings her three little brothers from Holland to America to live with their rich Uncle Peter. Hulda finds love with a poor artist.

A visual fragment from the archive: The thematic resonance of Hulda from Holland perfectly mirrors the editorial trajectory of our deep dive.

Dir: John B. O'Brien

Mary Lawson was on trial for the killing of Dr. Brundage. He had come to the little village and with his up-to-date methods had made great inroads into the practice of Dr. Kirk. Mary's mother, a confirmed invalid, was one of those who had turned to the new doctor. Mary in repulsing the advances of Dr. Brundage, had said, "You have destroyed my faith in mankind. I feel as though I could kill you." Mary's mother took a turn for the worse, so she went to summon Dr. Brundage, but on arrival at his office found him dead in a chair. Other arrivals found Mary alone with a knife in her hand and this coupled with her previous statement, which had been overheard, was the means of her conviction. Through the help of a cripple she managed to escape. Securing work in a faraway city she soon became the wife of a fellow workman, John Harlow, who turned out to be a wealthy clubman, working only on a wager. Her happiness was complete till the day when she ran across Dr. Kirk, now penniless and ragged. He forced her to take him in as her "uncle." One day, led to the vicinity by her picture, detectives came to the house. Mary, on seeing them, told her whole story to her husband. He, instead of turning her over, assisted her to escape in a sailboat. A storm arose and the boat was driven on the rocks. In the morning Mary came to, to find herself on the rocks but her husband was nowhere in sight. Overhearing voices speak of the other body, she made her way to the house for one last look at her husband. While there the detective approached only to tell her of the confession of Dr. Kirk.

Dir: John B. O'Brien

Owen and Ernest Wharton, sons of sweatshop owner James Wharton, become interested in two of their father's employees. Owen, a settlement worker, falls in love with Mary, while Ernest, a full time womanizer, makes her sister Amy his mistress. Another sister, Jane, grows increasingly consumptive, but when Mary asks James for some money for Jane's treatment, he refuses. Hearing of the trouble, Ernest offers money to Mary, but only if she too agrees to be his mistress. Enraged, Mary forces him at gunpoint, to marry Amy. Then Owen, knocked unconscious in an accident, calls out for Mary. James begs her to see Owen, but before agreeing to go, Mary makes him promise to improve sweatshop conditions. Finally, Owen recovers and he and Mary plan their marriage. Meanwhile, marriage has turned Ernest into a devoted husband, and James keeps his word about shop conditions.

A visual fragment from the archive: The thematic resonance of Mary Lawson's Secret perfectly mirrors the editorial trajectory of our deep dive.

Dir: John B. O'Brien

Imar the Servitor rescues an American tourist who has lost his way in the desert and the two men become friends. Before he leaves, the American gives his friend a picture of his fiancée. When the tourist returns home, he discovers that his girlfriend has married a horseman, both of whom have journeyed to the Arabian desert. Imar's master attacks the trader's wife. Her husband then accuses her of infidelity and starts to beat her. Imar recognizes her from the picture given to him by his American friend and rescues her. They both traverse the desert and meet her former fiancé, who has been sent for. Her husband and Imar's master are slain, leaving the three friends free of any retribution.

Dir: John B. O'Brien

In New York's notorious Pell Street district, U.S. District Attorney Arnold Somers' men capture Queen X, known to drug smugglers as "The Queen of Chinatown," a woman with a cross-shaped birthmark on her wrist. Summers recognizes her as Janice Waltham, formerly a prominent society woman. After becoming an addict and dealer, Janice was imprisoned in underground dens filled with opium fumes to prevent her from recovering and betraying her suppliers. She refuses to name her associates despite third degree questioning. As Janice is about to be sentenced to a long prison term, Miriam Evans, whose brother George is the assistant district attorney, recognizes Janice as the former schoolmate who rescued her in a convent fire. Somers allows Miriam to take Janice home and advises George to court her to get the names of the gang leaders. With George's help, Janice develops enough will power to kick her drug habit, while George, according to their pact, stops smoking cigarettes and drinking coffee. After George secures the names, Janice, threatened by a Chinese cohort, learns about George's deal, but George, now in love, confesses this and they marry.

A visual fragment from the archive: The thematic resonance of The Eternal Grind perfectly mirrors the editorial trajectory of our deep dive.

Dir: John B. O'Brien

A fascinating piece of cinema that shares thematic elements.

Dir: John B. O'Brien

A woman overcomes her fear of childbirth and embraces motherhood.

A visual fragment from the archive: The thematic resonance of Imar the Servitor perfectly mirrors the editorial trajectory of our deep dive.

Dir: John B. O'Brien

Harmony Wells, a gifted violinist, moves to Paris to complete her musical education. Her money soon disappears, and she is forced to live in an inexpensive pension house, where she meets Dr. Peter Byrne, a promising American surgeon who has come to Paris to study. The doctor falls in love with Harmony and proposes, but although she returns his love, she refuses him, determined to pursue her career. One of Peter's patients, a crippled child named Jimmy, who is dangerously ill, asks Harmony to brighten his hours by playing for him. Realizing that the boy is about to die, Harmony seeks out his mother, a dancer who deserted him for the vaudeville stage, but the woman arrives at her son's bedside too late. Shortly before Harmony's debut, she visits Jimmy's grave, where she meets the grief-stricken mother, who advises her to "play for your own children as you played for my little boy." Rushing back to Peter, Harmony accepts his proposal of marriage.

Dir: John B. O'Brien

Robert Powers devotes himself to a life of dissipation until he meets Lillian Vale, the daughter of the curate of St. Anthony's church. Lillian marries Powers, determined to reform him. Years later, the happiness of their home threatened by the appearance of Hattie Lee, one of Powers' former lovers. While Lillian is at her father's deathbed, Powers is lured away by Hattie Lee one night. That evening, the house catches fire and when he returns, the place is in ashes. Frenzied with the belief that his son has perished in the flames, Powers goes to beg the forgiveness of his wife and discovers that she has saved the child's life. Her all-forgiving nature and the love of their son causes Powers to rise from his past life with a triumphant soul.