Curated Recommendations Seeking the Same Brilliance as His Brother'...

Dir: Wilfrid North

Leslie Brennan, an heiress, suddenly discovers that she is almost penniless, and faces the ordeal of making her own living. Before learning this condition of affairs she had become dazzled by the society manners of a cold-hearted fortune hunter, but becomes disillusioned when she discovers that he is attracted solely by her supposed wealth, and goes at once to earn her livelihood in the City of New York. There she studies typing and makes friends among the lowly. She secures a position with a brusque preoccupied young chemist, who is in the midst of a great discovery of value to the government. How Leslie becomes aware of the machinations of a foreign spy, how she saves her young employer's secret to the government in a series of encounters and how she comes to learn that he has fallen in love with her and that he is one who is really worthy of her, is told in a series of compelling scenes.

Dir: Wilfrid North

A visual fragment from the archive: The thematic resonance of Human Desire perfectly mirrors the editorial trajectory of our deep dive.

Inspired by a statue of the infant Christ in the hands of the Madonna, Bernice who lives in a convent in Naples, Italy conceives of a deep passion for babies. Learning that there are infants dying of hunger and neglect in America, Bernice determines to come to their aid. Dressed as a boy, she arrives in New York where destitute, Bernice meets artist Robert Bruce who hires her to pose for a painting of the Madonna. The two fall in love until one day, during Robert's absence, his wife appears and drives Bernice into the streets. Bernice's trials finally end when Mrs. Bruce dies in an automobile accident, freeing Robert to marry his model.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Wilfrid North

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Sweet Kitty suffers the cruelty of her adopted aunt and uncle in Scotland, until taken to England by her guardian, Lord Inglehart, where she falls in love with his son. Learning that through a former escapade of his father the girl is his sister, the boy denies her love and she returns sadly to Scotland and slavery, only to have it all explained when her uncle is taken ill and confesses that the real daughter of Lord Inglehart died and she, Kitty, was adopted in her place to secure allowance from his Lordship. David and Kitty let us draw a veil. the man she still loved, the father of her babe, had been redeemed.

Dir: Wilfrid North

At first sight of Elizabeth Van Vorst, Hallock loses interest in her cousin, Amanda, whom he professed to love. Bereft of parents at an early age, Elizabeth was left in the care of a matronly aunt, Cornelia. Now, at twenty, she is a charming young miss. While visiting her cousin, Amanda, she meets Hallock, a wandering artist and musician. Attracted by her loveliness and charm, he forgets his avowed love for her cousin, and becomes infatuated with Elizabeth. Elizabeth's old-fashioned aunt objects to her friendship with a man whose affections are so easily swayed, and forbids her to see him. Piqued at her aunt's objection, Elizabeth continues to see him and he asks her to be his bride. After much pleading, she goes with him to a neighboring town where they are married. Fearing her aunt's ire, she pledges her husband to secrecy. She continues to live at home, while Hallock returns to the city, where he soon forgets his wife. Through an accident, Elizabeth meets and becomes interested in Julian Gerard, a gentleman from New York. Later, at the home of a mutual friend in New York they meet again. Their interest rapidly ripens into love. A prominent artist paints her portrait and when it is shown, she becomes the belle of the season. She goes to many social affairs with Gerard, and at one of them, is seen by her husband, who determines to use her apparent love for Gerard to his own benefit. In sore straits, he demands that she help him socially and financially, holding their marriage over her should she refuse. Elizabeth, unable to meet his demands for money sells her jewels. When she takes the blackmail to him, she is seen by Amanda, who is in Hallock's power. Thinking Elizabeth's relations with Hallock are the same as her own Amanda, in a fierce tirade, upbraids her for coming between them. Gerard, deeply in love with Elizabeth, persistently pleads his suit and is puzzled by her attitude. Although he can see that she loves him, she refuses to give him an affirmative answer, nor will she explain her action. Finally, he demands an explanation and she tells him of her unfortunate marriage. Despondent, he leaves the country to go on a long hunting trip to try and forget his sorrow. Soon after Gerard's departure, Hallock is found dead in his room, with a bottle of poison by his side bearing mute evidence to the cause of death. Elizabeth attracts suspicion to herself by a display of emotion, is taken into custody and held without bail. The trial begins. In connection with other damaging evidence, the testimony of the maid, who heard Elizabeth express a wish for Hallock's death, seems to nullify her chances of acquittal. In London, Gerard reads of the murder and the trial of Elizabeth. He leaves at once for America, where, on his arrival, he gives evidence which sways the case in Elizabeth's favor. After hours of deliberation, the jury returns the verdict of not guilty, and Elizabeth is freed. After the trial she is summoned to the bedside of Amanda in a hospital. Here, with her life blood fast ebbing, Amanda confesses to the murder of Hallock telling of the disgrace and humiliation he had caused her. Her confession finished, her lips are sealed forever by the hand of death. After their marriage, Elizabeth and Gerard leave for a honeymoon in the country, where Elizabeth will have an opportunity to blot the terrible ordeal from her memory.

Dir: Wilfrid North

A visual fragment from the archive: The thematic resonance of Kitty MacKay perfectly mirrors the editorial trajectory of our deep dive.

Marcellus Holloway, a rich widower, buries himself among his books and allows his only daughter, Penelope, to bring herself up. At the age of eighteen she was courageous and self-reliant, also self-willed and independent, with a disregard for the restraints of convention. She caused gossip by fishing on Sunday and galloping wildly about on her colt. An old friend, Mrs. Travers, and her son, Jimmy, visit them. Jimmy and Penelope become friendly. Mrs. Travers induces the father to allow Penelope to enter a fashionable boarding school with her daughter. Marjorie. At the school Penelope's behavior is not as dignified as it should be. Her father dies and Penelope refuses to see her friends or return to school. Jimmy finally persuades her to come and make his mother a visit. She goes and at a party in her honor meets Mr. and Mrs. Rivers and enjoys Rivers' company, causing his wife much anger. At the golf club she continues flirting and Jimmy remonstrates with her without success. Mrs. Rivers puts detectives on her husband's trail and they follow Rivers and Penelope to a roadhouse. On the way Jimmy joins them. They arrive just as Rivers is beginning to show his real self to Penelope and she faints. The detectives take Rivers away, while Jimmy goes to Penelope. Mrs. Rivers starts a divorce suit, naming Penelope as a co-respondent. Penelope goes to Mrs. Rivers and pleads with her. Mrs. Rivers sees she is innocent and returns with her to the Travers' home, where Jimmy takes her into his arms.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Ordeal of Elizabeth perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Wilfrid North

After the sinking of the Lusitania, American James Garrison "Garry" Owen joins the British army and fights gallantly until he is wounded and subsequently discharged. Recuperating in New York, he meets and falls in love with Helen Lloyd, and the two plan to be married after his return from active duty with the American forces in France. Helen's brother Albert, fighting in France under Garry's command, panics and deserts his post, and Garry is forced to report him. At the court-martial, Albert is sentenced to death, but when Company D is attacked, his heroic actions save the day and he dies a hero. Meanwhile, Helen is abducted by German officer Friederich von Emden, whose submarine transports her to his headquarters: Madame Arnot's chateau in Belgium. Von Emden captures Garry and orders him to attend a banquet celebrating the German's forced marriage to Helen, but an old servant named Sonia poisons most of the German guests. Garry kills von Emden, then escapes with Helen to the Allied lines.

Dir: Wilfrid North

The Kid, a sprightly young girl of seventeen, is overjoyed at receiving an appointment on the staff of the New York Herald, through the influence of Joe Hazard, the star reporter, who has brought her up as his daughter. To arm properly for the battle of life, Joe tells her the story of how her mother's downfall was brought about. Her mother, he tells her, was betrayed by a man named Dunster in her home town. Joe had befriended her and when her child (the Kid) was born, and the mother died and Joe had decided to bring the child up himself. With a final warning to beware the pitfalls of the city, Joe takes her to the Herald office to begin her career. Soon after, when the price of meat shows an alarming rise, the Herald assigns the Kid to unearth the cause. While on the hunt for particulars, the Kid sees Robinson, one of the large cattle owners of the west, who has come to this city for a business trip. She follows him. waits while he has his shoes shined and then, when turning a corner, loses him in the crowd. Hurrying home, she assumes the disguise of a bootblack and obtains a position at the stand where she left Robinson. True to her expectations, Robinson appears that day, and while shining his shoes she obtains a clue. That day, Robinson's wife, a charity worker, is murdered while riding in her car, and the murderer makes his escape. Sometime later, the Kid manages to obtain a position in the office of Robinson and secures evidence which connects her employer not only with the manipulation of the meat market, but also with the murder of his wife. She arranges to have two detectives hide in the room next day to get further evidence of his connection with the murder, but they overhear a conversation which convinces them that Hidalgo, manager of Robinson's cattle enterprises, is the real murderer and he is taken into custody. The Kid obtains a warrant for Robinson for his connection with the rise in meat, but Joe Hazard, recognizing Robinson, tells the Kid that he is her own father, Dunster, under an assumed name. Dunster also learns that the Kid is his daughter and begs leniency. She finally secures his freedom, but when he comes to claim a daughter's love, she turns to Joe, who has been her "Daddy" for all these years.