The Essential Watchlist Similar Cinematic Experiences to Hot for Pa...

Dir: Raoul Walsh

Given a choice between traveling to South America as an emissary for his father's ammunition company and foregoing his weekly allowance, Billy Drake heeds his father's warnings and buys an ocean liner ticket. Before leaving, however, the movie-struck Billy spots a beautiful woman standing in front of a theater and imagines that she is a film star. To his delight, he finds the woman on board his ship, as well as Count Von Nuttenburg, a political troublemaker, who has stolen a movie camera, thinking that it is a new brand of machine gun. Von Nuttenburg shows the camera to Billy, who concludes that the count is a director and the ship is a set for a movie melodrama. When the boat lands at a port torn by revolution, Billy insists that the guns and soldiers are part of the show. Not until he and the girl are seized by the rebels and threatened with death, does he admit his error. By a clever ruse, he escapes from his captors and with the help of Federal troops, defeats the count and wins the heart of his pretty shipmate.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of On the Jump perfectly mirrors the editorial trajectory of our deep dive.

During World War I, an enterprising and patriotic reporter named Jack Bartlett interviews President Woodrow Wilson on the importance of the Fourth Liberty Loan. Jack returns from Washington to find that Otto Crumley, a German sympathizer, has taken control of his newspaper, and when Crumley tears up the story, Jack resigns and joins the Liberty Loan campaign. After raising a large sum of money for the government, Jack succeeds in preventing a strike in a local munitions plant. Later, he learns that Crumley, actually a German agent, has stolen a secret gasoline substitute formula invented by William Desmond, the father of his girlfriend Margaret. Crumley imprisons Margaret, but Jack rescues her and then swims out to the schooner on which Crumley is making his escape. The spy apprehended, Jack turns the ship's guns on a German submarine and sinks it.

Dir: Raoul Walsh

Jack La Salle marries South American heiress Blanquetta Del Castillo, and the two settle into a happy life in New York City. Following the birth of their son, Jack, Jr., however, Jack becomes involved in an affair with the notorious Josie Sabel and thereafter ignores his wife. Outraged upon learning that Jack has taken their son to Josie's apartment, Blanquetta files for divorce, the court finally ruling that the boy must live with each parent for a portion of the year. As the time of little Jack's departure from his father approaches, Jack, Sr. declares that he will never return the boy to his mother, whereupon the tortured Blanquetta shoots and kills her faithless husband. The jury, moved by Blanquetta's desire to love and protect her son, ultimately acquits her.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of The Woman and the Law perfectly mirrors the editorial trajectory of our deep dive.

When the United States enters World War I, a mother sends her two eldest sons off to the battlefields with a smile, although her heart is breaking. She soon learns that the eldest is missing and the second son is wounded, however, and resolves to keep her youngest at home. The boy, due to the influence of pacifist literature, willingly accompanies his mother on a secret journey to their seaside home, but the father, ashamed that his son is a "slacker," discovers their whereabouts. The three are in the midst of a heated argument when the pitiful survivors of a ship destroyed offshore by a German U-boat come to the house seeking refuge. The mother and son realize the importance of the cause and the son enlists. At Christmas, all three sons come home, the eldest accompanied by his new French bride.

Dir: Raoul Walsh

Harle, a successful French businessman, is so absorbed with his factory that he neglects his wife Claire. One day, Harle's old friend Henri, the Marquis de Puymaufray, comes to visit, and Claire falls in love with the cultured and sensitive man. Several months after his departure, Claire gives birth to a baby girl, Claudia, and dies shortly afterward from neglect and depression. Twenty years pass and Claudia has grown into a beautiful woman. Her father wishes her to wed a count, but she loves Maurice, a young American. During a labor dispute, Claudia is abducted by her father's disgruntled employees and held for ransom. The marquis, who has long watched over the girl, loses his life in a rescue attempt, but Maurice finally succeeds in liberating his sweetheart. After the marquis' death, it is revealed that Claudia actually was his daughter, and Harle, crushed, retires to his country estate, freeing the girl to voyage to America with the man she loves.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of Every Mother's Son perfectly mirrors the editorial trajectory of our deep dive.

Under promise of marriage, innocent Mary Ellen Ellis leaves her country home to accompany the experienced Walter Benton to the city. Mary Ellen finds herself in an underworld milieu, but she is able to influence burglar Bull Clark to reform, thus earning his undying gratitude. Clark is able to repay Mary Ellen when he rescues her from The Weasel, who has followed her to her apartment. When Benton returns and finds his wife and Clark together, a fight ensues between the two men in which Benton is killed by The Weasel. Clark is accused of the murder and sentenced to jail, but escapes and joins the Navy. Meanwhile, Mary Ellen is forced to live in shame until she is rescued by Jane Murray, an office assistant in an East Side infirmary. There Mary Ellen meets Dr. Graham, Benton's cousin, and the two fall in love. Fear of the doctor's scorn for her past life forces Mary Ellen to leave, and she is abducted by The Weasel and imprisoned in a vacant room. A newsboy informs the doctor of her whereabouts, and through the doctor's efforts Mary Ellen wins her freedom as well as his love.

Dir: Raoul Walsh

A boy surrounded by violence grows up to become an infamous gangster.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of The Strongest perfectly mirrors the editorial trajectory of our deep dive.

Peasant girl Vania is assaulted by a duke who murders her lover and sends her away to London. There she becomes a famous actress. The Duke, seeing her perform but not recognizing her, hears that his son is wounded. "If anything should happen to my boy, I think it would kill me." That's all the motivation Vania needs to go to the front, find the one-armed paralyzed boy and marry him. Next she arranges to make love to his father just as the boy enters the room, causing the young man to blow out his brains.

Dir: Raoul Walsh

Hearing that the United States has just declared war on Germany, Bill Durham hurries to a recruiting station to enlist, but because he has flat feet, he is rejected. He falls in love with Barbara Knowles, whose guardian, August Myers, unknown to Barbara, is a German agent. When Bill learns that Myers plans to stir up trouble on the border of the United States and Mexico, he catches the train to New Mexico and routs out Myers' gang of bandits. Meanwhile, Myers has sent Barbara back to New York to be married to German spy Carl Vogel. Bill returns East and arrives at the church just in time to dispose of the German bridegroom and marry Barbara himself.

Dir: Raoul Walsh

A man is convicted unjustly of a crime and then subjected to inhumane torment in the Yuma Territorial Prison in the Arizona Territory, run by corrupt administrators.