Visionary Picks In Alignment with the style of Hugon, the Mighty: C...

Dir: Rollin S. Sturgeon

Mary Melville marries rich playboy Claude Varden to please her invalid mother. On the night they are to depart for a South American honeymoon, Mary's mother becomes seriously ill and Mary decides to stay home and taker care of her. Varden goes on the trip anyway, as he owns some mines in South America. However, Tom Nelson, the husband one of the many married women Varden has had affairs with in the past, is stalking him and follows him on board the ship. On the ship Varden meets the beautiful and rich Nitra Ruiz and her brother Ramon. Deciding that he doesn't want to be married to Mary anymore, he proposes to Nitra. However, his plans don't quite work out the way he had wanted them to.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of Betty and the Buccaneers perfectly mirrors the editorial trajectory of our deep dive.

A professor's daughter craves excitement and sends her father on a treasure hunt. The captain leaves him to die on the island and returns for his possessions and the girl. Dick saves her father from the island and comes to her rescue.

Dir: Rollin S. Sturgeon

Robert Wainwright, arriving in the Argentine Republic to look after his father's business, finds himself in a hotbed of revolution. Stopping at the home of Don Arana, foreign minister to Rosas, the tyrant, he meets and falls in love with Bonita, Don Arana's niece. Bonita favors the rebels and through Wainwright's love for her, wins him to their cause. He communicates with General Urguiza, the rebel leader, but the messenger is intercepted by Tirzo, Rosas' spy. As Tirzo also aspires to the hand of Bonita, he schemes to get Wainwright out of the way, and insinuatingly suggests that he leave the country at once. Wainwright arranges for passage on the first ship leaving for the north, but contrives to escape, after the vessel leaves port. He returns to Don Arana's home, meets Bonita and acquaints her with his plan to join the rebels. She makes him a present of Mephisto, a wonderful horse, and suggests he change his name to Alvarez. Wainwright, now a rebel under the name of Captain Alvarez, so distinguishes himself that he becomes the scourge of the Federals. He is commissioned by General Urguiza to get in communication with Don Arana, who is secretly in sympathy with the rebels, and arrange for the capture of a convoy of a million in currency dispatched to the Federal forces. Captain Alvarez and Don Arana are arranging for the delivery of the convoy when the house is surrounded by the Federals through the work of Tirzo. Captain Alvarez is captured and led off a prisoner. Tirzo remains and promises Bonita to save Alvarez's life is she will marry him. She is about to consent when word comes that the prisoner has escaped. Alvarez returns to Bonita's home, fearful that harm has befallen her, and promises to return again at midnight to make sure of her further safety. Alvarez returns to his command, and captures the million in currency and is on his way to keep his midnight appointment with his sweetheart, when he hears Tirzo plotting with a band of gypsies to kidnap Bonita. Alvarez arrives at Don Arana's first, waits for Tirzo, who comes alone, and in a fight kills the spy whose body is carried off by the gypsies. A band of Federals intercept them, recognize Tirzo, and rush to Don Arana's house, where they capture Alvarez, and he is to be shot at sunrise. In the meantime the Federals are defeated and Rosas, the tyrant, flees for his life. Alvarez, by a trick, induces the Federals guarding him to flee. The rebel forces arrive opportunely, and all ends happily in a picture emblematic of the birth of a new republic.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of Captain Alvarez perfectly mirrors the editorial trajectory of our deep dive.

When Amos Divine is retired with a meager pension, his spoiled wife Christina castigates him, but their optimistic daughter Mary Beth, who longs for a musical career, helps them economize. Meanwhile, composer Richard Warner arrives from Vermont, but his hopes of selling his ballads are dashed by publishers who want cheap, trashy melodies. Mary decides to rent the attic room, and Richard, hearing her play, takes it. After Richard accidentally starts a fire while raptly composing, Mary begins to fall in love. Penniless, Richard starts to asphyxiate himself, but Mary brings him biscuits and encourages him to persevere. After Mary finds Richard's song, "The Rainbow Girl," dedicated to his "Loved One," he explains that he cannot marry his sweetheart until he has made good. Mary jealously says that she too has a sweetheart, "Snookums," but they have quarreled. After Mary secretly sells Richard's song to a publisher, Richard, seeing her cry, sends flowers from "Snookums" to effect a reconciliation. When Mary reveals that there is no "Snookums," Richard confesses that Mary is his "rainbow girl," and they embrace.

Dir: Rollin S. Sturgeon

Charles Howard, a young artist in " In The Folly's Trail, " is induced by a friend to attend a week-end party, given by a millionaire social bounder named Max Goldberg. At this event he joins in the general round of elaborate dinners, masquerade dances and the like. He meets a girl singer named Lita O' Farrell, a friend of Goldberg's. The host of the occasion really loves Lita, but she is uncertain of her regard for him. Lita is attracted to Howard and he to her. Though both are doubtful of the outcome, they marry. Howard cannot endure Lita's lack of breeding and she resents his cold, superior attitude. They quarrel frequently and she offers him a chance for a divorce by deliberately going back to Goldberg. Howard, stung by his jealousy, follows, threatening to kill Goldberg. The latter assures him no harm has come to Lita. He finds her and she tells him of her coming child. They determine to make another effort to live happily together. - The Moving Picture World, 1920.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of The Rainbow Girl perfectly mirrors the editorial trajectory of our deep dive.

A man and two women suspected of stealing bonds are traced to a country hotel. While one of them, Judith, is out riding, the other two, Walter and Vera, are arrested. During a storm Judith is injured falling off her horse and Boone Pendleton comes to her rescue. Soon the river becomes impassable, and they are trapped in Boone's cabin and fall in love, but because of her plight, Judith refuses Boone's marriage proposal. After the river recedes, detectives come for her; she escapes, then aids Walter and Vera in breaking out of jail. They take refuge at Walter's country estate, where the detectives intercept them again. It is then revealed that Judith is Walter's sister and Vera his wife, the theft was his first offense and Judith and Vera were helping him escape punishment. When Walter returns the bonds, charges are dropped, and Judith is free to marry Boone.

Dir: Rollin S. Sturgeon

Bettina Vanderpoel, the charming daughter of New York millionaire Reuben Vanderpoel, departs for England to visit her sister Rosalie, who is married to Sir Nigel Anstruthers, an impoverished English nobleman. Arriving at their dilapidated estate, Betty finds that Nigel not only has wasted Rosalie's fortune, but has treated his wife and their little son cruelly. Betty promptly repairs the estate with her own money and then introduces her sister into English society. In the process, she meets Lord Mount Dunstan, a proud but penniless nobleman who lives in the adjacent estate. Although strongly attracted to Betty, Dunstan avoids her so as not to appear a fortune hunter. An epidemic breaks out among the farmers, and Betty, hearing that Lord Dunstan has died, goes riding late one night to forget her sorrow. Sir Nigel finds her in a deserted hut and tries to attack her, but Lord Dunstan appears, rescues her, and finally confesses his love. Soon after, Sir Nigel contracts apoplexy and expires, thus freeing Rosalie.

Dir: Rollin S. Sturgeon

A visual fragment from the archive: The thematic resonance of In Folly's Trail perfectly mirrors the editorial trajectory of our deep dive.

How the lust for power influences and drives lives and destiny.

Dir: Rollin S. Sturgeon

Gertie Jones, known among other thieves as "The Chatterbox" because she talks to herself while she works, becomes a rich woman's French maid after learning about her employer's $40,000 diamond necklace. To cover up the scratches left by her tools after she unsuccessfully tries to open the safe containing the necklace, Gertie telephones the police to report an attempted burglary. Jimmy Hartigan, a famous thief, arrives and after he and Gertie fall in love at first sight, he is arrested. After Gertie helps Jimmy escape from prison, they move to New York and continue their illegal endeavors until they see Gertie's sister, whose time in prison has left her consumptive, and a famous crook, now a broken wreck, and decide to go straight for each other's sake. As the "Harts," they buy a farm in New Jersey after foiling the plans of a crooked real estate promoter. When Kersey, a detective on Jimmy's trail, arrives, Jimmy and Gertie pretend to save him from two escaped convicts. The grateful detective, believing that the "Harts" have reformed, refuses to recognize them as the "Hartigans."

Dir: Rollin S. Sturgeon

A girl's father cannot afford a train ticket, so he ships his daughter by Wells Fargo & Co. Express. He loses his money to a villain and cannot claim his "shipment." The villain attempts to claim her, but the Wells Fargo agent foils the plot and claims her himself.