Recommendations
Senior Film Conservator

After experiencing the cult status of Kisses (1922), you are likely searching for more films that share its specific artistic vision. Unlock a new level of cinematic understanding with these Comedy alternatives.
This 1922 Comedy classic stands as a testament to push the boundaries of conventional storytelling.
Betty Estabrook, daughter of a financier, meets Bill Bailey while returning home on a train and offers him one of her homemade candy kisses; Bill persuades her to dispense some candy at a charity bazaar, which she does with great success; but unhappily he discovers that Betty is engaged to Norman Maynard, son of a manufacturer of sweets. Betty's father dies as a result of financial complications, and determined to reimburse the creditors, she sells her house and all her possessions, causing Maynard to break off the engagement. Bill and Bessie Neldon join forces with Betty to manufacture candy, a venture that becomes so successful that Maynard begins to suffer from the competition and sows seeds of discontent among their workers. Bill thwarts the plan, but Betty sells the B-Kissed Candy Co. to Maynard for a sizable sum, which enables her and Bill to become engaged.
The influence of Maxwell Karger in Kisses can be felt in the way modern Comedy films handle cult status. From the specific lighting choices to the pacing, this 1922 release set a high bar for atmospheric immersion.
Based on the unique cult status of Kisses, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
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Dir: J. Gordon Edwards
William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Vernon Stallings
Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".
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Dir: Robert Thornby
Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
View DetailsAnalysis relative to Kisses
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Lunatics in Politics | Ethereal | Dense | 97% Match |
| Mary's Ankle | Surreal | High | 86% Match |
| The Amazing Quest of Mr. Ernest Bliss | Gritty | Linear | 86% Match |
| Kids Is Kids | Tense | Layered | 94% Match |
| Under Northern Lights | Gothic | Layered | 89% Match |
This guide was algorithmically generated using the cinematic metadata of Maxwell Karger's archive. Last updated: 8/17/2026.
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