Rare Cinematic Gems Sharing the Atmosphere of La Fille sauvage: Cul...

Dir: Tom Mix

Wealthy Eastern railroad magnate Buchanan Atkinson sends his wayward son Timothy to Calm City, Arizona for safe keeping. Once there, Timothy falls in love with Alice Spencer whose father, the superintendent of the railroad in Calm City, is threatened with the loss of his position because of the great number of recent train robberies. To prove his love for Alice, Timothy decides to track down the bandits. Locating their hideout in a cave, he discovers that they are about to abduct Alice and escape across the Mexican border. Timothy rescues Alice, saves the loot and becomes the town hero. Accompanied by Alice, he returns East and is redeemed in his father's eyes.

Dir: Henri Étiévant

A visual fragment from the archive: The thematic resonance of Pauline perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Ewald André Dupont

Fred Hopkins, a jeweler's assistant, replaces the pearl necklace Lord Reading bought as a wedding present with a worthless imitation. A hunt begins, which the flower seller Rahel and the jumping jack dealer David are able to end by finding the jewelry. Hopkins, who is convicted, then commits suicide for fear of being punished with poison.

Dir: Harry F. Millarde

A visual fragment from the archive: The thematic resonance of Whitechapel perfectly mirrors the editorial trajectory of our deep dive.

Desperate because a wealthy man has reduced her father to thievery, Rhoda agrees to rob the poor box of the church, although she finds the act abhorrent. During the robbery, Rhoda's father is shot and dies in the priests's arms, seeking absolution, while the man who ruined him looks on. Penitent, the man appoints Rhoda as his representative to return the ill-gotten gains to those he has robbed. Rhoda enters the underworld as an angel of mercy, gaining the sobriquet of "The White Moll." After many thrilling escapades, she brings The Dangler, the leader of a gang of crooks, to justice, saves others from death and finally wins The Pug, the man of her choice.

Dir: George Beranger

John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.

Dir: Joseph Henabery

A visual fragment from the archive: The thematic resonance of The White Moll perfectly mirrors the editorial trajectory of our deep dive.

When respectable Lloyd Norwood becomes infatuated with moll Goldie Lewis, he falls into a life of debasement that results in his being accused of the murder of gangland henchman Joe the Swell. Norwood's wife Mary, convinced of her husband's innocence, determines to clear his name. Disguising herself as a vamp and infiltrating the underworld, Mary extracts a confession from the real murderer, Pussyfoot Connor, whom she dupes into believing that he sees the ghost of the murdered man. Later, to have witnesses to the story, Mary takes a midnight dinner with gang leader Jack Frost, arousing the jealousy of Connor, who enters and accuses Frost of instigating the murder. The police, alerted to the scheme, rush in and arrest the criminals. Finally, a phone call to the prison warden results in Norwood's release as a wiser man.

Dir: George D. Baker

A prison inmate obtains his release from prison in order to rescue his daughter from the clutches of her unscrupulous mother's plot to implicate the girl in a blackmail scheme.

Dir: Maurice Tourneur

A visual fragment from the archive: The thematic resonance of A Manhattan Knight perfectly mirrors the editorial trajectory of our deep dive.

Having endangered his life by foolishly gambling away funds entrusted to him by the Carbonari, an Italian secret society, London banker Bernard Huddlestone appeals to Northmour, an adventurer, for protection. Northmour takes Huddlestone and his daughter Clara to his castle in Scotland, offering them safety in return for Clara's hand in marriage. There Clara encounters Frank Cassilis, an old adversary of Northmour's, and falls in love. Trouble brews between the two men, but when the Carbonari discovers Huddlestone's hiding place and storms the castle, the fugitives band together to fight the avengers. Coming to the realization that only his sacrifice will appease the attackers, Huddlestone steps out and meets his death. Northmour, deciding that married life would prove too monotonous, gives up his claim on Clara to Cassilis.

Dir: George Archainbaud

Upon leaving prison, an ex con vows to go straight, but circumstances force him to return to crime. Meanwhile, a gang of crooks kidnaps a visiting British aristocrat, but the ex-con has an incredible likeness to the Englishman, and his intended hosts take him home to their mansion.

Dir: Emil Justitz

A fascinating piece of cinema that shares thematic elements.