Cinematic Discoveries Following the Footsteps of Le gros lot: Cult ...

Dir: Bud Fisher

Mutt and Jeff go on strike and make their own film.

Dir: Joseph Franz

A visual fragment from the archive: The thematic resonance of The Parish Priest perfectly mirrors the editorial trajectory of our deep dive.

John Whalen is ordained into the priesthood and assumes the leadership of a small-town New Jersey parish. His dying mother's last wish is for young doctor Edward Welsh and his sweetheart to be married. Rev. Whalen devotes much time and effort to overcoming the obstacles to the union, managing along the way to solve the problems of other townspeople.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Vernon Stallings

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Sidney Franklin

A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of Down the Mississippi perfectly mirrors the editorial trajectory of our deep dive.

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Herbert Blaché

After Schuyler Rutherford's divorce from his rich wife Caroline, who was his meal ticket, his sister Kathleen is so humiliated by the fact that her penniless condition was brought to light during the court proceedings that she seeks solace in her sculptor friend Mary Carter, who offers her a job as her secretary. While working, she becomes acquainted with Mary's wealthy cousin Robert Winston when she overhears him denouncing parasitic girls like Kathleen. Vowing revenge, Kathleen assumes a false name and obtains a position as Robert's secretary, determined to make him fall in love with her. Kathleen's plan succeeds, and then, to spite Robert, she announces her engagement to wealthy Murray Van Allan. After a series of incidents, Robert makes Kathleen realize that she really loves him and, after forgiving him, she agrees to be his wife.