Rare Cinematic Gems Exploring the Legacy of Li Ting Lang: Cult Guide

Dir: Charles Swickard

When her mother dies, Mary not only becomes the household slave of her overbearing father, Scottish American Andy MacTavish, but also becomes a mother to her little sister Ruth at their home on the Dakota plains. Years later, Jack Fraser, the son of a surgeon at the nearby fort and a steady visitor at the MacTavish home, secretly marries Ruth although he is deeply loved by Mary. Sometime later, a baby is born to Ruth, and Mary, doubting her sister's assertion that she is married to Fraser, takes the child to the fort to find out the truth from Fraser himself. Andy, believing the baby to be Mary's, orders her from the house. In the meantime, the Indians go on the warpath and Mary is surrounded. Buck Mathews, a half-breed who has lusted after Mary, sees her with the child, and pitying the helplessness of the girl, leaves the Indians to protect Mary. Fraser arrives just as Buck is fatally wounded, rescues Mary, who forgives Buck before he dies. Fraser now acknowledges that he is the husband of Ruth.

Dir: Charles Swickard

Engineer Bob Durland, a rival of the wealthy Harold Blake for the hand of Alice Randolph, goes to Mexico during its revolution to prevent Morgan Randolph from losing his oil concession. Harold accompanies him, but when the Mexican insurrectionists threaten the two Americans, he becomes frightened and leaves. Upon his return, he reports that while he himself heroically fought off the revolutionaries, Bob died a coward's death, and Alice, believing her true sweetheart to be dead, agrees to marry Harold. Meanwhile, Bob saves Randolph's mines despite several attempts on his life and then returns to the United States, just in time to prevent his girl from marrying the wrong man. After evening the score with Harold in a fight, Bob takes his place beside Alice at the altar.

A visual fragment from the archive: The thematic resonance of Hitting the High Spots perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Swickard

In the wayward western town known as Hell's Hinges, a local tough guy is reformed by the faith of a good woman.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Hell's Hinges perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Swickard

Widow Margaret Dennis, unaware of the abusive nature of Oliver Cathcart, agrees to become his wife. Among other cruelties, Cathcart has ruined the Taylor family in a bad business deal, causing the death of Mrs. Taylor, turning Mr. Taylor into a worthless drunk and embittering their son Raymond, who swears revenge on Cathcart. Margaret's son Jim, learning of all this, forces his mother to choose between him and Cathcart. Choosing the latter, Margaret goes to his country estate, where she finally learns her husband's true nature. Nearby live the Taylors. Raymond is courting Cathcart's maid Milly, and when he comes to the estate one day to visit Milly, Margaret pleads with him to send a message to Jim. Meanwhile, Taylor's sister Steve leaves home, seeking adventure. Receiving Margaret's message, Jim arrives and promises to take his mother away the next day. That night, Cathcart is killed, and on Milly's testimony that Jim had been at the house, he is arrested for the crime. Steve, however, hearing of Jim's arrest, returns and testifies that she and Jim shared refuge from a thunderstorm in an old shack on the night of the murder. Robert Shepherd, the estate gardener, then confesses that he killed Cathcart when he found him struggling with his beloved daughter Bess. Jim is finally freed, and Shepherd acquitted on a plea of temporary derangement.

Dir: Charles Swickard

The picture tells the story of a little Spanish boy who is cast upon the shore of the east coast of Mexico early in the sixteenth century, when Mexico was dominated by the Aztec Indians. Never having seen a white person before, the local natives, a tribe called Tehuans, bring him up as a god and call him Chiapa. When he reaches manhood, Chiapa is given authority over his entire tribe. He falls in love with the priestess, Tecolote, and she yields to his advances although she is quite unworthy of him, and encourages other suitors. Then the Aztecs hear that under the white god the Tehuans are very prosperous, and start forth to conquer them. The Aztec army is under command of Mexitli, the chief general of Montezuma, the Emperor, and having conquered the Tehuans, he carried off Tecolote as his personal slave. Chiapa follows as a spy. In the garden of Montezuma, he is wounded by a guard, but Lolomi, the beautiful daughter of the Emperor, saves him. They fall in love. Meanwhile Mexitli has tired of Tecolote, and now seeks the hand of the Princess Lolomi, who would rather die than have him. As the Emperor gives Mexitli his consent, he tries to get the princess by force, and in doing so discovers Chiapa. Luiapa is sentenced to die at the end of the year on the sacrificial stone. But Lolomi, finding her pleas to her father of no avail, sends word to the Tehuans that their god is captive. An avenging army sweeps down, and there is brought about a sequence of thrilling scenes with a smashing finish.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Swickard

At the death of Count de Beaulieu, his daughter Jeanne learns that her father had been the arch criminal known as The Phantom. The only other person who knew her father's identity was his lieutenant, Franz Leroux, who now demands that Jeanne marry him in return for his silence. She agrees and they go to America where Jeanne meets an old friend, Jane Elliot. Jeanne confides her secret to Jane, and the two decide to flee to Florida. When en route their train is wrecked and Jane killed, Jeanne, in order to protect herself from her criminal husband, assumes Jane's identity. Posing as Jane, she visits the Marstons and falls in love with Henry Marston. Soon after, Leroux arrives and Jeanne is forced to tell her story. While explanations are in progress, one of Leroux's confederates, whom he had double-crossed, kills the criminal. Henry then forgives Jeanne her deception and together they begin a new life.

Dir: Charles Swickard

While working as a clerk for stockbroker Jerrold Burns, Scott Wells overhears his boss' plan to ruin railroad magnate David Haldeman, but before Scott can warn David, the millionaire leaves town on vacation. Scott then decides that he himself will fight Jerrold on the floor of the stock exchange, and he goes to David's daughter Dorothy with his plan. She gives him all of her money, and Scott spends all of it in fighting off the first day's raid on David's financial empire. Then, Scott discovers that Jerrold's cronies hold David captive. Scott rescues the millionaire, and rushes him to the stock exchange, where David successfully defends his holdings against the takeover attempt. Afterward, Scott receives more than David's gratitude: he also gets his permission to propose to Dorothy, who quickly accepts.

A visual fragment from the archive: The thematic resonance of The Lair of the Wolf perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Charles Swickard

Dick Bisbee loses his job in his millionaire uncle T. W. Bisbee's factory because of the hostility of crooked manager Elmer Robbins. Before leaving, Dick denounces his uncle for his niggardly ways and advises him that there are no pockets in a shroud. Dick goes to live at the home of his one office friend, bookkeeper Stetson, and he falls in love with Stetson's daughter Helen. The next day T. W. feels remorse and under Dick's guidance he abandons his miserly ways and spends his money having a good time. After overhearing Helen telling Dick what she would do if she had T. W.'s money, T. W. follows her advice. Robbins is arrested for embezzlement, and T. W. makes Stetson manager and Dick a partner in the factory.