The Global Archive Complementing the Tone of Lucky in Love: Cult Guide

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Kenneth S. Webb

A visual fragment from the archive: The thematic resonance of A Bird of Bagdad perfectly mirrors the editorial trajectory of our deep dive.

"Caliph" Quigg runs a cheap restaurant by day and a seeker of adventure by night. Ed Simmons and Bill Hillman are two hard-working employees of Ogden, a prosperous harness maker. Laura, the harness-maker's daughter, is the object of both their affections. Laura has ideas of her own regarding a prospective husband but dares not communicate them to her father, fearing the harness strap. She is only a kid and should not be dreaming of husbands. Her dad is insane on the subject of riddles and when the question of which she shall choose for a husband is broached he asks the following riddle: "What kind of a hen lays the longest?" Get O. Henry's answer in the snappiest of climaxes.

Dir: Kenneth S. Webb

Eddie Gillian, a wild young New Yorker, lives well on a generous allowance given to him by Old Bryson, his crabby uncle. Eddie loves Bryson's ward, Margaret Hayden, but spends most of his time with Lotta Lauriere, a burlesque queen. After Bryson's death, Eddie is shocked to learn that he has been left only $1,000, which the will advises him to spend prudently and unselfishly. When Lotta discovers this and deserts him, Eddie gives the money to Margaret, who has inherited only $10, telling her that it is rightfully hers. Bryson's lawyer then informs Eddie that he will inherit half a million provided that he spend the $1,000 generously, and although Eddie attempts to turn that, too, over to Margaret, she agrees to share it with him as his wife.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of One Thousand Dollars perfectly mirrors the editorial trajectory of our deep dive.

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Kenneth S. Webb

A model by day and a short-story writer by night, Erminie Foster is insulted when novelist Ernest Sanford visits her display room to study her as a "flapper" type. Later, Erminie attends a reception uninvited to gather atmosphere for a story. Sanford saves her from being thrown out by saying that she is his cousin. When her prudish aunt forbids her entrance at 3AM, Sanford offers her lodgings under the protection of his housekeeper and soon persuades her to stay for inspiration. He writes a satire on women that is turned down, while hers on men sells. After Erminie overhears Monte Ralston, who loves Sanford's fiancée Helen Reeves, threaten Sanford with Helen's incriminating letters, Erminie sacrifices her reputation to retrieve the letters. When the engagement is broken and Helen and Monte explain Erminie's behavior to Sanford, he loses his smugly superior attitude and confesses he loves Erminie.

Dir: Maurice Campbell

A visual fragment from the archive: The thematic resonance of The Deadlier Sex perfectly mirrors the editorial trajectory of our deep dive.

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Kenneth S. Webb

A visual fragment from the archive: The thematic resonance of The Girl Problem perfectly mirrors the editorial trajectory of our deep dive.

Vi Playfair confesses to her twin sister Tiny that she is planning secretly to meet Lent Trevett, who loves her, to say goodbye, on the eve of her wedding. Tiny, who herself loves Lent, meets him instead and passionately kisses him, leaving Lent, who thinks that Tiny is Vi, to assume that Vi loves him. The next day, after the marriage ceremony, Lent convinces the flighty Vi that her husband Joe is a bully and that she should leave with him. Tiny sees them embrace, and to teach Vi a lesson, she impersonates her sister and goes with Joe on their honeymoon. Vi, now jealous, follows, and in turn is followed by Lent. At the honeymoon cottage, Vi proves to Joe, by a mole on her leg, that she is his wife, and promises Tiny that she will give up flirting. After Tiny convinces Lent that it was she that he kissed, the couples are happily reunited.

Dir: Kenneth S. Webb

Two pairs of newlyweds are riding on a bus when the wives notice the strong resemblance between their husbands. Mrs. McGuire realizes that a police detective's car is following the bus and hatches a plot with Mrs. Williams to switch their husbands' identities long enough for Pinkey to escape from the police.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.