The Recommended Vault Parallel to the Artistry of Man-Woman-Marriag...

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Allen Holubar

A visual fragment from the archive: The thematic resonance of Fear Not perfectly mirrors the editorial trajectory of our deep dive.

Brothers James and Allen Mornington are both addicted to cocaine and both believe that their addiction is caused by a hereditary failing. James rises to the position of judge, but when Allen is brought into his court on drug charges, James resigns. The two brothers, along with James's daughter, Hilda, then retire to the country to fight their desire for drugs. Although James is under a doctor's care for his habit, Allen continues to supply his brother with cocaine. The doctor discovers this and in an argument is shot and killed by Allen. The murder snaps James's mind and Hilda, believing that her father is guilty, assumes the blame for the crime. She is convicted and sentenced to be hanged when the doctor's assistant, Franklin Shirley, comes to her aid. Shirley induces his friend, criminologist Mortimer Gildane, to take Hilda's case, and Gildane succeeds in extracting a confession from Allen. Acquitted of the crime, Hilda still fears falling heir to her family's predilection towards drugs, until Franklin dispels her apprehensions and she agrees to marry him.

Dir: Allen Holubar

After being abandoned by her mother and adopted by Dr. McLean, little Johanna grows into an attractive young woman. She falls in love with medical student Gerald, but trouble ensues for both when the naive fellow falls for an older woman--who turns out to be Johanna's long-lost mother. Now it is up to the kind doctor to bring Johanna and Gerald back together.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of Heart Strings perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Allen Holubar

After Neila Pendleton's father dies, leaving his wife and daughter penniless, the avaricious Mrs. Pendleton decides to marry Neila to the highest bidder. At the cost of her daughter's reputation, Mrs. Pendleton accepts money from elderly broker Wilbur Simons, and later tries to force Neila into a marriage with a dissolute old millionaire named Hale Faxon. Even though she loves young Steele Minturn, Neila decides to consent to Hale's proposal for her mother's sake. One evening, however, Mrs. Pendleton discovers that Steele has won a large sum of money, and unable to resist the temptation, she steals it. Clad in her nightgown, Neila enters Steele's room hoping to replace the money, but he awakens and, misunderstanding her intentions, nearly attacks her. Finally convinced of her mother's selfishness, Neila accepts a job in another town, and later Steele encounters her again. While the two are trapped on a burning roof, Neila tells Steele the truth about her midnight visit, and he takes her in his arms as the firemen appear to rescue them.

Dir: Allen Holubar

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

In the northwestern wilderness of Alaska, an innocent young girl falls into the clutches of a band of evil men of the gold fields.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Allen Holubar

Two soldiers are in love with the same woman. Before they go off to war, she marries one of them, who turns out to be a coward in battle. The other soldier, believing that his rival has been killed, takes it upon himself to protect the man's reputation, only to find out that he isn't dead after all.