The Cult Collection Comparable to the Style of Männer vor der Ehe: ...

Dir: Carl Boese

A fascinating piece of cinema that shares thematic elements.

Dir: Carl Boese

A visual fragment from the archive: The thematic resonance of Bockbierfest perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Carl Boese

A fascinating piece of cinema that shares thematic elements.

Dir: Carl Boese

A visual fragment from the archive: The thematic resonance of Lemkes sel. Witwe perfectly mirrors the editorial trajectory of our deep dive.

German version of French boulevard farce: A flirtatious Polish relative is brought to a country estate and complicates relations among a recuperating cuckolded banker, his wife, and her painter lover.

Dir: Carl Boese

Germany at the time of the end of the Weimar Republic. The saleswoman Anna Gerlach looks forward to the joys of motherhood. She has already found accommodation with the Breuer's. The daughter of the house, Lissy Breuer, is also hopeful. The biggest difference between the two expectant mothers is the expected alimony.

Dir: Carl Boese

A visual fragment from the archive: The thematic resonance of My Cousin from Warsaw perfectly mirrors the editorial trajectory of our deep dive.

A janitor has three daughters. Amelie is employed in the fashion shop of Leopold Siedentopf who seduces her, Annie works for a photographer and Martha is a launderer and is in love with Franz, a chauffeur who uses the boss's car to drive the three girls to work every morning. When he reports late to work one day, he clumsily tells his boss, Mr. Brandstetter, that he ran over a young girl. When he demands to see the victim, Franz introduces him to Annie and he falls in love with her. They soon get married. Annie's mother, who feels ashamed of her social condition, uses an apartment in her building whose lodgers are on vacation as her own when her son-in-law visits her and pretends she is the widow of a secret service agent. However, when Mr. Brandstetter surprises his chauffeur speaking too casually with his wife, not knowing that he is actually her brother-in-law, gets the wrong idea and Annie, upset with the whole thing, goes back to her mother's. Brandstetter decides to drown his sorrow and goes out to a party where, by chance, he meets Amelie and Martha. When Franz sees his girlfriend with his boss, he too gets upset. Annie and Martha are soon joined by Amelie at their mother's because she also left her husband who, it turns out, was unfaithful. The next day, Brandstetter comes back to the janitor's building where everything is explained. He embraces his new family. Franz and Martha make up and Amelie also finds happiness with Emil the bartender, an old flame of hers whom she always loved.

Dir: Carl Boese

In this theatrical adaptation, a well meaning eccentric ( a good role for the popular actor later known as S Z Sakall) tries to patch up a rift between his niece and her fiance.

Dir: Carl Boese

A visual fragment from the archive: The thematic resonance of Alimente perfectly mirrors the editorial trajectory of our deep dive.

Margot is the seventeen-year-old daughter of the divorced, fun-loving Mrs. Hiller. She cares little about the upbringing of her child. Margot can do whatever she wants. She makes full use of her freedom.

Dir: Carl Boese

A fascinating piece of cinema that shares thematic elements.

Dir: Carl Boese

After a thirty-year career on international variety stages, the famous clown Grock retires, marries and buys a villa on the Mediterranean. But Grock remains a clown and is so immersed in the work on his new home that his young wife is soon reunited with her former lover. Grock reappears in a traveling circus with his old partner Max and his world-famous act and is a sensational success. Grock's career continues.