Top-Tier Alternatives Exploring the Legacy of Midshipman Easy: Cult...

Dir: George Beranger

John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.

Dir: Aubrey M. Kennedy

Wealthy oil magnate Harry Mangin is in love with his competitor James Murdock's daughter Blanche. Mangin schemes to ruin Blanche's father so that the girl will be forced to accept his attention. However, Blanche loves "Sky Eye" Blake, an aviator at the adjoining U. S. aviation field. When Mangin is driven in desperation to muster his own private air force in order to destroy his rival's oil plants, "Sky Eye" takes to the skies to quell the riot. After several daring escapades, "Sky Eye" captures Mangin and wins Blanche for his bride.

A visual fragment from the archive: The thematic resonance of Sky-Eye perfectly mirrors the editorial trajectory of our deep dive.

Dir: Perry N. Vekroff

While in New York seeking work, Cynthia, a young English girl, meets Bruce Crittenden and George Rhode who introduce her to Madame Savarin, a wealthy woman seeking a companion for a sea voyage. She hires Cynthia, and while at sea, Cynthia discovers that Bruce is the ship's purser. Cynthia's father was a famous wireless expert who taught her how to read code, which enables her to overhear a plot to sink the ship and steal Mrs. Savarin's jewels. Soon after, the crew mutinies, and while Rhode and Bruce fight the crew, Cynthia sounds the alarm. As he is attempting to foil the jewel thieves, Bruce falls overboard, and Cynthia swims to his rescue with the jewels strapped to her back. They are rescued by a government patrol boat and taken back to New York where Cynthia and Bruce are married.

Dir: Francis J. Grandon

A raft carrying a little girl and a dead woman drifts in from a shipwreck to Devil's Island. There, a band of thieves and smugglers name the girl Rose Marie, though she grows up as "nobody's girl." Living in a cave, she learns to read through the kindness of Jason, who is soon killed by the cruel leader, Red Gull. In Red Gull's power, and urged on by Jason's jealous wife, Rose Marie makes her escape in a rowboat, where she is spotted by an aviator flying above the sea. He rescues her, taking her to be cared for at his home where she is well treated. When newspapers report a mysterious shipwreck on Devil's Island, Rose Marie reveals the way in which Red Gull lured ships to their doom there. She guides the authorities to the island, where, after a fierce battle, the thieves are wiped out. Eventually the aviator falls in love with Rose Marie, and "nobody's girl" is somebody's sweetheart at last.

A visual fragment from the archive: The thematic resonance of Cynthia of the Minute perfectly mirrors the editorial trajectory of our deep dive.

Dir: Josef Stein

Bela Lugosi plays a lascivious Arab sheikh confronting European travelers in the desert in an adventure story set in the Sahara.

Dir: Robert N. Bradbury

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Miss Nobody perfectly mirrors the editorial trajectory of our deep dive.

Dir: Donatien

A fascinating piece of cinema that shares thematic elements.

Dir: Harry Garson

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.

A visual fragment from the archive: The thematic resonance of Caravan of Death perfectly mirrors the editorial trajectory of our deep dive.

Dir: George Beranger

Writer Frank Theydon goes undercover to research the criminal activity in New York City's Chinatown.

Dir: Cecil M. Hepworth

A soldier's tunic button, made from Aladdin's lamp, grants his wishes.