Top-Tier Alternatives In the Shadow of Miss Suwanna of Siam: Cult G...

Dir: Roy William Neill

Mary Wayne (Constance Talmadge) is left alone and penniless in New York City after her father dies. She desperately needs a job after being thrown out of her apartment for causing a small fire while cooking. At an employment agency she becomes fast friends with a sick girl, Nell Norcross, and assumes her identity and good references to start work as a secretary for elderly socialite Caroline Marshall, which soon involves playing wrangler to the lady's college-dropout nephew William "Bill" Marshall (Vincent Coleman). Bill is much more interested in going to illegal boxing matches with his buddy Peter Stearns (Ned Sparks) than in throwing lavish dinner parties for his family's high-society friends. While Mary tries to do her job and keep her true identity from being discovered, William begins to fall in love with her.

Dir: Henry MacRae

A visual fragment from the archive: The thematic resonance of Money Madness perfectly mirrors the editorial trajectory of our deep dive.

Bank president, George Fuller, uses his own fortune to cover the losses, when the bank is on the verge of collapse. Unknown to Fuller, however, Monroe Simmons, his vice-president, is undermining the bank for his own purposes. Then Tom Williams, who is in love with Fuller's daughter Ethel, asks his uncle, famous detective "Whispering Smith," to investigate the case. Smith successfully uncovers Simmons' conspiracy and apprehends him and his fellow conspirators, thus saving the bank.

Dir: Scott R. Dunlap

When saloon owner Bill Lark detects that gambler Jim Pemberton is cheating, both men draw their guns. In order to prevent a double killing, it is agreed that the first shot should be decided by a draw from a deck of cards. Bill loses and Pemberton gives him three days to live. Meanwhile, Pemberton has persuaded Jess Jones to leave her husband and ride with him to his cabin in the hills where he is chief of a gang of bandits. Upon discovering his wife's absence, Scipio Jones follows Jess but is driven away by Pemberton's gang. After Jones fails, Bill retrieves Jess and brings her home. The next day, Bill is severely wounded when he drives a stagecoach through an attack by Pemberton's gang, but escapes to keep his date with the outlaw. Arriving to accept his fate of the last draw, Bill discovers that the outlaw has been killed by Scipio Jones. Provided with a new lease on life, the honest saloon keeper marries his sweetheart Little Casino.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of Twins of Suffering Creek perfectly mirrors the editorial trajectory of our deep dive.

Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.

Dir: Herbert Blaché

French dancer Sigrid, diagnosed with a weak heart, is ordered by her doctor never to dance again. But when her dancing skills are needed by her lover's father to help quell a native uprising on the East Indian frontier, she determines to dance whatever the cost.

Dir: Henry MacRae

A visual fragment from the archive: The thematic resonance of From Now On perfectly mirrors the editorial trajectory of our deep dive.

A white fur-trapper, Harvey Ogden (Frank Mayo) takes an Indian maiden, A-Che-Chee (Claire McDowell), as his bride, a union that meets with much disapproval when they return to civilization. But their child, a boy (Frankie Lee) helps bring about many adjustments to the attitudes of the civilized people.

Dir: J. Gordon Edwards

William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.

Dir: F. Martin Thornton

A visual fragment from the archive: The thematic resonance of Stronger Than Death perfectly mirrors the editorial trajectory of our deep dive.

In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.

Dir: Henry MacRae

Dan McQuade, an old fisherman, finds a woman and a child cast up by the storm of the night before. The mother is beyond human aid, but the child is still alive and he takes it to his cottage. Years pass and the child has grown to be a beautiful young girl. She has filled a place in the old fisherman's heart left vacant by the death of his wife and baby many years before. She has a secret cave where she often goes, and as a means of amusement spends her time carving miniature sand statues, in which art she has become proficient. Old Dan has named the girl Coral, and one day the locket she wears falls open, showing a young man and woman. She shows them to Dan, and he tells her how he found her. After her grief has subsided the girl returns to her cave, and from the experience gets an inspiration which makes her carve a life size statue of a mother and babe lying on the rocks. In New York, Phillip Norton, a wealthy young artist and son of a diamond merchant, has been betrothed to Helen, a society girl. On the bridal tour Phillip discovers his wife to be self-centered and selfish and comes to the conclusion that she married him merely to satisfy her vanity. Every advance he makes to his wife is repulsed and he attempts to stifle his love for her. As the yacht upon which they are spending their honeymoon enters the little bay where Dan and Coral live, Phillip takes his painting paraphernalia ashore and makes some sketches to divert his mind. He is discovered by Coral, but she is in awe of him, and when he looks around she flees. As the days pass Coral again finds him, but this time he is downcast. She gives him one of her statues, and the friendship thus engendered grows as time passes. Helen, through marine glasses, espies her husband with Coral, and heaps her wrath upon him when he returns to the yacht. Phillip's pent-up emotions break their bonds, and gathering her up in his arms he carries her to the cabin, where he leaves her. While standing on the deck he sees Coral dive to the water below and swim about. Filled with longing, he seeks her out. Sympathy leads to love, and as Coral caresses the broken man she learns for the first time the meaning of love. Phillip, overcome with remorse at his double acting, asks Coral to forgive and forget him. That night old Dan dies and the girl is left alone. Despite his wife's anger and hate, he takes Coral to his parents' home in New York, where she is received with open arms. Coral's knowledge of sculpture is increased by Phillip's aid, and her happiness is punctuated only by the actions of Helen. A valuable diamond belonging to Phillip's father is missing. During a reception, one of Coral's statues is broken and the diamond disclosed. Coral is accused, but later Phillip's father learns that Helen contrived to have Coral disgraced. Seeing that she has been discovered, Helen hurriedly leaves the house and is killed in a railroad wreck. Meanwhile Coral, who has left the house, comes to the studio of Paul Dore, a sculptor, who offers to teach the girl free of charge. Later she is taken under the "wing" of the old janitor of the art school and his wife, who look upon her as their own child. Some time later the art school offers a price of $1,000 and a medal for the statue that wins the first prize at the Academy, and Coral decides to compete. Phillip has sought in vain for Coral after his wife's death and is persuaded to attend the exhibition at the Academy, and on the unveiling of a statue recognizes it as Coral's work. Coral is summoned to the studio and awarded the prize. After the committee have gone Coral tells Dore of her inspiration and shows him the locket. He recognizes it as a picture of himself and wife and tells the girl of the wreck. There is a happy reunion between father and daughter. Phillip enters and is overjoyed to meet Coral again. Coral makes a visit to the old janitor and his wife and leaves them the envelope with the prize money, which gladdens their old hearts. Some time later a white yacht drops anchor in the bay near where Coral was raised, and while Paul Dore kneels beside his wife's grave high on the cliffs above two figures appear and suddenly merge into one. Phillip and Coral are clasped in each other's arms and Phillip points out their yacht.

Dir: Colin Campbell

Although separated at birth, Siamese twins Fabien and Louis de Franchi remain united emotionally. One day, Parisian Emilie de Lesparre arrives in their Corsican village with her father, and both brothers fall in love with her. Louis goes to Paris to study law and sees Emilie often, but Emilie loves Fabien who has remained in Corsica with their mother. While attending a dinner given by another admirer of Emilie's, M. Chateau Renaud, Louis is drawn into a duel with Renaud and killed. Back home, Fabien senses what has happened and journeys to Paris to avenge his brother's death. After he kills Renaud in a duel, Emilie finally confesses her love to Fabien.