Cinematic Discoveries Resonating with the Themes of Money Mad: Cult Guide

Dir: Hobart Henley

Cora, a flirt, and the pampered pet of the entire Madison family who sacrifice to humor her whims, becomes engaged to Richard Lindley who does not know that Laura Madison silently loves him. Valentine Corliss, a former member of the community, reappears with a big stock scheme and Cora falls for him. Pretending love, he uses Cora and endeavors to get her father to become secretary of his company knowing his name and reputation will lend prestige. Cora brings Corliss the paper with her father's signature which later proves to have been forged. Corliss makes a getaway but is nabbed as he reaches New York. In the meantime, the townspeople who have been cheated demand the arrest of Papa Madison. Cora, to get away, goes to Lindley but he says their engagement was a mistake. She then goes to another admirer and they are immediately married. Laura, learning of the situation, becomes enraged, gets Cora, and brings her home where she confesses, despite her father's attempt to keep her silent. Jimmy Madison, to whom Papa appealed when he got in trouble, appears and with the arrest of Corliss affairs are straightened out. Lindley, who through a prank of little Hedrick, has learned of Laura's intense love, sees his error and they become happily married.

Dir: Hobart Henley

A visual fragment from the archive: The thematic resonance of Her Night of Nights perfectly mirrors the editorial trajectory of our deep dive.

Glamorous New York model Molly (Marie Prevost) yearns for a life of luxury but spurns the advances of her boss' son in favor of a shipping clerk. Their plans for marriage and a suburban home are nearly ruined by a misunderstanding on her part; she is nearly compromised by the boss' son but is brought to her senses and returns to the man she loves.

Dir: Hobart Henley

The Atlanta Journal on October 4, 1918, advertised this movie with the following blurb: "Atlanta's last chance to see the best movie to date of the wild, free days of Alaska, when men fought and women loved along the Yukon in a mist of snow and gambling hells and gold mining, is Friday and Saturday at the Strand Theater, when Rex Beach's 'Laughing Bill Hyde' ends a week's engagement that has drawn capacity houses to the Strand every day. Will Rogers, cowboy wit of the Ziegfield Follies, is the star of the this thriller and Will Rogers is second to none."

Dir: Hobart Henley

A visual fragment from the archive: The thematic resonance of Laughing Bill Hyde perfectly mirrors the editorial trajectory of our deep dive.

Lily Becker, daughter of middle-class parents in Iowa, has always aspired to be a musician but receives little sympathy from her environment. She is forced into an unhappy marriage with Albert Penny, son of wealthy parents, whose brutality proves unbearable; fleeing to New York, she is saved from starvation by a friendly chorus girl and gives birth to a child, which dies. On the point of suicide, she meets young composer Tom Clemons in Central Park, and their friendship ripens into love. In a restaurant, Lily is discovered by Antonio Marvelli, a vocal instructor, who recognizes her talent and offers to teach her for nothing. After a year of hard work, Lily is fitted for an operatic career and makes her debut in Thaïs. At the same time, she is freed from her husband by his death in a railroad accident and finds happiness and success with Tom.

Dir: Hobart Henley

Carlotta lives with Giuseppe a violinist, in "Little Italy." the Italian quarter of a great city. With Rags, a monkey, they earn a livelihood playing on the streets. One day Tom, a wealthy chap, is attracted to the girl and asks her to dance at a charity ball, giving her his card and the date. But Giuseppe drags the girl away. Tom and his friend follow them home, but they are seen by Giuseppe, who tells Michael Gavotti, a leader of Black Handers, and his master. Gavotti threatens Giuseppe if he allows Tom to see the girl again. He also tells two of his men to watch the place. While Giuseppe is absent, Tom appears and persuades Carlotta to come to the charity dance. He is seen by Tony, a fruit vendor. In love with Carlotta, and jealous of her, Gavotti's men also see him and are ordered to abduct the girl. Giuseppe returns, finds her gone, and informs Tony. The two are heart-broken. Tony learns that Carlotta is not Giuseppe's daughter. Giuseppe happens to see the monkey, "Rags," near a building and with the aid of Tony he manages to rescue the girl. It is the night of the Charity Ball and Carlotta pleads to be allowed to go and finally Giuseppe consents, if Tony accompanies her. Judge Andrews and his wife have received word from the Black Handers that their granddaughter, held in custody, would be returned upon receipt of a sum of money. Their daughter ran away with an Italian count, and, dying, had left the granddaughter in care of an Italian friend, the father having died some time before. On the night of the charity dance the Black Hand promised to return the girl. Andrews attends the ball, intending to slip away at the appointed time. When Gavotti cannot find the girl, he goes with his men to Giuseppe's room, where they find the old man packing. Not until after they have tortured him does he reveal that Carlotta has gone to the charity ball, where the Judge and his wife are startled by her resemblance to their daughter. Carlotta goes into the garden and is abducted by Gavotti. Tom, Tony and the Judge take up the chase, which ends in Gavotti's quarters. Most of the gang, including Gavotti, are killed. The Judge and Tom take the girl home. Mrs. Andrews is overjoyed at having Carlotta safe. She marries Tom. On her return from the honeymoon she seeks out Giuseppe and Tony, who rejoice with her.

Dir: Hobart Henley

A visual fragment from the archive: The thematic resonance of Stardust perfectly mirrors the editorial trajectory of our deep dive.

Sylvia Martin runs away from her abusive father and almost succumbs to the cold on the doorstep of Louis Gordon, a crook. They marry, but later when faced with capture, Gordon kills himself. Gordon's gang accuses Sylvia of murder, and although she is acquitted for lack of evidence, her name is included in the Police Index. Years later, upon finding the Index on the shelf of her second husband, Washington diplomat David Maber, Sylvia fears exposure. Her fears heighten when her arresting officer, John Alden, now chief of the Secret Service, tries to induce her to entrap a Bolshevik agent, Hugo Declasse, who is attracted to her. When Alden appeals to patriotism, she acquiesces. Declasse finds the Index and threatens to expose her unless she cooperates in getting plans for an uprising to London agents, but Declasse is foiled when his trusted Japanese butler turns out to be a Secret Service agent. Maber, learning of Sylvia's past, forgives her.

Dir: Hobart Henley

An unscrupulous gambler is falsely accused of murder. To avoid capture, he disguises himself as a priest. But his priestly role causes a change in his life and he finds himself making unusual choices.

Dir: Hobart Henley

A visual fragment from the archive: The thematic resonance of A Child of Mystery perfectly mirrors the editorial trajectory of our deep dive.

The oldest son of a Virginia colonel, Barry Gordon inherits a taste for alcohol, the habit that caused his father's death. His brother, Tom, falls in love with Muriel Beekman, their guardian's daughter. Barry also loves her but feels himself rejected. Three years later, after extended travels, Barry learns that Tom, having been sent to Morocco by Mr. Beekman, has been captured by desert marauders and is being held for ransom. He begins a search for him and in Tangiers encounters the Beekmans and Kitty Van Ness. Barry and Muriel discover their love for each other, but he refuses to commit himself while Tom is still alive. At the bandits' stronghold, he rescues Naomi, a native girl, from the chieftain and is himself captured while effecting Tom's escape. Naomi aids Barry's escape, during which the chieftain is killed and she dies in his arms. Muriel helps Barry conquer his desire for drink and professes her love for him.

Dir: Hobart Henley

Jane Ridgeway, the daughter of retired Secret Service man Charles Ridgeway, has inherited her father's knack for solving crimes and puts her talent to work when her sweetheart, Richard Grant, is accused of robbing a bank. Her father, now a bank examiner, works in collusion with two thieves who are acquainted with a master criminal known only as "the Face in the Dark." When the evidence implicates her father in the robbery, Jane confronts him, and although Richard is released from jail, Ridgeway escapes. The two crooks lead him to the Face in the Dark, but as the two men are shaking hands, the place is raided by Secret Service agents who arrest the mysterious criminal and congratulate Ridgeway for his fine detective work. Jane is happily reunited with her sweetheart and her father.

Dir: Hobart Henley

Lorenzo Carilo (Conway Tearle) selects more-or-less menial jobs at which to make a living, other more "select" jobs not paying enough, and then he meets and falls in love with Vivian Forrester (Martha Mansfield) the daughter of a new-rich family. What's a poor boy to do? He might pose as a French Duke.