Essential Cult Cinema Drawn from the Same DNA as Morals: Cult Guide

Dir: William Desmond Taylor

Edna Coleman's mother has wanted her two daughters to marry rich men, especially now that the money left to her by her dead husband is dwindling. Edna, however, is adamant about marrying for love and not money, and deliberately "disfigures" herself to thwart her mother's plans. Her sister Dorothy, however, has set her sights on a wealthy poet, Marcus Auriel, and married him. Unfortunately, Edna has been in love with Marcus for many years, and manages to get a job as his secretary in order to be near him and expose her mother's and sister's plans to get his money. Complications ensue.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of His Majesty, Bunker Bean perfectly mirrors the editorial trajectory of our deep dive.

Bashful stenographer Bunker Bean ( Jack Pickford ), works for wealthy businessman Jim Breede by day and by night theosophist Prof. Balthasar, who convinces Bean that he is the reincarnation of Napoleon and, more remotely, of the great Egyptian king Ramses. His courage much bolstered by this revelation, Bean begins to deport himself with unaccustomed dignity and becomes a regular visitor to old Breede's estate, where he successfully courts the boss's daughter ( Louise Huff ), "The Flapper." With his $10,000 inheritance, Bean invests in a financial venture that nets him millions and purchases the alleged mummy of Ramses from the professor. After his marriage to The Flapper, Bean learns that the professor is a charlatan, and realizes that it is the belief in one's own strength of character that leads to success.

Dir: William Desmond Taylor

James Aldrich is a cinch to win the election as United States Senator until his opponent, Tom Ryan offers a big reward to anyone who can find a scandal in Aldrich's past. Newspaper editor Howard Duncan and his star reporter Ruby Sheldon accept the challenge and, after deciding that Aldrich is straight, decide to investigate his wife Agnes. Going back through the files, they discover that Agnes has been accused of murder and threaten the Aldrichs with exposure. Agnes explains her tragic story, and how she escaped from the drunken savage Steve O'Brien, whose life she had to take in order to save her own. The reporters are so moved that they decide to bury Agnes' past and the heart-breaking story only increases the love of Aldrich for his wife.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Out of the Wreck perfectly mirrors the editorial trajectory of our deep dive.

A Union officer exposes the several deceptions his sweetheart has been engaging in, which include spying for the Confederacy and posing as a boy to comfort her aging, wealthy, heirless uncle.

Dir: William Desmond Taylor

The infant daughter of a wealthy couple is thought to be lost at sea, but she survives and is raised by a poor family.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Her Father's Son perfectly mirrors the editorial trajectory of our deep dive.

The adventures of Pasquale, an Italian immigrant to New York who runs a little grocery store.

Dir: William Desmond Taylor

Stella Benton, a young society girl who has lost her beautiful voice through the death of her father, goes to live with her brother Charles, in the lumber camp. Charles Benton is having a struggle to make both ends meet, and when his cook quits, he makes his sister do the work for the hundred men in the lumber camp. Jack Fyfe, a neighboring lumber man, meets Stella and gradually falls in love with her, but love is not reciprocated. Seeing that she is being overworked, Fyfe offers to marry her, in spite of the fact that she does not love him. A child is born of this loveless marriage, and the couple are reasonably happy, until Walter Monahan, a wealthy lumberman, begins to make love to Stella. She gradually becomes tired of her husband, and when the child dies, decides to leave him. Her voice returns, and she makes a substantial success as a concert singer. Monahan, who has professed love for her, becomes indifferent, but she will not return to Fyfe, in spite of his pleadings. Monahan, jealous of Fyfe's success, sets fire to his holdings and is caught in the act. Friends telephone this fact to Stella, and she immediately returns to the lumber camp, and there, at their home she finds Jack, heartbroken, as his holdings are on fire and there is nothing but a heavy rain which could save them. She comes to him and offers to use her own money to retrieve his lost fortune, and as she goes into his arms, the heavy downpour of rain comes and they are safe.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of The American Beauty perfectly mirrors the editorial trajectory of our deep dive.

The story of the famous Tennessee frontiersman, soldier, scout, and Congressman who fought and died at the Alamo.

Dir: William Desmond Taylor

Constance, the beautiful wife of Mark Barr, is in fear of her husband's jealousy. Among the guests at their reception are Myrtle Gale and her fiancé, Billy Craig, to whom Constance was at one time engaged. Mark misinterprets a friendly chat between the two and forbids Billy to visit his house. Myrtle goes to the city, and is to return on an early evening train, on which Constance also expects her husband. Both are delayed and Constance persuades Billy, who has come to meet Myrtle, to take her for a ride in his new car. They lose their way and are out nearly all night. Constance is beset with fear at her husband's anger. Billy takes Constance to an inn for a bite to eat and they discover it is a notorious roadhouse. On their way out of the grounds, lightning strikes a tree which falls in the road as another automobile, driven by Fletcher, cashier of the bank, approaches. Monck, watchman at the bank, learning that Fletcher has gone out, breaks open the safe and takes a large sum of money. As an alibi he takes a watch charm which belongs to Fletcher, to the police, and tells them Fletcher overpowered him and robbed the bank. Fletcher is placed in jail and sends for Billy. Mrs. Fletcher also seeks his aid. Constance goes to Billy's office and hides behind a screen as her husband enters. She sneezes but Billy will not allow Mark to look behind the screen. Constance pictures the difference in size between the watchman and the cashier. Billy places his stenographer behind the screen, sends for Monck and secures his confession. Mark comes in and finds the stenographer behind the screen and Constance's happiness is assured. Fletcher is released and Mrs. Fletcher is made happy, while Billy goes to his sweetheart who is doubly happy in the knowledge that Billy has caused justice to be done.

Dir: William Desmond Taylor

John Humperdink Stover, otherwise known as "The Varmint" for his pestiferousness or as "Dink" when in special favor, was expelled from a boarding school and sent to Lawrenceville Academy. On the stage on the way to the school he meets a silent man whom Dink sizes up for a salesman and he proceeds to wax eloquent on the subject of his past career and the reason he was expelled from his previous school. The "salesman" is actually the professor of Latin known to the boys as the "Roman." Dink boasts that in a week he will have the boys at the school in his power. A strange uneasiness grips him when he sees that he does not make just the impression he expected. Little by little he succeeds in making himself the most thoroughly disliked and abhorred person on the campus. Dink rises a point in his schoolmates' estimation when he discovers on reporting to the Latin class that the instructor is no other than the traveling man of the stage on the day of his arrival, and in order to make good some of the many boasts he made on that day fakes the translation. The Roman, possessed of a good sense of humor, compliments "Dink" on his performance, much to everyone's surprise. The first girl to attract Dink Stover is the pretty daughter of the Roman, considerably older than he is. After a short and one-sided flirtation, Miss McCarty becomes engaged to another man and Dink is desperate until some new neckwear arrives at the local haberdasher's and diverts his mind from his agony. As a result of his neglect of study, Dink finds himself about to be dropped in school for falling off in his studies. He is to have a private examination at the Roman's house. Stover decides to cheat, and arranges with the Tennessee Shad and MacNooder to overturn a large water cooler outside the Roman's door and other devices to get him out of the way. To his utter dismay, the Roman goes out of the room and stays, thus putting him on his honor. Dink signs his name at the head of the blank paper and is dumbfounded when, upon the Roman's return, he seems to scan the blank sheets closely and says : "I think this will about pass you, Stover." The two discover that they had been friends from the first and Dink really comes into his own when the Roman explains that as he is now an upperclassman, he must set a good example for the younger boys.