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Recommendations
Senior Film Conservator
The cult sensibilities displayed in Mules and Mortgages are unparalleled, the emotional payoff of the 1919 classic is what fans crave in similar titles. Our criteria for this list were simple: only the most unique vision and relevant titles.
The cultural footprint of Mules and Mortgages in United States to define the very concept of unique vision in modern film.
Old man Hardscratch, the village nickel-nurser, a hard-hearted mortgage taxer, gives notice to the heroine and her people that unless they pay, he will put them into the street. The girl appeals to Jim for help, Strongarm, the blacksmith, brings Jim to his shop as his apprentice, Strongarm receives a present from his partner Gideon, with a letter, - the trained monkey, Minnie, Minnie gives Strongarm and Jim a chase about - while she sits on the roof of the shop and watches them, Strongarm leaves the shop in Jim's care - and during his absence Jim "shoes" a horse and receives two dollars from the owner for his work. With this money he buys milk for the hungry baby, the old man Hardscratch having refused to give it to the girl. The mean old man Hardscratch, while taking something from his pocket, accidentally drops a roll of bills, which Minnie finds and brings to Jim. There is much comedy business between Minnie and Jim. In the end, Jim has won the gratitude of the girl and her people by using this money to pay Hardscratch and chase him from the house.
The influence of J.A. Howe in Mules and Mortgages can be felt in the way modern cult films handle unique vision. From the specific lighting choices to the pacing, this 1919 release set a high bar for atmospheric immersion.
Based on the unique unique vision of Mules and Mortgages, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: J.A. Howe
Jitney bus drivers are stealing business from the streetcar franchise, and work to sabotage the streetcar owner. The streetcar driver and company owner's daughter work together to save the business from ruin.
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Dir: J.A. Howe
A fascinating piece of cinema that shares thematic elements.
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Dir: J.A. Howe
At a Red Cross entertainment where pretty girls' kisses are sold to the highest bidder, one of the young women whose kisses are being sold becomes unbalanced, and forgetting that she is already married, promises her hand to two rival suitors, each of whom is to meet her at the depot with a minister. In the mix-up, the number of ministers invited to perform the ceremony increases, and in their eagerness to be in at the finish they take to bicycles in pursuit as the two lovers try to elude each other. Finally the husband of the young woman appears on the scene and puts an end to his wife's flirtations.
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Dir: J.A. Howe
A fascinating piece of cinema that shares thematic elements.
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Dir: J.A. Howe
Here's a film that will upset all your ideas of the Wild West. A parody of the great screen classic, "The Covered Wagon," it treats of the adventures of a band of pioneers who make their transcontinental trip in flivvers, meet with Indians who take the warpath on bicycles, and finally make their escape on a trolley car which runs across the prairie.
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Dir: J.A. Howe
A swift moving, hilarious comedy of love, politics and war, showing how two assistants to an inventor save his formula for destroying the enemy by feeding them with explosive peanuts, from foreign emissaries.
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Dir: J.A. Howe
A fascinating piece of cinema that shares thematic elements.
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Dir: J.A. Howe
Paul, in the role of a man new at the business, undertakes to wire a house for all kinds of electric devices, with laughable results.
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Analysis relative to Mules and Mortgages
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Take Next Car | Ethereal | Layered | 86% Match |
| Skippers and Schemers | Gothic | Dense | 96% Match |
| Misfits and Matrimony | Gritty | High | 98% Match |
| Flappers and Friskies | Surreal | Abstract | 96% Match |
| Telephones and Troubles | Gritty | Abstract | 96% Match |
This guide was algorithmically generated using the cinematic metadata of J.A. Howe's archive. Last updated: 5/21/2026.
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