Essential Cult Cinema Drawn from the Same DNA as Murder on the Roof: Cult Guide

Dir: George B. Seitz

Episode 1: "The Violet Diamond" Pearl Standish, bored with society and longing for excitement, is held up by a masked man who demands the violet diamond of The Daroon. He tells her that her father bought the diamond from a villainous priest in Arabia who stole it from its rightful owner. The masked man, Nicholas Knox, has been given three days to recover the diamond or die at the hands of the Secret Order at the head of which is a priestess who stops at nothing to gain her end. The only man that might know something about this diamond is Richard Carslake, her father's former secretary. In spite of the knowledge that her father and he had a disagreement, she requests him to give her what information he has concerning the violet diamond. Just then Knox enters, Pearl points to him and says, "There is the man who has the gold setting in which the stone belongs." Immediately Carslake moves toward the door. Locking it and drawing his revolver, he demands the setting for the diamond. Searching Knox he finds the setting and is about to escape when through the window comes the priestess, accompanied by two of her spies, who sneak behind Carslake and knock the revolver from his hand. In the struggle which follows, Knox recovers the setting. After a struggle Carslake escapes and Pearl finds herself alone with Knox. Wishing to know the identity of the mysterious woman who helped him, Pearl asks Knox. "I can tell you nothing," is his reply. "Well then if you can tell me nothing, I want you to hand over that apparently much-valued setting for the violet diamond," Pearl assures, covering him. Assisted by her butler, Pearl secures this setting, but the spies come to Knox's assistance again and Pearl is attacked by an Arab. In a struggle with him on the stairs, she is hurled over the rail but catches on to the chandelier and falls to the floor. Knox is finally overpowered by the butler. Standing by a window, Pearl discovers a knife stuck in the wall. Pearl pulls this knife from the wall and discovers a note on it. "Fifteen days are allotted to you to return the violet diamond or die," it reads. "What is this mysterious diamond, the possession of which means such dangers?" is the question which will bring audiences back for the next chapter.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of The Evolution of Man perfectly mirrors the editorial trajectory of our deep dive.

The story is that of two clever crooks who are operating at a fashionable seaside resort, with the help of a highly trained and uncannily intelligent chimpanzee. Valuable jewels are constantly disappearing and the detectives are unable to obtain a clue. Finally, after an especially daring robbery, a clue is found that leads to the discovery of the thieves. The simian leads the detectives a chase that calls for some acrobatic stunts on the part of the chasers. The end of this is the capture of the chimpanzee, recovery of the jewels and the arrest of the crooks.

Dir: George B. Seitz

Our hero's fiancée, who has broken off their engagement, agrees to make a trip around the world, starting absolutely naked, without money or help of any sort from others in order to prove his worth to her.

Dir: Charles Raymond

A visual fragment from the archive: The thematic resonance of Bound and Gagged perfectly mirrors the editorial trajectory of our deep dive.

A magician helps outwit a Chinaman's gang.

Dir: Tom Collins

When milk magnate Jacob Strauss is found murdered in his library, the guilt points to Strauss' secretary, Harry Gray, who the previous day was fired when his employer discovered that he was secretly engaged to his daughter Sybil. Arrested for the crime, Gray asserts that he arrived in time to witness the attack on Strauss by a masked man who escaped through the window. When the secretary's story is ridiculed because the window is sixteen stories above ground, Sybil appeals to Tex to take the case. After a long search, Tex summons a number of suspects to his office and accuses Blake, whose apartments are above those of the murdered man. It transpires that Blake, who held a grudge against Strauss for losses he suffered in the milk pool on the exchange, killed him and made his escape by means of a rope. Thus exposed, Blake leaps out the window to his death, clearing Gray of guilt and freeing him to face a happy future with Sybil.

Dir: Dallas M. Fitzgerald

A visual fragment from the archive: The thematic resonance of The Great London Mystery perfectly mirrors the editorial trajectory of our deep dive.

Edith Sturgis, the daughter of a judge, returns from studies abroad to find her widowed father remarried. The new Mrs. Sturgis does not reveal that she has a son Dick, once unjustly jailed by Judge Sturgis, but now working as a reporter while still maintaining an association with the Brownlow gang. Quarrelling with her stepmother, Edith leaves home, meets Dick and falls in love. While Dr. and Mrs. Allen (whom Edith met on the steamer) are visiting in the Sturgis home, the doctor's valuable radium is stolen from the safe, and Judge Sturgis is found murdered. Dick, though with Edith at the time, is accused of the crime. Finally, an old shoemaker confesses that he entered the house to steal the radium, with which to cure his crippled son, and witnessed the judge's slaying by the Brownlow gang. Dick is freed and finds happiness with Edith, and the doctor helps the crippled boy.

Dir: George B. Seitz

Episode 1: "The Lost Torpedo" Craig Kennedy's marvelous invention, a super-force torpedo to revolutionize warfare, has been stolen. Kennedy himself has disappeared, although Elaine has a note from him begging her not to grieve whatever happens, for he is safe. And then, one night, on a barren strip of land jutting out into the Atlantic, a fisherman, concealed behind a rock, sees the periscope of a submarine rise; sees a man's head and shoulders rise seemingly out of the sea, and sees a pair of athletic arms strike out bravely for the shore. That night, at a hotel in New York, a distinguished-looking foreigner, much resembling the man who seemed to rise up out of the sea, is shadowed by a fussy old gentleman resembling the fisherman of the coast scenes. The foreigner goes out and the fussy old gentleman goes to his room, where, after a short, sharp struggle with a valet, he searches through all drawers and papers. One paper he pockets with glee, and then departs. Elaine and Jameson are visited by the distinguished-looking foreigner who tells them he is a secret service agent from Washington, and begs to get information with regard to Kennedy and the lost torpedo. Elaine's dog, digging with its forepaws in a pot of palms, unearths the lost torpedo and carries it to the attic, where he drops it behind a trunk. The torpedo's propeller, however, has been left in the palm-pot. where Marcius Del Mar, the foreigner, finds it. Elaine is suspected by him of having concealed the torpedo. The fussy old gentleman, in Del Mar's tracks since he left his rooms, is an interested spectator. He is unaware that Del Mar has spies guarding the house, and is set upon by them. Rushing madly into the conservatory, he faces Del Mar. Both draw their guns, but the fussy old gentleman fires first. His gun is loaded with bullets containing an overpowering gas. Both Del Mar and Elaine fall suffocated to the floor. How the fussy old gentleman escapes is a fitting climax to this episode.

Dir: Tom Collins

A visual fragment from the archive: The thematic resonance of The Unseen Witness perfectly mirrors the editorial trajectory of our deep dive.

Tex clears an innocent man who has been found guilty of murdering a man who was molesting his sweetheart. One of the 'Tex' detective series.

Dir: Frank Lloyd

Laura Bruce is married to John Bruce, police commissioner. She discovers her husband is enjoying a drunken revel with another woman, and vows she will obtain a divorce. After doing so she weds Paul Ramsey. His employer, Dick Turner, a libertine, offers his a responsible position in the west, and she faces a long separation. Ramsey later learns that Turner is interested in his wife and engages a man to protect her, who happens to be her former husband. She finds this out, but does not know he is bent on vengeance. She is inveigled to go to Turner's apartment, where she meets Turner's former "flame." One of them leaves the apartment which is "Room 13." Returning from the West, Ramsey is taken to an adjoining room by Bruce, and listens to a conversation in "Room 13" between a man and a woman. He is convinced it is his wife's voice. Maddened he rushes to the room and batters down the door. He confronts Turner and shoots him. At the trial Ramsey will go free if his wife confesses she was in the room She does and he is acquitted. A reconciliation follows. - Moving Picture World 1920

Dir: Robert Thornby

When Mrs. Chapman Price, the daughter of wealthy socialite Mrs. Janney, quarrels with her husband over her mounting gambling debts, he packs his suitcase and moves out. Desperate to pay off her debts, Mrs. Price rifles her mother's safe but discovers that its contents are missing. The blame points to Chapman Price and Esther Maitland, Mrs. Janney's private secretary. When the Price baby is kidnapped and held for ransom, Esther is suspected of that crime, too. Only Dick Ferguson, a neighbor, believes in Esther's innocence. After several misadventures, Esther discovers that the kidnapping was perpetrated by the detective whom Mrs. Price hired to unravel the burglary, which was committed by Ferguson's servant. Thus cleared, Esther joins the man who believed in her, and the Prices are reconciled.