Recommendations
Senior Film Conservator

Witnessing the stylistic evolution of Clarence G. Badger through Murder Will Out is profound, audiences who connected with its message often look for similar thematic gravity. Each of these movies shares a piece of the poignant storytelling that made Murder Will Out so special.
The synthesis of form and function in Murder Will Out to establish Clarence G. Badger as a true visionary of the 1930s.
Chinese gang blackmails businessman.
Based on the unique poignant storytelling of Murder Will Out, our vault has identified these titles as the most compelling follow-up experiences for fans of Adventure cinema:
Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
View Details
Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
Dir: Clarence G. Badger
An easy-going tramp with a love of food and an aversion to work suddenly gets deeply involved in the life of a farmer and his daughter.
View Details
Dir: Clarence G. Badger
A young woman goes to visit friends but mistakenly rings at the wrong address. She is greeted and taken in out of the storm by a handsome young man to whom she is immediately attracted. What she does not know, however, is that this young man has been fleeced by her father and has sworn vengeance against him.
Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
View Details
Dir: Clarence G. Badger
Coarse country girl Sis Hopkins and general store clerk Ridy Scarboro are so engrossed in their dalliance that a basket is overturned and a large can of oil spills into a pool, creating a slow leak. Wealthy villager Vibert thus becomes convinced that Sis's farm is located on a pocket of oil, and he schemes to gain control of the property by marrying Sis. Vibert sends her to a young woman's seminary for refinement. Sis creates chaos in the school and is a problem for principal Miss Peckover. Vibert eventually realizes Sis will never measure up to his standards for a wife. Ridy, who has been jealous, is overjoyed when Sis returns home. Vibert entices Pa Hopkins into selling the property for a small amount, but Sis shrewdly succeeds in tripling the price. Finally Vibert discovers the can in which he has invested so heavily.
Dir: Clarence G. Badger
Jimmy Betts angrily remonstrates with his wife for a letter she has written to Count Henri Duval, while she bristles at the attention that Jimmy has lavished on Mrs. Ella Rice, an aging but nonetheless charming widow. Exasperated, Ruth decides to accept the count's invitation to dine on his yacht, but on her way, she overturns her rowboat and loses consciousness. In her delirium, Ruth dreams of the happy days of her marriage, before Jimmy went away to handle Mrs. Rice's business affairs. Because she missed him so much, Ruth finally left her Aunt Sophronia to be with Jimmy, whom the love struck Mrs. Rice hoped to win for herself. In order to drive the young people apart, Mrs. Rice then introduced Ruth to Count Duval, who soon professed his love for her. Aware of Mrs. Rice's schemes, Ruth frightened the widow from her bedroom late one night so that Jimmy could see her for the "painted interloper" that she really was. Ruth then wrote her letter to the count. Jimmy rescues Ruth and carries her aboard the yacht, where she finally awakens from her dream and happily kisses her husband.
View Details
Dir: Perry N. Vekroff
While in New York seeking work, Cynthia, a young English girl, meets Bruce Crittenden and George Rhode who introduce her to Madame Savarin, a wealthy woman seeking a companion for a sea voyage. She hires Cynthia, and while at sea, Cynthia discovers that Bruce is the ship's purser. Cynthia's father was a famous wireless expert who taught her how to read code, which enables her to overhear a plot to sink the ship and steal Mrs. Savarin's jewels. Soon after, the crew mutinies, and while Rhode and Bruce fight the crew, Cynthia sounds the alarm. As he is attempting to foil the jewel thieves, Bruce falls overboard, and Cynthia swims to his rescue with the jewels strapped to her back. They are rescued by a government patrol boat and taken back to New York where Cynthia and Bruce are married.
Dir: Bruno Ziener
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: Clarence G. Badger
A cub reporter (Normand) is sent undercover to get a story, but falls for the man she is investigating.
View DetailsAnalysis relative to Murder Will Out
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Night Riders | Ethereal | High | 96% Match |
| A Sister to Salome | Gothic | High | 88% Match |
| Jubilo | Ethereal | Abstract | 95% Match |
| Through the Wrong Door | Surreal | Layered | 86% Match |
| In the River | Gritty | High | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Clarence G. Badger's archive. Last updated: 6/9/2026.
Back to Murder Will Out Details →