Curated Recommendations Similar Cinematic Experiences to Night Beat...

Dir: George B. Seitz

Episode 1: "The Violet Diamond" Pearl Standish, bored with society and longing for excitement, is held up by a masked man who demands the violet diamond of The Daroon. He tells her that her father bought the diamond from a villainous priest in Arabia who stole it from its rightful owner. The masked man, Nicholas Knox, has been given three days to recover the diamond or die at the hands of the Secret Order at the head of which is a priestess who stops at nothing to gain her end. The only man that might know something about this diamond is Richard Carslake, her father's former secretary. In spite of the knowledge that her father and he had a disagreement, she requests him to give her what information he has concerning the violet diamond. Just then Knox enters, Pearl points to him and says, "There is the man who has the gold setting in which the stone belongs." Immediately Carslake moves toward the door. Locking it and drawing his revolver, he demands the setting for the diamond. Searching Knox he finds the setting and is about to escape when through the window comes the priestess, accompanied by two of her spies, who sneak behind Carslake and knock the revolver from his hand. In the struggle which follows, Knox recovers the setting. After a struggle Carslake escapes and Pearl finds herself alone with Knox. Wishing to know the identity of the mysterious woman who helped him, Pearl asks Knox. "I can tell you nothing," is his reply. "Well then if you can tell me nothing, I want you to hand over that apparently much-valued setting for the violet diamond," Pearl assures, covering him. Assisted by her butler, Pearl secures this setting, but the spies come to Knox's assistance again and Pearl is attacked by an Arab. In a struggle with him on the stairs, she is hurled over the rail but catches on to the chandelier and falls to the floor. Knox is finally overpowered by the butler. Standing by a window, Pearl discovers a knife stuck in the wall. Pearl pulls this knife from the wall and discovers a note on it. "Fifteen days are allotted to you to return the violet diamond or die," it reads. "What is this mysterious diamond, the possession of which means such dangers?" is the question which will bring audiences back for the next chapter.

Dir: George B. Seitz

A visual fragment from the archive: The thematic resonance of The Romance of Elaine perfectly mirrors the editorial trajectory of our deep dive.

Episode 1: "The Lost Torpedo" Craig Kennedy's marvelous invention, a super-force torpedo to revolutionize warfare, has been stolen. Kennedy himself has disappeared, although Elaine has a note from him begging her not to grieve whatever happens, for he is safe. And then, one night, on a barren strip of land jutting out into the Atlantic, a fisherman, concealed behind a rock, sees the periscope of a submarine rise; sees a man's head and shoulders rise seemingly out of the sea, and sees a pair of athletic arms strike out bravely for the shore. That night, at a hotel in New York, a distinguished-looking foreigner, much resembling the man who seemed to rise up out of the sea, is shadowed by a fussy old gentleman resembling the fisherman of the coast scenes. The foreigner goes out and the fussy old gentleman goes to his room, where, after a short, sharp struggle with a valet, he searches through all drawers and papers. One paper he pockets with glee, and then departs. Elaine and Jameson are visited by the distinguished-looking foreigner who tells them he is a secret service agent from Washington, and begs to get information with regard to Kennedy and the lost torpedo. Elaine's dog, digging with its forepaws in a pot of palms, unearths the lost torpedo and carries it to the attic, where he drops it behind a trunk. The torpedo's propeller, however, has been left in the palm-pot. where Marcius Del Mar, the foreigner, finds it. Elaine is suspected by him of having concealed the torpedo. The fussy old gentleman, in Del Mar's tracks since he left his rooms, is an interested spectator. He is unaware that Del Mar has spies guarding the house, and is set upon by them. Rushing madly into the conservatory, he faces Del Mar. Both draw their guns, but the fussy old gentleman fires first. His gun is loaded with bullets containing an overpowering gas. Both Del Mar and Elaine fall suffocated to the floor. How the fussy old gentleman escapes is a fitting climax to this episode.

Dir: George B. Seitz

Our hero's fiancée, who has broken off their engagement, agrees to make a trip around the world, starting absolutely naked, without money or help of any sort from others in order to prove his worth to her.

Dir: Charles Horan

A visual fragment from the archive: The thematic resonance of Bound and Gagged perfectly mirrors the editorial trajectory of our deep dive.

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: George B. Seitz

A beautiful young woman is a daring master thief. She meets the young millionaire Thomas Babbington Norton, while fleeing from the scene of her latest theft.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.