Deep Archive Finds Movies That Echo the Spirit of Noah Knew His Ark...

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Alfred J. Goulding

A visual fragment from the archive: The thematic resonance of Run 'Em Ragged perfectly mirrors the editorial trajectory of our deep dive.

Two tramps wrest a pistol from a hold up man, then try to pull a stick up of their own, unfortunately for them, a cop appears and takes the money back and then chases them through a park with a lake. One steals canoe and the chase continues when a mob of cops go after him in more boats.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Bud Fisher

A visual fragment from the archive: The thematic resonance of His Royal Slyness perfectly mirrors the editorial trajectory of our deep dive.

Mutt and Jeff go on strike and make their own film.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of On Strike perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Frederick J. Ireland

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

An unemployed cook takes her shot at working for an upper class family. When none of their fancy guests show up to a party, she and the butler impersonate them.

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Victor Heerman

The night of the Policeman's Benefit is at hand and all the coppers with their wives are in the audience. On the stage is a magician. Everything goes well until he asks for the officers' watches. Presumably he will turn them into eggs or something. He has a charming confederate and both enter compartments. When they don't reappear, the curtains are lifted and the fakirs are absent. They escaped through a trap in the stage. Then the chase is on.