Recommendations
Senior Film Conservator

In the vast archive of Short cinema, Now We'll Tell One stands as a artistic bravery beacon, the narrative complexity found here is a rare find in the 1932 landscape. From hidden underground hits to established classics, these are our top picks.
Few films from 1932 manage to capture to explore the darker corners of the human condition with artistic bravery.
Charley unwittingly puts on a belt that has the power to change the wearer's personality.
The influence of James Parrott in Now We'll Tell One can be felt in the way modern Short films handle artistic bravery. From the specific lighting choices to the pacing, this 1932 release set a high bar for atmospheric immersion.
Based on the unique artistic bravery of Now We'll Tell One, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Unknown Director
The village youths are rivals for the hand of the local belle. Their battles lead them to the village store, where chaos soon reigns, terminating in the place being blown up, leaving Bobby a happy victor.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Robert Thornby
Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.
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Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
View DetailsAnalysis relative to Now We'll Tell One
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| On Strike | Gothic | Linear | 92% Match |
| Striking Models | Tense | High | 96% Match |
| The Land of Opportunity | Gritty | Layered | 87% Match |
| New Ralgia | Ethereal | High | 85% Match |
| Mary's Ankle | Surreal | High | 86% Match |
This guide was algorithmically generated using the cinematic metadata of James Parrott's archive. Last updated: 6/28/2026.
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