Essential Cult Cinema Drawn from the Same DNA as Officer 666: Cult ...

Dir: Harry Beaumont

Betty Hall, sent to boarding school by her wealthy parents, leads her friends in pajama pranks which upset Miss Elliott, the matron. After breaking up Miss Elliott's first and only love affair, Betty is expelled. To save the family from further disgrace, Betty's father tries to get her to marry a man in his office, Franklyn Winters, but Betty refuses, saying that she will choose her own husband. Although Franklyn is made a partner in the business, his persistent courtship attempts are met by Betty's playful pranks. When celebrated novelist Roy Harper carries Betty to his home after she has fallen from her horse, Franklyn pursues them, and thinking Harper lured her in, fights him. Betty furiously upbraids Franklyn, but after he leaves, Harper's advances cause her to chase after Franklyn. At the last minute, Betty boards the train taking Franklyn to officer's training school. They are betrothed on its rear platform.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Brown of Harvard perfectly mirrors the editorial trajectory of our deep dive.

Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a professor's daughter.

Dir: Harry Beaumont

Inheriting a fortune allows Harry Lathrop to indulge in extravagant spending and wild wine parties with chorus girls, decides to change his ways after his childhood sweetheart, Betty Dalrymple, gives back her engagement ring because he arrives drunk for dinner. Disgusted with himself on a "morning after," Harry persuades his attorney to give him no money for the next year. In another city, Harry answers an ad for a handy man and becomes the manager of a kennel on the estate of Mrs. Johnston DeLong, Betty's aunt. Betty, visiting her aunt, scorns Harry, but he remains when he sees Walter Randall, whose chauffeur brags that "every dame falls for him," show an interest in Betty. When Betty does not succumb to Randall's advances, he takes her to a deserted cabin. Harry follows, fights Randall and the chauffeur, and rescues Betty, who embraces him in a downpour.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of A Man and His Money perfectly mirrors the editorial trajectory of our deep dive.

Beneath the moonlight of the southern skies Molly Carrington, daughter of the south, pledges her heart and hand to "Jimmie" Maxwell on the eve of the young man's departure to New York, where his knowledge or cotton has won him a good position in a cotton broker's office. They are married and depart for the metropolis. Due to Maxwell's transition from his calm and uneventful home life to the maelstrom of worldly battle, he succumbs to liquor's lure, and from a stalwart husband is dragged to the depths or Demon Rum's depravity. He loses his position and Molly leaves him, returning to her southern home. As a "down-and-outer" Maxwell sees in a Mobile paper a rumor that his wife plans to divorce him and marry his former rival. Alfred Lewis. His smoldering love for Molly flares up to expose vividly the curse which drink has placed upon him. Maxwell throws off his alcoholic yoke, becomes a man again, and wins back his position. He finds Molly waiting for him the first day he enters the office.

Dir: Harry Beaumont

Having followed the road of romance through many countries, Lord Quex finally falls in love with Muriel Eden. After resisting Lord Quex because of his reputation, Muriel finally capitulates to his charms and agrees to marry him. In her heart, however, Muriel still treasures an affection for Caption Bastling, a fortune hunting womanizer, and when Muriel is told of Lord Quex's continuing contact with the Duchess of Dowager, a situation brought about through the scheming of the Duchess, Muriel turns to Bastling and agrees to meet him at her friend Sophie Fullgarney's manicurist shop. There, Sophie, who has discovered Bastling's true nature, exposes the captain by flirting with him as Muriel arrives for her rendezvous. Seeing Bastling faithlessness makes Muriel realize that Quex is the man for her.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Burning the Candle perfectly mirrors the editorial trajectory of our deep dive.

Lord and Lady Algy separate on cordial terms, after he breaks his promise not to gamble again on the horses. When the wife of soap magnate Brabazon Tudway, is courted by Algy's philandering elder brother, Algy tries to help his brother escape Tudway's wrath by hiding Mrs. Tudway in his apartments. Tudway discovers her there and is about to accuse Algy when Lady Algy appears and, believing Algy to be innocent, tells Tudway that his wife was there to meet her. Although Algy and his jockey disgrace Lady Algy by getting drunk at a masked ball on the eve of the Grand Derby, the race in which Algy plans to stake his entire fortune on his pet racehorse, Lady Algy saves his fortune by betting her own money on a dark horse that wins. Algy know penitent, swears he will give up gambling forever, thus reuniting with his loving wife.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of The Gay Lord Quex perfectly mirrors the editorial trajectory of our deep dive.

William Skinner is very pleased with the news his wife Honey is expecting their first child. He eagerly prepares for the new arrival, as he is sure it will be the next William Skinner Jr. When the bundle of joy finally arrives, much to his surprise, it's a girl. However, Honey and William are just as happy as if she were a he.

Dir: Harry Beaumont

DR. John Lancaster lives in dread of a family secret from his past being exposed, and makes him act in irrational ways, even with his fiancée Joan Wentworth.

Dir: Harry Beaumont

Margaret Sherwood's fiancé has disappeared in the Arctic and she hasn't heard from him in two years. Yet she does not believe he died. Price Latham, in love with Margaret, offers to organize a new expedition to prove otherwise. In return, she promises to marry Latham, come what may. Latham sneakily tries to sabotage the trip but Providence, in the form of an Eskimo hunter with a spike, dispenses Margaret from keeping her word. The fiancé, found at last, takes the young girl back to friendlier skies under the northern lights.