Essential Cult Cinema Mirroring the Impact of Oh, What a Knight: Cult Guide

Dir: Fred Hibbard

The heroine promises to marry the bravest hunter among her men acquaintances.

Dir: Fred Hibbard

A visual fragment from the archive: The thematic resonance of Society Dogs perfectly mirrors the editorial trajectory of our deep dive.

The picture opens with Brownie in a tuxedo, eating an elaborate meal and finishing with the proper use of his finger bowl. It is all a dream, however, as he is but the assistant to an itinerant glazier who ties a stone to Brownie's tail and has him break show windows for his master to repair. The glazier combines business with a clothes cleaner and Brownie with his mud-smeared tail, rubs up against people and brings in plenty of business.

Dir: Fred Hibbard

In Youthville, a specialist in everything is seeking patients by running around on the street with a huge sign under his arm with the legend "Doctor" in large letters. A millionaire's daughter is leaving home with her father to attend the fashion domestic science school conducted by Prof. P. Soop. She is forced to leave her beau, a tiddley-winks champion, behind but drops a note out of the train window giving him much courage. He drives behind the train on the track all the way. The ingenue is given her assignment to a bed in the girls dormitory and takes a fit on it at once. There is a chance for the doctor. He arrives and proceeds to look her over when several lions happen to escape from a wharf upon their arrival from Africa and they infest the dormitory. A terrible scramble takes place and there is more excitement than ever when the lions begin to attack the girls. They roll the bed together and save themselves temporarily by making cages of the bed springs. The doctor finds refuge in an ice box and the colored errand boy in a red hot oven. The doctor is overcome by the heat and the colored boy catches a cold in the oven. A wild chase winds up with general happiness and the love sick maiden'-marries the tiddle-winks' champion.

Dir: Fred Hibbard

A visual fragment from the archive: The thematic resonance of African Lions and American Beauties perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Fred Hibbard

A fascinating piece of cinema that shares thematic elements.

Dir: Fred Hibbard

A visual fragment from the archive: The thematic resonance of Fire Bugs perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Fred Hibbard

A fascinating piece of cinema that shares thematic elements.

Dir: Fred Hibbard

A visual fragment from the archive: The thematic resonance of The Dog Doctor perfectly mirrors the editorial trajectory of our deep dive.

Jimmie the hotel clerk was original in the manner of his morning ablutions. His bed was built over a well into which he dumped himself when he felt that it was going to be hard to wake up. But after he was well awake he thought of nothing much but the hotel milkmaid, Esther. So engrossed was he with this fair one that the intrusion of Count Zeeplotinxophsky was regarded as a personal affront and a decided danger to his peace of mind. Esther's equanimity was also somewhat ruffled. She fell in love with the Count's mustache and decided to elope with him. But before he went the Count wanted to be sure of a dowry. The only one in sight, or rather in prospect was in the hotel safe. The clerk, the bellboy and the hotel detective were in the way. The latter was inside the safe holding the receipts in his hands. But he was asleep and even the explosion which wrenched off the safe door did not wake him up. Having secured the booty, and the girl, the Count ran around the block in his racing car and took a room in the same hotel. But the bell boy and the clerk shadowed him and at last drove him out. Jimmie followed him and the bellboy brought up reinforcements in the shape of the female fire department. The Chiefess discovered that the Count was her ex-husband, and all the comedy dropped out of his existence.

Dir: Fred Hibbard

Merta and Bud were two great big grown up kinds, claiming as their parents, a four-foot Daddy, and a three-foot Ma. However, they do not escape spankings, etc., from their Dad, who was a near relative of Simon Legree. Buddy catches Dad making love to the nurses and then the fun begins! The nurse had a better half, like all nurses. The better half invites Dad and Bud to come to his beauty parlor to be improved upon. They go there, are given some nice gentle massages by the chief bully, Blue, the colored heavyweight champion of the town. When they get through with the treatments, they don't know whether they are on the head or feet. Like all country towns there was a circus, and while Mert and Bud are chasing each other in and out of the tents, they accidentally chase through the lion's cage and leave the door open. The lions escape and some of them find their way into the Beauty Parlor, where several damsels are indulging in the Fountain of Youth, etc. A little colored boy, the mascot of the Parlors, tries to escape the lions and hides in a filing cabinet, but Mr. Lion manages to open the drawer. Picky escapes through the transom of the door, but not before another lion has discovered him. He is chased for miles and miles by the wicked lions. He gives them the slip and is calmly eating pumpkin pie when his Dad, Blue, arrives. All ends in a happy peaceful way; the lions fall into the tank in the beauty parlor and sink to the regions below.

Dir: Fred Hibbard

Old "Pop" Walker owned a farm, two babies, a wonderful dog and other interesting things. Bud the grandson, and Merta the granddaughter made things pretty lively for "Pop." Their dog "Brownie " see sawed for them all day long. When the postman came Brownie jumped off the see-saw and sent the two or them spinning through the air. "Brownie" always up to mischief, steals the food from "Pop," Bud is accused of it and is given a severe spanking. A letter arrives for "Pop" advising him that he has been made the sole proprietor of the "Lily White Cafe," owing to the death of his uncle John Barleycorn. They pack up and venture forth to take possession of the Cafe. There the girls shimmy and dance for old "Pop." He makes Bud the cook. Merta attempts to sing for the audience, but they all run out. The manager orders her under the sink with her pipes. The manager and head waiter plan to rob "Pop" of the money they have taken in. Brownie overhears the plot and steals the money from the Manager. The Manager and the head waiter go outside thinking they have the money, and throw bombs into the cafe to blow it up. Brownie runs after the bombs and puts them underneath the box on which the two thieves are sitting. The bombs explode and knock the two crooks into smithereens. Brownie brings the money to "Pop" and a happy ending follows.