Recommendations
Senior Film Conservator

The 1916 release of Paying the Price redefined the parameters of cult storytelling, the visual language established by Frank Hall Crane is something many try to emulate. Explore the following titles to broaden your appreciation for cult excellence.
Historically, Paying the Price represents to synthesize diverse influences into a singular artistic statement.
While developing a powerful explosive, naval officer Paul Towne introduces his friend Richard Tracy to Judith Corbin, his friend since childhood. For years, Paul had assumed that he would marry Judith, but when Richard proposes, Judith, tired of waiting for Paul, accepts. Soon after the marriage, Richard becomes more interested in the new explosive than in his new wife, and to pay off gambling debts, he agrees to steal the formula and sell it to a foreign government. While spying at close range on a test of the explosive, however, Richard is killed, after which Judith, who has long since realized her mistake in becoming Richard's wife, accepts Paul's marriage proposal.
Critics widely regard Paying the Price as a cult-favorite piece of cult cinema. Its cult status is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique cult status of Paying the Price, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Frank Hall Crane
After a touring theatrical company goes broke on the road, press agent Jack Bartling persuades a local Suffragette leader, Mrs. Eubanks, whose husband is a Senator and soap manufacturer, to hire him for publicity. When Jack and the Eubanks' daughter Nell fall in love, her parents object, however the Senator promises his consent if Jack can keep Nell, also a Suffragette, out of prison, and Mrs. Eubanks vows her approval if Jack converts her husband to the cause. At a protest in front of the Governor's house, Jack saves Nell from being arrested, thus alienating Mrs. Eubanks who wanted her to be arrested. The Eubanks move to New York, and after Jack locates them and sneaks into their apartment disguised as a window washer, he convinces Mrs. Eubanks to have Suffragettes all over the country clip the Senator's ten-cent coupons for his "Floating Lily" Soap. After the Senator agrees to support the Suffragettes rather than pay off $650,000 for the coupons, the Eubanks finally approve Jack as their son-in-law.
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Dir: Frank Hall Crane
Charles Nelson is a self-made man and has amassed a fortune. His family consists of his wife, son Kenneth, and daughter Alice. His wife has become absorbed in society, requiring all the money her husband can made to support the large establishment and entertain. The wife, son, and daughter are out night after night, leaving Mr. Nelson much alone; while he pays the bills, he has little of the society of his family. He turns to vaudeville performer Kitty Claire for consolation and companionship. His son Kenneth gets into an argument with a friend at his club and hears that his father is keeping a woman in an establishment uptown. Kenneth returns home under the influence of liquor and insults his mother's companion, Mary Burke. Mr. Nelson enters, sees the situation and asks him what it all means. Kenneth turns on him and tells him that everyone knows he is keeping a woman in an apartment uptown. This conversation is overheard by Mrs. Nelson, who asks Mr. Nelson if it is true. He replies, "Yes." They agree to part. Kenneth clings to his mother. His sister Alice sympathizes with her father. She realizes that it is their own fault; they have given him nothing in return for all his labor in their behalf. Mr. Nelson is now living at the Alpine apartments, to which comes Kitty Claire. He tells her that the end has come. Meanwhile Kenneth, has come to see his father. Kitty, going out, hears him ask if his father is in, and seeks an acquaintance with Kenneth, who becomes infatuated with her, moves to the same hotel, and begins to live a Bohemian life with Kitty Claire and Dick LeRoy, another vaudeville performer. He finally asks Kitty to become his wife. She replies, "It is impossible, there is another man." The boy, crushed and brokenhearted, demands the man's name. Mr. Nelson enters at the point when Kenneth demands the name of the man. Kitty points to Mr. Nelson. Humiliated and ashamed Kenneth decides to end his life. He is about to write a letter when his mother arrives; she sees the pistol and tries to keep him from carrying out his plan. They are interrupted by a knock at the door; Kenneth is called down to the office by the clerk; while he is gone Mrs. Nelson seizes the opportunity to telephone Mr. Nelson, who arrives with Alice. Kenneth and his father are reconciled, also Mrs. Nelson, and her husband and the family are reunited.
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Dir: Frank Hall Crane
Ludwig "Old Dutch" Streusand and his daughter Violet live in New York, and after years of hard study and labor Old Dutch completes his invention: the "teloptophone," a device which, when attached to a telephone, enables the speaker to see the party at the other end of the wire. He goes to John Rockmorgan with his invention and after he proves its worth, Rockmorgan agrees to finance his invention and gives him a check for $5,000 on account. Old Dutch and Violet have had a hard time life; now that his invention is a success, he feels that they deserve a Palm Beach vacation. To escape the publicity arising through the invention of the teloptophone, he also thinks it wise to assume another name to avoid being questioned and annoyed about his invention. He arrives at a Palm Beach hotel and registers under the name of John Mueller and daughter, and settles down to a period of rest and comfort. Harold, John Rockmorgan's son, has also gone to the hotel, and when he sees Violet, love awakens in his heart. They meet and she is happy in her first love affair. In the meantime, the vaudeville team of Bings and Bings is discharged from the theater in which they are playing because their act is so bad. They are in desperate straits and the male member of the team has the idea to go to a fashionable Florida hotel and somehow get hold of some of the millionaires' money. Old Dutch has become a great favorite with the children of the hotel, and on the day that Bings and Bings arrive there, he loses his pocketbook while playing with the kids. Mr. Bings has the good luck to spot it, and before they register he goes through the contents and sees the $5,000 check made out to Ludwig Streusand. When he finds that no such man is stopping there, he boldly signs the name of Ludwig Streusand and daughter. When Joubert, the hotel proprietor, learns that such an illustrious person is stopping with him, he immediately begins to give receptions and balls in his honor. Old Dutch is so wrapped up in having a good time that he is unaware a man is masquerading under his name, so when his week's bill is presented he is unable to pay it, as his check for $5,000 and all means of identification have gone with the pocketbook. Joubert is furious that Old Dutch cannot pay his bill and tells him that he and his daughter must either go to jail or work off their board bill, Old Dutch protests and says that his name is Streusand and John Rockmorgan is his partner. Joubert laughs at him and points at whom he thinks is the real Streusand. Harold tells the proprietor he feels sure that Old Dutch is speaking the truth. When Joubert asks him how long he has known him and in what way he can identify them, he is left without an answer. So they are put to work, Old Dutch in the stable and Violet in the kitchen. Meanwhile the vaudeville team of Bings and Bings are having the time of their lives. The female end of the sketch is doing her best to win Harold Rockmorgan, who still believes and loves Violet. After having been forced to perform various duties around the hotel, on the night of a banquet given in honor of the false Streusand, Joubert forces Old Dutch to be headwaiter. In the meantime Old Dutch has induced Harold to phone to his father to come down and identify his partner. At first he refuses, but Harold gets the teloptophone from Old Dutch and tells his father that he plainly sees the stenographer seated on his lap and unless he does come at once he will tell mother. That settles the old man. During the banquet Bings is called upon for a speech, and as he is telling his eager listeners what a wonderful man he is, Rockmorgan arrives downstairs in the hotel. The clerk hastens to tell Joubert. Old Dutch overhears the good news, and knows that his time has come. He tears down to the office, followed by Bings and the surprised guests. He runs up to Rockmorgan who quickly explains that Old Dutch is the real Streusand and the other is a faker. Bings and Bings' day is over, Harold and Violet are free to get married, and Old Dutch takes up his pleasure again.
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Dir: Frank Hall Crane
Mrs. Helen Courtland passes a fake check for $25,000 from a millionaire named Woodruffe Clay, who is in love with her daughter Anita. To save the family from a scandal in court, Anita marries Woodruffe, even though she loves Captain Hugh Shannon of the Foreign Legion. During an argument on their wedding night, Woodruffe falls and is seriously injured, and during his recovery, he makes her life miserable. Anita suffers from sleepwalking, and after one episode she dreams of poisoning her husband, she awakens to find him dead. Believing that she killed Woodruffe, Anita travels to Europe with Sarah Harden, her nurse, and there renews her affair with Hugh. When the evidence points overwhelmingly to Anita, however, she decides to return to America, but before she can confess her guilt, Sarah admits that it was she who killed Woodruffe in order to free her mistress from an unhappy marriage.
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Dir: Frank Hall Crane
Dora, the daughter of a wealthy man, marries a good-looking young fellow from the country who has made an auspicious start in New York business life. Having won the girl by trickery, he proceeds to reveal a baseness of disposition that makes his young wife's life a terrible burden. He becomes a drunkard who abuses his wife and baby. Dora resents his cruelty and he robs her of the child, surreptitiously conveying it to his mother, then going away to sea on a fishing schooner. Bereft of husband and child, Dora falls prey to grief. Fresh suffering awaits her when news comes that her vicious young husband was drowned at sea. Concealing her identity, she makes her way to the fishing village where her husband was born, becomes his mother's paying guest, recognizes her child, and inspires the love of her husband's brother, now a clergyman. Dora's troubles are about to recommence with undiminished severity. Her husband married her under a false name, so she is in ignorance of his relatives, and in this state of ignorance she lends a willing ear to the wooing of the Rev. John St. John, her late husband's brother. The wedding ceremony is about to take place when a storm at sea arises, a ship in distress is sighted, there is a call to man the life-boat, and Dora's fiancé volunteers. Among the rescued is Dora's legal husband Frank, who re-asserts his claim to wife and child, grows jealous of his brother, and once more becomes a drunkard. One of his New York reprobate companions appears to demand money. There is a quarrel and both men are killed. The sinful man has reaped as he sowed, and like so many of his kind has made others suffer for his misdeeds, particularly the fond girl who married him.
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Dir: Frank Hall Crane
Margaret Ellis marries archaeologist Philip Bellamy to please her father, a trustee of Calder College where Philip teaches, and Philip's mother, who convinces Margaret that Philip will not succeed in finding ancient Greek ruins in North Africa, unless she is his wife. Bob Harding, who loves Margaret, joins them on their expedition as Philip's business manager. When Margaret contracts desert fever, Bob cares for her, but the alcoholic Philip takes the last bottle of brandy which Margaret needs. Hassan, a guide who hates Philip, sees the caving in of the ruins of a half-buried relic while Philip explores it, and announces Philip's death. Back home, after a tablet honoring Philip is unveiled, he returns drunk and smelling with hashish to overhear Margaret and Bob confess that they love each other. Philip accuses them of plotting his death, but when Hassan, who is now the servant of Margaret's doctor, sees Philip threaten Margaret, he stabs Philip to death. Margaret now accepts Bob's love.
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Dir: Frank Hall Crane
Police inspector Jim Garth, investigates the murder of Joe Kridel, another inspector, who had been tracking the Hennions, a gang of thieves plotting to steal the formula for a dangerous explosive from an old inventor. As Jim uncovers the Hennions' plans to procure the formula and sell it to an agent of an unfriendly foreign power, he encounters Nora, the former lover of Joe, who has sworn revenge for the killing and has ingratiated herself with the Hennions in order to discover the identity of the murderer. Although he assumes Nora is one of the thieves, Jim falls in love with her anyway, but she firmly rejects his advances. Disguised in a gray mask similar to the one worn by one of the gang members, Jim infiltrates the organization and foils the plot. With Joe's murderer in jail, a grateful Nora finally accepts Jim's affection.
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Dir: Frank Hall Crane
The story relates how a valuable diamond is stolen by an Englishman from the eye of an Indian idol. The Englishman, on his return to London, is pursued by three Indian priests in disguise whose object is to secure "The Moonstone" at all costs, as failing its recovery, the priests will lose caste. The Englishman, Hearncastle, is found drowned, presumably having been killed by the Indians. The diamond passes into possession of Franklin Blake, his friend. Blake is followed by a band of Indian magicians. He presents the diamond to his fiancée from whom it is stolen. A detective is called in. Another girl in love with Blake commits suicide and suspicion attaches to her, as she leaves a mysterious note for Blake. Subsequently, Blake finds the diamond in the possession of a money-lender. His fiancée, learning of the dead woman's attachment for Blake, quarrels with him. A doctor discovers that Blake walked in his sleep and took the diamond himself while in that state. The diamond was stolen from Blake while he was asleep and never recovered. The thief confessed and died, and Blake and his fiancée were reunited.
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Dir: Frank Hall Crane
A wealthy society matron is enchanted by a world-renowned opera singer. Her jealous boyfriend, seeing his meal ticket slipping away, hypnotizes the singer and renders him mute. His ploy works, and the singer, now unemployable, soon runs out of money and is reduced to utter poverty. However, a figure from his past is in a position to help him regain his former fame and fortune
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Dir: Frank Hall Crane
Dorothy Evans, a chemistry teacher at her aunt's girls school, hopes to satisfy her yearning for adventure when she vacations with her aunt, who desires to wear men's clothes, at a secluded island in the Chesapeake Bay. On the boat, they witness officers shooting an escaping prisoner diving overboard. On the island, a gang of crooks vacate the cottage belonging to Dorothy and her aunt, but leave behind a bottle of nitroglycerin. Dorothy recognizes it, and after dumping the contents into the bay, she fills it with her aunt's heart medicine. After the prisoner is taken in by the crooks and volunteers to get the "soup," Dorothy surprises him with a revolver and binds him to a chair. They fall in love, and when the gang tries to rescue him, he fights them. Dorothy's threat to drop the nitro bottle leads to the gang's capture. After the officers identify their "prisoner" as a famous detective Harold Vance, Dorothy and Harold plan to marry.
View DetailsAnalysis relative to Paying the Price
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Praise Agent | Gritty | Dense | 90% Match |
| The Family Cupboard | Surreal | Abstract | 97% Match |
| Old Dutch | Gothic | High | 90% Match |
| The Life Mask | Gritty | Layered | 87% Match |
| As Ye Sow | Surreal | High | 89% Match |
This guide was algorithmically generated using the cinematic metadata of Frank Hall Crane's archive. Last updated: 5/15/2026.
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