Underground Favorites Mirroring the Impact of Rio Grande: Cult Guide

Dir: Edwin Carewe

A daughter is grief-stricken by the loss of her father. His male friend becomes her guardian, and she is taken to live with the friend's mother. Time passes and romance blossoms in the girl's heart for her guardian. However, a love rival arrives from the city and catches his eye, and the drama unfolds.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of The Trail of the Shadow perfectly mirrors the editorial trajectory of our deep dive.

Sylvia Mason, a mysterious girl, lives in a cabin by herself and sells her bead work to the visitors at a large hotel nearby. At the hotel, Sylvia meets Easterner Henry Hilliard, who falls in love with her, but she refuses to marry him and will not explain her reasons. Thus Henry returns East without learning that Sylvia's father had been murdered by his private secretary Jack Leslie in revenge for her refusal to marry him. One night after Henry's departure, Leslie, now known as the outlaw "The Shadow", breaks into Sylvia's cabin. There is a struggle that leaves Sylvia unconscious, and when she awakens she finds a note claiming that because Leslie has violated her, she must marry him. Meanwhile Henry's mother, horrified that her son wants to marry this strange girl, informs Sylvia that their marriage would destroy him. Sylvia agrees to give up Henry, but he learns her story from Padre Constantine and goes to search for her. Sylvia has gone to Leslie and Henry follows. In the ensuing fight, Henry forces Leslie to admit with his dying breath that he has lied to Sylvia.

Dir: Edwin Carewe

One day Coventry Petmore leaves his wife and child to go out in the world and fight the social evils of divorce and loveless marriage. Circumstances lead him to the home of Judge Mitchell, where the judge's son, a minister, and his wife Beatrice reside. The minister does not believe in expressing affection to his wife, and Beatrice becomes enamored of her chauffeur Larry Price. Petmore encourages Beatrice to tell the minister that she is running away with Price, then surreptitiously coaches the minister to give a response that Petmore believes will win Beatrice back. The plan backfires, however, and only a rainstorm and car trouble prevent Beatrice and Price from running off. Getting wind of Petmore's role in the affair, the judge has him ejected from the household, and Petmore returns home to discover that his wife has run away with her chauffeur. Petmore's conviction in his theories remains unshaken, however.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of The Upstart perfectly mirrors the editorial trajectory of our deep dive.

Corporal Blake is sent to apprehend the murderer of François Breault. All evidence points to Jan Thoreau as the guilty man. Blake arrives at Thoreau's cabin while he is away and is greeted by his wife Marie. Posing as a friend of her husband, Blake learns that Thoreau and Breault had quarreled shortly before the murder. This, together with Breault's dying accusation that Thoreau was his murderer, seems undeniable evidence. Blake, fascinated by Marie, agrees to let Thoreau escape, providing that she become his mistress. After much anguish, she consents. When Thoreau arrives, Blake arrests him, but during the night Marie helps him escape. Blake goes in pursuit. Meanwhile, officers at the post have received the dying confession of Pastamoo that he committed the murder. They hurry to Thoreau's cabin where the chase has led pursuer and pursued around in a circle and back to the cabin. Blake mistakes another officer for Thoreau and fires at him. The officer returns the shot, killing Blake. Thoreau and Marie then learn that they are free from suspicion.

Dir: Edwin Carewe

A woman marries a German immigrant in New York, but loses him when her soiled past is revealed. He returns to Germany after the beginning of the First World War, where he becomes a high-ranking officer in the German army. His wife joins the Red Cross and, in a combat hospital, discovers her wounded husband. Her love for both her husband and her country lead her to a great sacrifice.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of Her Fighting Chance perfectly mirrors the editorial trajectory of our deep dive.

Unknown to his daughter Jacqueline, Miles Allen, in the guise of a fisherman, smuggles silk and fur into the country. Customs officer John Lang comes to investigate, and he and Jacqueline quickly fall in love. Ward Jennings, the owner of Miles' boat, also loves her, but Miles refuses to let him marry her, so Ward gets revenge by revealing Miles' smuggling operation to Coast Guard officers, who kill Miles in a struggle at his home. Jacqueline mistakenly blames John for her father's death and goes to Ward for help. She then learns the truth about Ward; they fight on a cliff-top and he falls to his death. John comes to comfort Jacqueline, and they begin making plans for their life together.

Dir: Edwin Carewe

When her mother, the operatic idol of Paris, takes her to the United States and dies, Cora goes to live with Marie, a model for artist George Garnier. Although George is engaged to wealthy Helen Van Brooks, who is in love with Carl Wilson, a club-man, George and Cora fall in love. When Cora discovers the engagement, however, she leaves and becomes an opera star. Years later, after breaking his engagement, George visits Cora again, causing Mrs. Van Brooks to entreat Cora to give up George. At a wild party, Cora allows Jose, her long-time admirer, to make love to her, which provokes George's disgust until Marie explains Cora's behavior. When Jose, alone with Cora, attacks her, George and Marie burst in to see Jose, hit by a wine cooler hurled by Cora, fall backward through a window, fall to the street and die. After they learn that Helen and Wilson have eloped, Cora and George are able to marry.

Dir: Edwin Carewe

A visual fragment from the archive: The thematic resonance of The Splendid Sinner perfectly mirrors the editorial trajectory of our deep dive.

Standish, an artist, finishes a painting of the Madonna. His wife, Mary, acted as model, and when the Connoisseur and the Parishioner inspect the picture, the former tells Standish that he recognizes in the model a one-time paramour of his. The Connoisseur and the Parishioner buy the painting and after their departure Standish upbraids his wife, who tells him that she believed herself legally married to the Connoisseur. Standish refuses to accept her explanation and ejects her and their baby son. Mary leaves her boy on the steps of a monastery, and seventeen years later, just before becoming a monk, he receives permission to see the world. He wanders into a gay café and succumbs to the charms of Beauty. The other inmates of the place, Lust, Rum, Avarice and Passion are dancing around him when the proprietor enters. It is Mary, his mother. She recognizes him from the crucifix which he wears and which she left with him when he was a baby. Without revealing her identity she persuades him to go back and later when he has become a priest, a bedraggled old woman (his mother) enters his church. She recognizes him and just before she dies her son gives her absolution.

Dir: Edwin Carewe

Big-hearted Prue, living in the slums, and Danny O'Maddigan, a reformed crook, want to buy a birthday cake for Prue's 75-year-old grandmother. They live across the hall from Ellen Rutherford, the destitute widow of Steven Rutherford, Jr., who was disinherited by his father, a wealthy candy manufacturer. Prue, who works at the candy factory, gives Ellen the money that was meant for her grandmother's cake so Ellen will be able to care for her son Bobby. Frustrated over the loss of the money, Danny steals the price of a cake from the factory's safe, leaving the safe's door open in his haste to depart. Danny's former gang arrives and cleans out the safe, and Danny is convicted of the crime and sent to prison for four years. While Danny is in prison, Bobby is struck by his grandfather's car and slightly injured. Stricken with remorse, Mr. Rutherford effects a reconciliation with his daughter-in-law and promises to use his influence to bring about Danny's release from prison.

Dir: Edwin Carewe

Shortly after arriving in the West, James Van Dyke Moore, an Easterner fleeing from a soured love affair, has his courage tested when "Ace High" Horton, the town bully, threatens to take over the family mine. Forced into battle, the tenderfoot stands his ground against Horton, an act that impresses pretty Mollie Anderson. One day, Robert Forrest arrives from the East with Verda, his bride, who is Moore's former lover. While Forrest is off inspecting his mines, Verda and Horton become lovers and plan an elopement, but upon Forrest's return, Verda informs him that she is leaving town to escape Moore's advances. Because he has vowed not to reveal anything about their past affair, Moore is unable to defend himself. That night, Forrest sees Verda riding away with Horton and shoots him, but Moore is accused and arrested. Through the intervention of Mollie, Moore is released in time to intercept the couple in the desert. After disposing of Horton, Moore returns Verda to the town, whose angry citizens drive her back into the desert, and then proposes to Mollie.