Curated Recommendations Similar Cinematic Experiences to Sealed Lip...

Dir: John Ince

Janet Newell learns that her husband Raoul is a crook and leaves him. However, when he offers her a position as companion to the wealthy Richard de GIles and his wife, she accepts, believing that they hold a property deed that rightfully belongs to Raoul's friend Langstreet. Janet is established in the de Giles' Long Island estate, where she falls in love with the kind old couple's nephew, Hugh Maxwell. Soon Raoul appears, and although Janet now realizes that she has been a pawn in his plan to rob the de Giles' jewels, she is forced into silence by his threat of revealing her marriage to Hugh. On the appointed evening, Ross, the butler, drugs the de Giles' coffee and joins Raoul, who has opened the safe with ease. As they are about to escape, however, the de Gileses--who are actually detectives assigned to capture Raoul's gang--appear, bearing guns and pronouncing the crooks under arrest. Raoul grabs a gun but is shot and killed. Janet is left a single woman, but only temporarily.

Dir: John Ince

Young society girl Joyce Lyndon is engaged to energetic Grant Garrison, who lures the judge's daughter to a roadhouse for the night and meets his death at the hands of an abandoned wife. Joyce escapes in fright and meets Martin Antrim, who protects her in exchange for an introduction to her circle of friends. Antrim elicits a confession from Garrison's widow, and Joyce recovers an incriminating handbag from the innkeepers when they attempt to blackmail her.

A visual fragment from the archive: The thematic resonance of The Love Trap perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Ince

Older couple Abe and Angie Rose lose their life savings in worthless mining stock; their last $100 is for Angie to live in the Old Ladies' Home, while Abe must content himself with the poorhouse. Their parting at the gate of the institution affects the inmates so deeply that they make arrangements for Abe to remain there as "Old Lady 31." Once there, the ladies almost nurse Abe to death, and when inmate Blossy's new husband, Captain Darby, suggests he escape, Abe welcomes the opportunity. Remorse overtakes him, however, and he returns to discover that the mining stock is worth enough money to buy back the Roses' old house.

Dir: John Ince

Refusing to join his family in their new social life when Henry Dillingham suddenly becomes wealthy, Donald Dillingham causes even greater disapproval by marrying chorus girl Ardell Kendall. Learning that famous sculptor Gustaf Borgstrom wishes to use Ardell as model, the Dillinghams suddenly welcome Donald and Ardell to their estate. Donald surrenders to both the jazzy pleasures and the attentions of Maybelle Wescott, but Ardell remains aloof and in order to pay off Maybelle threatens Mr. Dillingham with exposure of his infatuation with a chorus girl. The adventuress breaks her agreement to leave Donald alone, and Ardell reveals the bargain to Donald, who angrily leaves. Ardell sadly returns to the Dillinghams' honeymoon cottage and finds a remorseful Donald awaiting her.

A visual fragment from the archive: The thematic resonance of Old Lady 31 perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Ince

Eunice Fielding, rich, with every wish gratified, is a spoiled society girl and a moral coward. She is in love with Jack Harcourt, who is poor but brave, and who is deeply in love with her. Marjorie Harcourt, Jack's sister, reads Eunice's character and warns her brother against the advisability of marrying her. Nance St. Germain, who is a mystic and a student of theosophy and occult lore, talks to Eunice, but all her warnings are without avail, and Jack and Eunice marry. They are happy for a time, but lack of money causes embarrassment. Eunice is ignorant of everything relating to the value of money, cries over their difficulties, and Jack in despair calls Marjorie home from college and confesses the state of affairs to her. He begins to neglect Eunice, who is highly indignant, and becomes very cool to Marjorie. Bob Fisher, who is in love with Marjorie, is sent west by Jack to look after the details of a mining scheme and Jack, short of money, cuts Eunice's allowance. She makes a great fuss over this, and in a talk with Marjorie Jack is informed that there is a baby coming. Jack is called away on business, and while he is absent Eunice loses a lot of money gambling, and fearing comment talks of committing suicide. Eunice talks with Nance, who warns her against committing suicide, and tells her to confess to Jack. Jack returns and gives Eunice all the money he has, leaving himself broke. Marjorie comforts her brother, but he tells her that things have gone wrong, and the mine is a failure. Marjorie tells Eunice, who becomes despondent and leaves a note for Jack, tries the cowardly way, takes gas and dies. Jack reads the note and goes insane. Eunice, in the halls of Death, sees Death, who tells her she is not dead, but must wait until her time comes. Death shows Eunice her home with Jack crazy. Jack sees her. and Eunice sees Marjorie and the nurse and Marjorie greeting Bob Fisher. She goes after Bob, and the face of Death changes as he sees the reconciliation. Marjorie and Bob marry. Jack's insanity continues. Eunice is there and is seen by Jack but invisible to the others. While they are there. Death sends a child to Eunice with the words, "I was to be your child, but now I am to be Marjorie's." Jack, rendered clairvoyant by his insanity, sees and hears this, and makes his first rational remark to the others, saying "Marjorie is to have a little girl," and in surprise Marjorie tells it to Bob. The baby is born, and Jack wants to see it but is refused. Death awakens Eunice, and tells her that whenever she wants Jack's mind restored she is to call on him, but after that she has done so Jack will never see her again. Jack threatens to get the child and kill it if it is not shown to him. Eunice in terror at the danger to child hastily calls on Death to restore Jack's reason, which is done, and she disappears from Jack's sight. With Jack sane again there is a happy reunion of all except Eunice, who sees Death again. Death shows her in his book where she has redeemed herself by her renunciation.

Dir: John Ince

Alias "the Dancer," fashionable society crook Jimmy Burke is hot on the trail of the Brent diamonds. Upon learning that Molly Brent and her diamonds are the stars of an amateur play, Jimmy obtains the leading man's part and devises a plan to steal the jewels. Molly falls in love with her leading man, who plans to switch the gems with fakes during the performance. After the play, the police question the couple and Molly declares that the robbery was part of the drama. When she discovers Jimmy's deed, she begins to cry and "the Dancer," realizing that he is in love with his victim, renounces his profession.

A visual fragment from the archive: The thematic resonance of Cheap Kisses perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Ince

Carew, surgeon at an army post, is in love with Marjorie Caldwell, but Marjorie, who is all for social stuff, thinks her feeling toward him is only friendship. Dames comes to the post as junior surgeon, and supersedes Carew in her regard, marrying the girl. Mrs. Drew, a widow, comes to the post and an intrigue begins between Dames and the widow. Carew sees it, and to save Marjorie tells her that his absences are matters of duty. He asks to be transferred to Manila, and he and Dames are both sent there. On the way Carew warns Dames that he will lose Marjorie's love, and they quarrel, Dames being partly drunk. The ship hits a reef, and Dames, in an effort to save himself, wrenches a life preserver from a woman. Marjorie and Carew are left on the ship, but Carew rescues her, and in the morning they are on the shore of an island with an overturned boat and the bodies of their fellow passengers in the surf. On the shore of another island Dames is rescued by an Abbot, but his wounds cause him to lose his identity. On the first island, Marjorie comes to see the strength of Carew's character but he refrains from telling her of the actions of her husband. A ship is sighted, and Carew, after a struggle, lights the beacon that will save them both but probably take Marjorie away from him. In San Francisco they learn that Dames is reported missing. He asks her to be his wife, but she thinks Dames may still be alive. Dames is on the island with lepers, and works with the monks as Father Fabrician. Carew comes to the island and finds Dames at work among the lepers. He recognizes Dames, but the latter denies his identity. He goes to the monastery, tells the Abbot the truth, and Dames leaves with Carew for Manila, and an operation that will restore his memory. After the operation Dames returns to his drunken habits, and reading some of Carew's letters he learns of the feeling of his wife, giving it a sinister turn. As he prepares to assault Carew he sees the marks of leprosy on his arm, becomes agonized with fear, jumps overboard and is lost. In San Francisco Carew finds Marjorie, tells her of the occurrences and of Dame's death, and while she feels sorry that he has gone as he did, she finds her true happiness with Carew.

Dir: John Ince

Muriel Ashley is engaged to Ferdie Walton. Ferdie's father opposes the marriage; Muriel's parents favor it. The couple are married by a strange parson who wanders into the Ashley home, then after they leave for the honeymoon, Ferdie's father discovers that the clergyman is a crook. He notifies the hotel and the young couple are ordered out. They return to the bridal suite by way of a window, but the hotel catches fire and they escape. They go to the Ashley home where they learn they are actually not married. The "clergyman" who married them breaks into the house and is captured. Rev. Dr. Jenkins identifies him, however, as a genuine clergyman who has been suffering loss of memory; thus the marriage turns out to be legal after all.

A visual fragment from the archive: The thematic resonance of The Cowardly Way perfectly mirrors the editorial trajectory of our deep dive.

Dir: John Ince

On a visit to the city of Boston, a village girl is taken advantage of by a man there and returns home feeling sullied and ashamed. A young man who had once sought her hand returns from years away in Europe and reiterates his suit. She returns his love and agrees to marry him, but has difficulty telling him the truth about her misadventure. When she finally does, his response seems to doom the pair to tragedy.

Dir: John Ince

Helen Merrimore, the daughter of a mine owner, is snubbed by New York society. Weary of being courted for her wealth, she attends under an assumed name a house party being given by Ned and Edith Loring. There she falls in love with Schuyler Livingstone, the impoverished heir of the elite Livingstone line. Edith Loring, who secretly loves Schuyler, arranges to have dinner with him at a questionable roadhouse. They are discovered by Edith's husband, Ned, but Helen, who has happened to come there, protects the innocent Schuyler by telling Ned that she herself arranged the dinner meeting to announce her engagement to Schuyler. Helen later learns that Schuyler earlier has been persuaded by her father to marry her--sight unseen, buying Schuyler's name with Merrimore money. The estranged but still engaged couple give a ball in Merrimore's mine, during which there is a cave-in. She and Schuyler come to recognize their true love just as they are rescued.