Hand-Picked Alternatives for Fans of She: Cult Guide

Dir: Harry Garson

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.

Dir: Maurice Tourneur

A visual fragment from the archive: The thematic resonance of The White Circle perfectly mirrors the editorial trajectory of our deep dive.

Having endangered his life by foolishly gambling away funds entrusted to him by the Carbonari, an Italian secret society, London banker Bernard Huddlestone appeals to Northmour, an adventurer, for protection. Northmour takes Huddlestone and his daughter Clara to his castle in Scotland, offering them safety in return for Clara's hand in marriage. There Clara encounters Frank Cassilis, an old adversary of Northmour's, and falls in love. Trouble brews between the two men, but when the Carbonari discovers Huddlestone's hiding place and storms the castle, the fugitives band together to fight the avengers. Coming to the realization that only his sacrifice will appease the attackers, Huddlestone steps out and meets his death. Northmour, deciding that married life would prove too monotonous, gives up his claim on Clara to Cassilis.

Dir: Maurice Elvey

A Royalist and his unknown son seek vengeance on his murdered wife's brothers.

Dir: George Beranger

A visual fragment from the archive: The thematic resonance of The Tavern Knight perfectly mirrors the editorial trajectory of our deep dive.

Writer Frank Theydon goes undercover to research the criminal activity in New York City's Chinatown.

Dir: William F. Adler

A travelogue/documentary including explorations of the fauna and people of Siam, New Guinea, and Java, with interpolations of an apparently fictitious encounter between the filmmakers and cannibalistic natives of Frederick Henry Island in the South Pacific.

Dir: Josef Stein

A visual fragment from the archive: The thematic resonance of Number 17 perfectly mirrors the editorial trajectory of our deep dive.

Bela Lugosi plays a lascivious Arab sheikh confronting European travelers in the desert in an adventure story set in the Sahara.

Dir: Leander De Cordova

Wealthy young Rex Van Zile is madly in love with pretty Myrtle Davis, but she is so absorbed in the task she has taken on to herself of reforming Skid-Row derelicts that she pays no attention to Rex's affections. Dejected, he commiserates with his friends Harry Richardson and Clay Cullum, and through them he meets young Polly Shannon, who is employed as a maid in their household in order to pay her way to Paris, she she wants to study opera. Polly and her employers come up with a scheme to get Myrtle to notice Rex, but it doesn't quite turn out the way they planned.

Dir: Charles Swickard

A visual fragment from the archive: The thematic resonance of Shipwrecked Among Cannibals perfectly mirrors the editorial trajectory of our deep dive.

A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.

Dir: J. Gordon Edwards

Don Caesar de Bazan, a reckless nobleman, falls for Maritana, a gypsy dancing girl. When Maritana is insulted by a drunk, Don Caesar wins her love by coming to her rescue. The two go to Madrid, where the girl is summoned to dance before the Queen. Maritana also attracts the attention of King Charles. Don Jose, the prime minister, who secretly loves the Queen, plots to get Maritana for the King. To do this, he schemes to have Maritana marry a nobleman so she can enter the King's court. Don Jose chooses Don Caesar, who has been imprisoned and sentenced to death for dueling during Holy Week. Don Caesar agrees to marry the woman selected by Don Jose. After the ceremony, his wife believes he has been pardoned, but Don Caesar is sent to a firing squad. He is saved by a youth who has removed the bullets from the rifles. Eventually, Don Caesar wins the King's approval, and he is made prime minister.

Dir: Francis J. Grandon

A raft carrying a little girl and a dead woman drifts in from a shipwreck to Devil's Island. There, a band of thieves and smugglers name the girl Rose Marie, though she grows up as "nobody's girl." Living in a cave, she learns to read through the kindness of Jason, who is soon killed by the cruel leader, Red Gull. In Red Gull's power, and urged on by Jason's jealous wife, Rose Marie makes her escape in a rowboat, where she is spotted by an aviator flying above the sea. He rescues her, taking her to be cared for at his home where she is well treated. When newspapers report a mysterious shipwreck on Devil's Island, Rose Marie reveals the way in which Red Gull lured ships to their doom there. She guides the authorities to the island, where, after a fierce battle, the thieves are wiped out. Eventually the aviator falls in love with Rose Marie, and "nobody's girl" is somebody's sweetheart at last.