The Recommended Vault Deeply Connected to Skid Proof: Cult Guide

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of Moon Madness perfectly mirrors the editorial trajectory of our deep dive.

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Scott R. Dunlap

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Weak willed Gerry Sands, who wants to become an editor, is forced by his employer, locksmith Nick Barket, to crack safes, until, during a robbery, he reads some words from a dropped copy of Hamlet , and stops. Overjoyed, his sweetheart Polly Ann Kerry, gets him work at the hotel where she works, but Red Devlin, the brains behind the burglaries, frames Gerry for theft. Devlin bails him out, hoping he will return to safe-cracking, but Gerry leaves town and becomes a typesetter for a Western newspaper. After Polly exposes the crooks, she becomes ill from grief at not hearing from Gerry. Gerry returns and, risking arrest, goes to the police station to locate Polly. The police captain, who loves Polly, but realizes that she loves Gerry, gives him twenty-four hours probation to find and marry her. After he finds her, she thinks that he wants to marry her to escape jail, but the police captain vouches for Gerry's integrity, and they marry.

Dir: Scott R. Dunlap

Samuel Blevins, Jr.'s farm work suffers while he pursues a correspondence course on newspaper reporting. After he leaves the family farm and goes to the city, editors all turn him down until Ethel Williams, the author of the "Advice to the Lovelorn" column, who helps him with his style, recommends him to her managing editor. The Sunday Magazine editor, who loves Elinor, tries to ruin Sam's career by giving him the difficult task of writing a feature article. When Sam fails to think of a good story, Ethel, who now loves him, tells of the lost Princess Marie of Burvania, who is hiding in the United States. Sam's story causes the Archduke of Burvania to search for Marie, who is really Ethel, and after she is persuaded to return, Sam rescues her from a trap. He awakens to discovers that the story is a dream, writes another which is a success, and finds happiness with Ethel.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of Love Is Love perfectly mirrors the editorial trajectory of our deep dive.

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Charles Horan

A visual fragment from the archive: The thematic resonance of The Lost Princess perfectly mirrors the editorial trajectory of our deep dive.

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Scott R. Dunlap

Impresario Thomas Sullivan arrives in Ossawatomie, Kansas, to debut a new musical show written by native talent Gene Harris. Sullivan hires singer Millicent Lloyd, who auditions with a song written by her boyfriend, local bookkeeper Brian McBride. The impresario takes Millicent to New York City, where she becomes a famous singer. Brian arrives in the city with a new opera but keeps his presence secret from Millicent until he has achieved notoriety. Unable to complete an opera of his own, Harris steals Brian's work and presents it to Sullivan, who casts Millicent in the lead role. With the help of music publisher Gus Hertz, Brian exposes Harris and reclaims his composition. He and Millicent are reunited, and the opera goes on to great success.

Dir: Scott R. Dunlap

When jockey Jimmie Driscoll, responsible for making Jim Richardson's horses winners, is fired for being too heavy, he goes to the home of the late Judge Bell, the father of local horse racing. Jimmy is in love with the Judge's daughter Joy, who was left nearly penniless when her father died. Joy's brother Harry writes to her pleading that because he desperately needs money, she should enter the aging Vagabond, the last of the Bell racehorses, in the upcoming annual event. Convinced by crooked bookmaker Spike Bradley that Vagabond will win at twenty-to-one odds, Harry mortgages his half of the house for gambling money. Jimmie discovers that although Vagabond runs horribly on normal turf, she is a "mudder," meaning that she goes into a wild dash on wet ground. After Jimmie and Joy pray for rain, Bradley, learning of Vagabond's condition, threatens the jockey, but Jimmie, riding Vagabond himself in in the rain, wins the race and afterward, Joy's love.